Image and Text contributed by Somdev Thakur, Kolkata
My grandfather, Shobhendra Nath Tagore, had a very charismatic personality. He was a lawyer in the High Court, a theatrecian, an adventurer and a government employed hunter (to hunt animals that had turned rogue and attacked villages).
Nov 29, 2013 | Categories: 1950s, 1960s, Alcohol, Aristocracy, Batik, Bengali, Brahmin, Calcutta, Cars, Clubs, Dressed for an Occasion, Elephant, Elite, Entertainment, Food & Drink, Freedom Fighters, Glamour, Government Jobs, Hair Styles, House Wife, Interiors, Jewellery, Latest, Law, Lifestyles, Music, Art, Dance & Culture, Parties, Personal Collections, Photo Collection, Rolls Royce, Sarees, Silk, Sleeveless Blouses, Tigers, West Bengal, Western Clothes, Western Dances, Western Music, Zamindar | Tags: 1950s, 1960s, animals, Batik, Blue Fox, Calcutta, Cha cha cha, city of joy, Dancing, Dwarakanath Tagore, Elephant, Fox trot, Glamour, hunter, Kolkata, night life, Park Street, Party, Rabindranath Tagore, Ramanath Tagore, Shobhendra Nath Tagore, Silk Saree, Somdev Thakur, Suits, Tie, Tiger | 1 Comment »
Image & Text contributed by Jayabrato Chatterjee, Kolkata
My earliest memories were borne back in Dehradun (now in Uttarakhand), where I spent my childhood with my mother, Meera Chatterjee, my maternal grandmother, Kamala Bisi and my Jethu, Rathi Jethu (Bengali term for father’s elder brother), Rathindra Nath Tagore. Jethu was Rabindra Nath Tagore’s second child & eldest son.
Those were the first eleven and most impressionable years of my childhood. I still remember the rattle of the Dehradun Express that would carry us back to our home in the valley, away from the bustle and noise of Calcutta (now Kolkata).
Jethu had left his home in Calcutta to come and live in Dehradun with my family. It was Jethu, who had allotted me a garden patch in Mitali, our home at 189/A Rajpur Road, Dehradun and asked me to tend it with care. He even bought me gardening tools, a pair of sears and a watering can. And as I had held his finger tightly, he had led me through the nursery, pointing out names of flowers usually associated with an English garden – Phlox, Larkspurs, Hollyhocks, Ladies lace, Nasturtium, Sweet-peas, Crocuses, Azaleas and Narcissi.
Mitali our home was sheltered by the Himalayas, by the Shivalik ranges that were a riot of Mary Palmers, Crimson hibiscuses and sprawling lawns flanked by flower beds down five cobbled steps. I remember watching the shooting stars that raced across the sky at twilight. Mitali was Ochre in colour, with six large bedrooms, two kitchens, garages, servants’ quarters and a tin shed near the Mango and Lichi orchards where our cows Shyama and Julie - mooed and Koeli, the Tibetan terrier, barked her head off. Beyond the shed lay a wire-meshed chicken barn crowded with cackling Leghorns and a Black Minorca rooster who at the crack of dawn would awaken Ghanshyam, the mali (gardner) with a start. And pervading through the garden was, of course, Jethu’s voice, gently instructing the gardeners with a voice so civilised and kind that all were bound to pay attention to words spoken with equal measure to one and all.
Born on November 27, 1888, Jethu was sent by his father, Rabindranath Tagore, in 1906, to the University of Illinois to study Agriculture and where he was instrumental in starting the now famous Cosmopolitan Club. Jethu’s interests were varied and eclectic.
My strongest memories remain of him bent over a block of wood in the afternoons, by the light of a dull electric bulb, diligently inlaying it with intricate chips of ebony and ivory or shaping it into a beautiful jewellery box, a pen holder or a coffee table. He was usually assisted by a skilled and slightly cross-eyed Sikh carpenter named Bachan Singh – who would also let me chip away at a redundant wedge with a miniature saw and shape it into building blocks that I would later colour.
On my fifth birthday, Jethu presented me with a wonderful wooden steed he had made – a cross between a rocking horse and a miniature pony – complete with stirrups and a comfortable seat. He had placed him strategically on springs so that I could ride the foal to my heart’s content without falling off. For a while this charger became the love of my life and only if I was feeling generous would I share it with Bugga, the janitor’s son, who was my best friend. Bugga was snotty-nosed & mischief-laden who knew where the parrots would nest for the summer or where we could find caterpillars and tadpoles during the monsoons. He had also charmed members of Mitali by doing an impeccable act on Ravan, watched at the local Ramleela. I too would slip out at night, without my mother or Jethu finding out, with my ayah, Kanchi Ama, and walk at least two miles guided by the moon to the Ramleela grounds where the local servants metamorphosed into delectable actors. The Ramleela was certainly the high point of my Dusserah holidays when I came home from my boarding school and delighted in watching Langra Karesan, another servant, snivel through his performance as Sita in one of my mother’s old chiffon sarees.
I was hell-bent on becoming an actor too. So I’d sing my way through most of Balmiki Pratibha (an Opera penned by Gurudev Rabindranath Tagore, Jethu’s father) exclusively for Jethu’s pleasure. My reward was a set of wonderful wooden swords that he crafted for me and the next time we went to Calcutta, Bhola babu, who was the manager at Jorasanko, was instructed by Jethu to buy me a dacoit’s costume, complete with a pair of false mustachios, and take me to see the Great Russian Circus. On rain-filled evenings he would sit me on his lap, play his Esraj (Indian Harp) at Santiniketan, lovingly running the bow on the strings, and teach me to sing songs whose meanings I’m still discovering – Oi ashono toley; Roop shagorey doob diyechhi; Amaarey tumi oshesh korechho and Kholo kholo dwaar.
Winter holidays in Calcutta were never complete without a dinner with Ma and Jethu at Skyroom on Park Street and a special Sunday lunch at the Firpo’s on Chowringhee. My table manners – taught to me at Mitali – came in handy. It was Jethu who showed me the difference between a fish and a carving knife, between a salad and a quarter plate, a pastry and a regular fork; he showed me how to use the various items of the Mappin & Webb silver cutlery that had been arranged at table and insisted that I washed and wore clean clothes for dinner, ate my soup without slurping and consumed the rest of the meal with my mouth closed and a napkin spread over my lap. Lunch at home was typically Bengali, consisting of the usual rice, dal, shukto and a fish or meat curry. But dinner, sharp at 7.30 pm, was always European, served with flourish, item by item, by Jethu’s personal valet, Bahadur, at the formal dining room on Royal Doulton crockery. It was pleasure to see Jethu peel an apple at breakfast with great ceremony and elegance. Now when I look back, in fact every meal that I remember having with him was an art.
During my childhood it was very fashionable to host tea parties. Jethu had inducted Ma into sipping the most fragrant of Darjeeling teas – the delicately-scented Flowery Orange Pekoe. He was also a wonderful cook and often baked me a cake for my birthday. Some evenings, he would walk into the kitchen and stir up a mean Shepherd’s Pie and a fluffy mango soufflé. And when the orchards in Mitali had a surplus of Guavas, he would make the best Guava jelly that I have ever tasted.
A variety of celebrated invitees and house guests came to dinner – like Uncle Leonard (Leonard Elmhirst), Pankaj Mullick & Suchitra Mitra, legendary musicians, to scientist, Satyendra Nath Bose on his way to Mussoorie, Pandit Nehru (who often visited Dehra), Lady Ranu, Buri Mashi and Krishna Mesho (Nandita and Krishna Kripalani). I clearly remember the performance of a play, Pathan, by Prithviraj Kapoor and his troupe who had come to Dehra Dun. Jethu was invited to the show as Chief Guest and Ma and I had accompanied him. The next evening the players were invited to dinner at home. In the cast were Sati Mashi (whose daughter Ruma-di was then married to Kishore Kumar) and the very young and handsome Shammi and Shashi Kapoor who turned many feminine heads at the reception. But Prithviraj-ji, affectionately known as Papaji, insisted on sitting at Jethu’s feet throughout the evening, much to Jethu’s embarrassment. He just wouldn’t budge and kept saying, ‘How can I have the arrogance to sit next to Gurudev Rabindranath’s son?’ He dragged me by my hand and had me sit on his lap, ruffling my hair as he talked to other guests.
Jethu and Ma had formed a cultural organisation – Rabindra Samsad – and many plays and dance dramas by Gurudev Rabindranath Tagore were performed by its members. Ma was a veteran actress, having played Rani Sudershana, (a name that Gurudev Tagore would address her by thereafter) in Rakta Karabi and Rani Lokeshwari in Natir Puja, all directed by Gurudev in Santiniketan. Ma was his favourite actress.
So watching Jethu too direct her in Bashikaran, Lokkhir Porikhha and Chirokumar Sabha was, for me, a treat. Ma as well, directed Natir Puja with my sister playing Ratnabali, Ritu Ranga & Bhanushingher Padavali and a children’s play, Tak-duma-dum, scripted by Jethu’s aunt, Jnanadanandini Debi, where I played the lead as the wily jackal! Rabindra Samsad held regular musical soirees and showed Bengali films. My introduction to Satyajit Ray’s Debi (Devi) and Pather Panchali happened in the faraway Dehradun’s Prabhat cinema. Encouraged to participate in all the cultural events was for me, a huge education.
Jethu was also an ardent painter and spent long hours at his easel, working on beautiful water-coloured landscapes and delicate flower studies. Sometimes Ma painted along with him and also crafted many items via the complex art of Batik. My mother’s Batik parasols and slippers were greatly admired as were her exclusive batik stoles and sarees. I can still remember the smell of melting wax and feel my fingers stained again with several colours.
The relationship Ma shared with Jethu was not something that his father, Gurudev Tagore was aware of. Gurudev died in 1941 while their relationship must have begun somewhere around 1948. With accusing whispers Jethu was deserted both by his colleagues in Santiniketan and his family members. There was a 30-year age difference between Ma & Jethu but I would describe their relationship as being very respectful & tender. Having seen Ma and Jethu together and having grown up with them in Dehradun, I know what this relationship meant to them. Most of his life Jethu had felt lonely and misunderstood, but in Ma he had found a great companion.
One of Jethu’s other favourite hobbies was making perfumes that were later filled into the most delicate glass-blown bottles that I had ever seen. He’d gift Ma a different fragrance on her birthdays. Many a mornings would be spent combining the scents and concentrates of flowers like roses, juhi and mogra that came all the way from Ujjain in Madhya Pradesh. He’d leave no stones unturned till he got the aroma right, pulling away at his cigarette – either Three Castles or John Peel or Abdulla Imperial. His perfume bottles became coveted possessions for all those who were lucky enough to receive them. Usually, after the Rabindra Samsad shows, there would be lively cast parties at Mitali and the actors and singers waited with baited breaths till Jethu gave them a bottle of scent as a parting present.
Around my Jethu, light-footed and non-intrusive, virtually like the fragrance of the golden champaka blossoms that he loved so dearly, an innate sense of aesthetics kept vigil. His impeccable sense of coutour, interior decor, landscaping and gardening lent to his persona.
The last ten years of his life and the first ten years of mine were, for both of us, absolutely golden. But when he died at the age of 73 in June of 1961, Mitali or even I could never be the same again without its kind and gentle prince, my beloved foster father. Yet, as I write today, I drift back to the enchantment that was my childhood spent in Jethu’s benign shadow. And in the splendoured story of my Ma and Jethu, I re-live the most civilized, glorious and compassionate friendship that I will ever care to remember.
Jul 02, 2013 | Categories: 1930s, 1940s, Accolades & Awards, Acting, Actress, Adoption, Agriculture & Farming, Animals & Birds, Architecture, Architecture, Aristocracy, Arrivals & Departures, Artist, Batik, Bengali, Bengali, Calcutta, Celebrations, Civil Partnership, Classical, Clubs, Committees & Senates, Drawing, Dusserah, Elite, English Medium, Fashion & Trends, First of a kind, Food & Drink, Foster Parent, Founders, Future icons from the Past, Hair Styles, Himalayas, Hindustani Classical, Holidays, House of their dreams, Indian Dance, Indian Music, Interiors, Lifestyles, Literary, Love & Romance, Men's Clothes, Most Popular, Movie Theatre, Music, Art, Dance & Culture, Parties, Personal Collections, Philanthropy, Poet, Pre-1947 Indian Regions & States, Pre-Independence, Previous, Public Spaces, Railways, Relationships, Relocation, Scientist, Shoes, Singer, Smoking, Theatre, Town Fairs, Travel, University of Illinois, Uttarakhand, Vehicles & Transportation, West Bengal, Women Empowerment, Writer | Tags: 1930s, Abdulla Imperial, Agriculture & Farming, Art, Ayah, Azaleas, Balmiki Pratibha, Bashikaran, Batik, Bengali, Calcutta, Chirokumar Sabha, Cigarette, Cosmopolitan Club, Crocuses, Darjeeling tea, Dehradun, Dehradun Express, Devi, Dusheraah, Dusserah, Firpo's, Friendships, Gardening, Great Russian Circus, Himalayas, Hollyhocks, Inlay work, Jayabrato Chatterjee, Jnanadanandini Deb, John Peel, Jorasanko, Kishore Kumar, Kolkata, Krishna Kriplani, Ladies lace, Lady Ranu, Larkspurs, Leonard Elmhirst, Lokkhir Porikhha, Love, Maid, mango soufflé, Mappin & Webb, Meera Chatterjee, Mitali, Music, Nandita Kriplani, Narcissi., Nasturtium, Opera, Orange Pekoe, Painting, Park Street, Pather Panchali, Perfumery, Phlox, Play, Poetry, Prabhat cinema, Prithviraj Kapoor, Rabindra Nath Tagore, Rabindra Samsad, Rabindranath Tagore, Rakta Karabi, Ramleela, Rani Sudershana, Rathindra Nath Tagore, Rotary Club, Royal Doulton, Santiniketan, Satyajit Ray, Satyendra Nath Bose, Script, Servants, Shammi Kapoor, Shashi Kapoor, Shepherd’s Pie, Shivalik, Shukto, Skyroom, Songs, Sweet-peas, Theatre, Three Castles, Ujjain, University of Illinois, West Bengal | 6 Comments »
Image and Text contributed by Sir Mohinder Dhillon, Kenya
The following text is a summarised and edited version of excerpts from an unpublished Autobiography of the contributor.
Looking back over the 80 years, I wonder how, as a simple village boy from Punjab who never even finished school, did I end up in Africa, dodging bullets to make a living from shooting hundreds of kilometres of film in some of the world’s most dangerous regions.
I come from the proud martial family of the Sikhs. I do not know the exact date of my birth, although my passport says 25 October 1931, Baburpur, Punjab. At the time, births were not registered, and parents habitually exaggerated the ages of their children in order to get them into school early and so have their own hands free during the day. Baburpur, formerly called Retla (the place of sand), was renamed after Mughal Emperor Babur who had reportedly camped near our village for a few weeks.
My father, Tek Singh-
My father, Tek Singh, was the first person in our village to get an education. He was an adventurous man, and in 1918 at the age of 17, he responded with enthusiasm to the recruiting posters for workers on the Uganda Railway in British East Africa. Believing that there was safety in numbers, he was joined by friends and former classmates from nearby villages and the determined young men collectively took up the challenge of seeking a better life abroad.
This grandiose project of Uganda Railways would change the lives of the tens of thousands of Indians who left home for a new life in an unknown land, most of them never to return. The so-called Lunatic Line laid between 1896 and 1901 from Mombasa into the interior of then-British East Africa to Lake Victoria and subsequently extended into what is now Uganda, opened up the East African hinterland to the outside world. The founding of towns, and their later development into cities, would go on to transform the economies of the region.
When Tek Singh announced his decision to go to East Africa, it upset my grandparents immensely. Their only son was going to ‘darkest Africa’, the prevalent view of Africa at the time (still the perception of many people today). The money for my father’s first train ticket to Bombay, and for the dhow that would carry him from there to Mombasa, was borrowed from a moneylender in the village at a steep interest rate.
For the young Tek Singh leaving the village was more than just an adventure. A great deal rested on how he would fare in distant East Africa. Back at home in India, his family would be depending on him for remittances. He also had young wife to think of. His marriage had taken place six years earlier, when Tek was just 11, and his betrothed, Kartar Kaur, was nine years old.
The railway journey from Babarpur to Bombay took two days and one night. And then it took another two days to find the Uganda Railway’s recruiting agent. His shopping list for the journey – then the cheapest way of crossing the Indian Ocean – included a charcoal stove, two bags of charcoal, all the rations needed for the journey, a sleeping mat, blankets, washing powder, bath soap, tea leaves, and fresh water.
Tek Singh – or Bau Ji, as he was fondly called at home – arrived in Mombasa with almost no money in his pockets. He found refuge at a nearby Sikh temple (Gurudwara), where he slept on the veranda braving the ravenous mosquitoes, exactly like how the thousands freshly arrived on the coast spent their first few nights. After a week, Bau Ji was provided a bachelor accommodation by the Uganda Railways. Later, he and two other young Sikhs shared a small railway house that had the luxury of a tiny garden. The trio of bachelors remained life-long friends.
Bau Ji had promptly written home, informing his parents of his safe arrival. The mail though travelled first by sea, and then by rail and horse-drawn carriage and by foot, and took as long as 12 weeks to arrive. By then, his parents had feared the worst. His wife, Kartar Kaur, for her part, was obliged to don widow’s attire (the customary white dress), and was forbidden to use cosmetics. She complied for form’s sake but Kartar refused to believe that her husband was not alive. Amid the uncertainty of my father’s absence, my grandfather Natha Singh lived long enough to hear that his son had indeed reached East Africa safely, but the suspense evidently proved too much for his health. When Bau Ji’s letter finally arrived, the family was overjoyed and distributed sweets to everybody, but my grandfather died shortly after that.
Bau Ji found himself working for a soon-to-be expanded colonial rail (and shipping) network, one that would come to be known, first as Kenya & Uganda Railways and Harbours, and then eventually (in 1948) as the East African Railways and Harbours Corporation. Almost 30 years would elapse before he felt he was ready to bring the rest of his family over to Kenya. Through the 30 years, Bau Ji had to be content with getting to see his family during periods of extended overseas leave. He was entitled, once in every five years, a ‘six month home leave’ in India. All but one of the rest of us seven siblings were conceived during successive home-leave visits from our father. My youngest brother Balbir was born in Kenya. Bau Ji was able to save money for the education of all six of his sons, including me. Later, Bau Ji sent money to build a primary school in our home village.
Although the India Bau Ji had left behind was riven by class divisions, the world to which he now belonged bore even sharper lines of demarcation. The less educated Sikhs, those who were good with their hands, became mechanics, masons and carpenters. Only well-educated Sikhs could expect to land responsible office jobs. Most of the Railway accountants and clerks were Goans, who also ran the catering department. The people from Goa, who had lived under Portuguese rule for more than 500 years, did not mix much with other Indians. They classified themselves as Portuguese. And they already had their own sports club, known as the Railway Goan Institute. There were very few Gujarati-speaking Indians working on the Railway. Some Sikhs left the Railways to venture into business, but it was rare.
Bau Ji, for his part, had very little time for any kind of life beyond the Railway. He would walk the 10 kms to work from his Railway quarters. He and his two friends Kishen Mangat and Basant Bindra were encouraged by the British Administration to form a Sikh hockey team so a hockey field and a modest clubhouse were duly built. It went on to become the Railway Asian Institute Sports Club. After work, he would walk back home, have his tea, then change into his running-shorts and pick up his Indian-made hockey stick to hone his hockey playing skills.
Our lives in Baburpur -
I spent my early childhood in much the same way as my father. We never travelled outside our district in Punjab. There were no road or rail connections nearby. The Television was yet to be invented and I did not even know that radios existed. I first saw a camera when we all travelled to Ludhiana in 1947 to have our passport pictures taken. The camera was one of those contraptions with a black shroud underneath which the photographer’s head would momentarily disappear. There were no newspapers or magazines from which to learn about the world outside Babarpur. While in India, I had never heard of Mahatma Gandhi. Not until 1948, when I was in Kenya, would I hear about Gandhi for the first time – and that was only because he had just been assassinated.
Some of my friends are shocked when I tell them that my main hobby in the village was cock-fighting. I was the proud owner of a champion white cockerel named Raja, or ‘king’. Raja was fed on almonds and garlic, which made him a formidable fighter. We couldn’t afford the luxury of eating almonds. But for Raja, I would settle for nothing less. Before Raja went into battle, I would fit needle-sharp steel caps over his fighting-spurs – the talons on the inner side of a cock’s leg. In their natural state, a cock’s spurs are sharp enough. But kitted out in steel spikes, Raja could strike deep into an opponent’s belly, killing that poor bird almost instantly. Talking about this makes me wonder how I could have been so cruel. Back then, however, as a 12-year-old, I got a great kick out of all this. Raja slept next to my bed, I was so proud of him. My other passion was kite-flying. Together, brother Joginder and I won the championship for both of our last two years in the village.
Leaving India -
Things began to change for us in April 1947 the announcement of our impending departure had come in a letter from Bau Ji, received in September 1946. Leaving for Africa just weeks before India got its independence did at least spare us the carnage of Partition. When we left, India was still a peaceful place. Yet, within just a few months of our departure, some two million Indians were to lose their lives.
The first time I stepped on to a train was in 1947, at the age of 16, when we were leaving India. It was in the same year that I first travelled by bus. This was a time when, for the first time ever, Indian national election campaigns were canvassing the villages. The year 1947 was thus a significant one in my life. Until then, I had passed my entire childhood without ever having seen either a car or a motorcycle. I saw a flush toilet for the first time only after we travelled to a nearby town to be immunised against smallpox and to receive our yellow-fever vaccinations.
First, we travelled by ox-cart to Malaudh, the small town nearest to Babarpur where I had been going to school. With Partition looming, electioneering was under way in earnest, new buses were being used to mobilise political support among rural populations. From Malaudh, we took a bus to Ludhiana. This was only the second bus I had ever travelled in..From there, we boarded the train for Bombay.
In Bombay, we found a cheap hotel, where – in order to cut costs – the whole family shared one large room, with the males in one corner and the women in another. In the floor of the room there were holes through which, peeping down, we could see parts of the room beneath. Like all Indian travellers in those days, we carried all our own bedding in a sturdy canvas roll, complete with thick leather straps, a leather handle and a special pillow compartment. The bustle of Bombay – the first big city I had ever seen – was overwhelming. On reaching a street, I’d just stand there, transfixed, sometimes for at least three minutes, not daring to cross if there were a car approaching, even from afar. Bombay was simply awe-inspiring.
In India, there were – even then – bribe agents or ‘facilitators’ everywhere to smooth your passage through the formalities of customs and immigration and to find suitable accommodation for you. At the Bombay seaport, a bribe had to be paid for every service that was rendered. We even had to bribe someone in order to establish who else needed to be bribed. Our bribe agent then made sure that we bribed all the right officials.
The ship, named the Khandala, was dirty and worn. Originally a coal carrier, it had been converted to service as a passenger liner. The journey took 14 days. We docked briefly at two ports along the way, Porbunder in Gujarat and Mahe in the Seychelles. Then one day we saw the lighthouse of Mombasa. A tugboat came out to meet us and escorted our ship through a narrow bay into the port. The Africa I arrived in was green and lush. Palm trees swayed in the breeze against a clear blue sky. What a marked contrast this was to the flat and dusty Punjab we had left behind.
As we approached the shore, I knew I had come to a wondrous land. There were large engineering cranes at work in the harbour. The first human beings who caught my eye on the shore – two white men wearing shorts and a white woman in a loose skirt – were doing something curious. They were swinging sticks up and down. Later I found out it was golf. There were Africans, Arabs, Swahilis and even a few Indians and Europeans. We were astonished by how cheerful and laid-back everybody seemed to be. Most of the people we had seen on the streets of Bombay, by contrast, had looked tense and miserable, as they rushed about from place to place.
After Babarpur, our modest Railway house in Nairobi had the look of a palace. Gurdev, my elder brother soon found a job as a Railway fireman. For two years, he fed coal into the burners of the steam-engines and he would come home with soot all over his face and on his overalls. After a two-year apprenticeship, he became a locomotive driver.
In India, we had been punished for everything in school – for poor grades, for failing to complete our homework, for showing up a few minutes late, even for laughing aloud in class. For a village boy used to squatting on a coarse jute mat on a hard, uneven cement floor, this was a luxurious learning environment. Most of the teachers in Nairobi were surprisingly lenient, moreover, they did not punish for failure, or for lagging behind, but only for behaving badly in class.
Outside of school, life was filled with excitement. We drank sticky soda pop and we begged for turns to ride the bicycles of our friends. I played billiards, snooker and skittles at the Railway Club. At school, we played hockey and table-tennis. Indeed, we became such dab hands at table-tennis that my brother Manjeet and I went on, in 1954 and again in 1955, to contest the final of the Kenya National Table Tennis Championship. I won the first encounter, but Manjeet took the second.
Bau Ji was himself an avid sportsman. His love of hockey in particular was to infect my younger brother, Joginder (Jindi), who went on to be selected as part of the national hockey team that represented Kenya at the 1956 Olympics in Melbourne, Australia.
Joginder was sent to the prestigious St Thomas’s Teaching Hospital in London, where he eventually qualified as a doctor. Having then just represented Kenya at the Olympics, Joginder had easily found a place at the teaching hospital. Inderjeet went back to India, to a boarding college in Ludhiana, as Bau Ji could not afford to send him to a school in England. Later, upon returning to Kenya, Inderjeet became a popular radio and TV personality with the Kenya Broadcasting Corporation, and was for a while a heartthrob among the teenage set in Nairobi. Manjeet initially took up a job in Nairobi as a clerk in the Kenya Ministry of Works, before going into business. While at school, he received a shield from Queen Elizabeth’s sister, Princess Margaret. He was also awarded the Lord Mountbatten Boy Scouts’ Belt. All five of my brothers passed their ‘O’ level examinations. I was the sole exception, failing the exam.
A career in images -
One day Bau Ji gave me a basic, second-hand Box Brownie camera. Bought at a stock-clearance sale, it had cost him 25 shillings – the equivalent, then, of about US$ 3.50. This was the ‘poor man’s Rolleiflex’, with a fixed speed and fixed aperture. Neither he nor I knew it at the time, but this simple gift marked the beginning of a 60-year-long career in photography.
In the 1950s, in a prestigious international photographic magazine, I came across a photo essay by the Indian photographer, I.S Johar. His were pictures taken with a Box Brownie of landscapes featuring dramatic skies. Of course, all Johar’s images were in black-and-white, as colour film had yet to appear. His images, though, were a revelation to me. Taking my cue from Johar, I started using a yellow filter for all my outdoor pictures, and an orange one at times, for special effects.
My first photographs were of the Indian hockey team’s first to visit Kenya, early in 1948. In the team was the maestro Dhyan Chand, winner of three Olympic gold medals. Other great players I remember from that team were K S Babu, Manna Singh, the barefooted Peerumal and the South Indian Raju, as well as the two Anglo-Indians, R S Gentle and Claudius. For players with such an awesome reputation, all were astonishingly unassuming and gracious. None so much as batted an eyelid on being ambushed by me before a match with requests for their portraits. “Dhyan Chand,” I’d say, “Just stand there a minute, would you?” And the great man would duly oblige.
I could not afford to take my film off to a photographic studio for processing, so I learned to process film myself, in a small, makeshift dark room that I improvised in the windowless storeroom at our Railways house. I purchased developer powder and other chemicals from a studio in town. From that studio, I also borrowed a thin handbook, published I think by Britain’s Royal Photographic Society, entitled Photography Made Easy for Learners, which had detailed instructions on how to set up a home-processing lab.
I did not have an enlarger, so the photographs I produced were tiny, measuring just 2.25 by 3.25 inches. With no electric drum-dryer either, I would dry the wet pictures by slapping them on to the window panes in the kitchen, after washing down the glass with Lifebuoy soap. “Mohindri, that’s expensive soap,’ my mother or my sister would chide me. There was some friction, in that kitchen, between the cooks in the family and me, over my encroaching photographic activities. “A kitchen,” I was roundly informed, “is for cooking in – not for making pictures.”
My new-found joy at having discovered the wonders of photography did little to calm the guilt feelings that by now were haunting me. Here I was, a grown man of 20 without a job, still sponging off his parents at home. Having flunked my ‘O’ Level exams, I was beginning to feel anxious I might never find a meaningful job.
So one morning I plucked up enough courage to respond to one of the newspaper advertisements. The vacancy in question was for ‘a junior accounts clerk in an established pharmacy practice’. To my surprise, I received a notification that I was to come in for an interview. At the appointed time, I was shown into the office of the proprietor, an elderly Jewish woman called Edith Haller. I had heard of Ms. Haller, as she also owned one of the photographic studios in the town. Indeed, in those days most retail chemists operated a photographic service as well –where customers could hand in their exposed film and later collect the developed prints.
My formal interview with Ms Haller was mercifully brief. In short, my candidacy for the post of accounts clerk at the pharmacy was rejected almost at once. “What we need is a qualified bookkeeper,” Ms Haller explained. I was not unduly surprised but this time my frustration got the better of me and I nearly broke down in tears. In the doorway, as I was leaving Ms Haller’s office, I spun around suddenly. “Halle Studio,” I blurted out. “What about Halle Studio? Isn’t there something I can do there?” I told her about the little dark room I had established at home. I offered to bring in and to show her some of my photographs. I pleaded with Ms. Haller to be given a chance. She must have been utterly taken aback by my torrent of broken English, by my gangly appearance, by my ill-fitting, lop-sided turban. This was the first time I had ever addressed a white person at any length.
Ms Haller’s eyes lit up while I was talking. There and then, once I had said my piece, she told me she would put me on one month’s probation, starting immediately. From the moment I reported for duty, I was determined to show I was both capable and eager to learn. That job meant everything to me. My trainer Peter Howlett, although he did not say so, left me in no doubt that my brown skin might present a bit of a problem. Ms. Haller nevertheless confirmed me in my post at the end of the month-long probation period, for which I was paid 150 shillings (the equivalent, then, of about US$ 21). She also raised my monthly salary to 250 shillings (roughly US$ 35). I was mightily relieved and grateful; for now, at last, I had a proper job.
At the time, Kenya’s only daily newspaper, the East African Standard, did not have any staff photographers of its own. Instead, the paper relied on photographers hired from Halle Studio for its pictures of all events. Peter Howlett, the man who had been given the responsibility of training me – was Halle’s principal photographer and handled most of the commissions.
One line of work that kept Halle Studio very busy was photographing babies at their parents’ homes. Peter specialised in taking informal portraits of the babies using a single flash and it was my job to hold the flash unit. The unit was a very large, heavy box, separate from but wired up to the camera. I had to lug this box around, directing the flash at different angles so as to avoid casting an ugly shadow while Peter clicked away. Peter and I made a very successful team. We got many requests from proud young parents, while also going from door to door around some of the more affluent Nairobi suburbs, promoting our ‘Home Photography’. The response we received was generally enthusiastic, and before long we had an extensive customer base – and an impressive album of sample baby pictures.
We were also hired to take pictures of horse races, dog shows and other social events. As a colonial newspaper, the East African Standard – which commissioned most of these photographs – catered exclusively to the tastes of Kenya’s ruling British elite. One day, while Peter was away on holiday, the newspaper’s social editor, Lesley Clay, rang the Studio, requesting the services of a photographer. I took the call and offered to stand in for Peter. Ms Clay readily agreed to take a chance on me. “In a worst-case scenario,” she added, encouragingly, “we can probably do without a picture.” It turned out that Lesley wanted me to cover a horse show.
Ms. Clay was delighted with my photographs. Even I, when I processed and developed the pictures, was pleasantly surprised by how well they came out. This time the picture taken by Rolleiflex camera, and a 8×10 inch size was a magical thrill. This was the beginning of a long relationship with the Standard newspaper. Two dynamic white women – Ms. Haller and Ms. Clay – were thus responsible for both of the early breakthroughs in my career as a professional photographer.
With Lesley I attended countless society functions at which she would introduce her paper’s turbaned Sikh photographer to individual party guests. All were white, of course, and many would simply turn away on being introduced to me, shunning my presence.
The newspaper work kept me busy for years, until eventually the Standard employed a staff photographer, John Parry from England. In those days, the paper paid us peanuts for our photographs. The going rate was just five ten shillings (the equivalent at the time of about $ 1.20 60 US cents) per column-inch.
When the British declared a State of Emergency in Kenya in 1952, the Mau Mau struggle became the big news story. We took photographs of the brutal ‘screening’ of Africans in the streets; of detainees in the Manyani Camp; of British troops and supplies arriving at the Eastleigh Airport. I was not mature enough then to take in fully what was going on around me, even though this period was one of the most politically charged in the country’s history. The awakening of my political consciousness would come later, when I took photographs of the Hola Camp Massacre in 1959. It was when the real horrors of this conflict start to hit me.
Halle Studio -
In 1954, Ms. Halle fell ill, and her brother Arthur Haller, who was then the Government Maize Controller, persuaded me to buy the business from her. He even went so far as to find me a partner, in the person of Oded Katzler, a wholesaler of cardboard packaging. Katzler raised all the capital – amounting to the then formidable sum of 20,000 shillings. At first, Oded remained a sleeping partner in the business, but after 10 months I was able to buy him out. Upon acquiring Halle Studio, I immediately relocated the company to a rented first-floor office suite in central Nairobi. This was in Nairobi House, the historic building then located on the corner of Delamere Avenue and Government Road (now Kenyatta Avenue and Moi Avenue). The work was exciting, and although it did not pay well I was happy enough at the time, as I had developed a taste for photo journalism and news reporting. As time went by, my professional photographic assignments started taking me further afield. Increasingly, I was called upon to cover safaris and expeditions in remote parts of the country.
One evening in May 1958, my father – after coming home from work as usual – told me that he had some “wonderful news” for me. “Mohinder,” he said, “you are getting married.” Just like that.
Amarjeet Kaur Sandhu, known throughout her life as Ambi , was born in Kisumu, on the Kenyan shores of Lake Victoria, on September 20, 1940. She was educated at Kisumu Girls School, although, like me, she did not progress beyond ‘O’ Level. Bau Ji, for his part, was pleased to learn that Ambi had played tennis at school – at a time when Sikh girls were, for the first time, being allowed to play sports – was a strong point in her favour.
After our marriage, Ambi was not only conversant with all the studio’s day-to-day functions; she was also taking most of the passport, driver’s licence and ID photographs herself. This left me free to take on newspaper assignments at a moment’s notice. The result was that business at the studio picked up dramatically.
In those pre-Independence days, our bread-and-butter income came from a deal we had with the British Army to take ID photographs of its soldiers serving in Kenya, many of them then trying to suppress the Mau Mau uprising. On at least six days every month, whole lorry-loads of British soldiers would be dropped off to have their pictures taken. Sometimes, the queue would extend down the stairs on to the ground floor of Nairobi House and out into the street. Ambi would sometimes take pictures of more than 300 British soldiers in a single day.
Ambi loved working at the studio. She loved the busy days especially, when streams of people would walk in to have their pictures taken or to collect their prints. She made friends with other tenants in the building, whom she spoilt with her home-made samosas, earning her the nickname ‘Samosa Lady’. The work set Ambi apart from former school friends of hers, some of whom were now also newly married and living in Nairobi, but who – as housewives, most of them – had only limited interaction with the wider Nairobi public. Ambi never criticised her married former school friends openly, but she did, in private, after meeting up with them at weekends, “I am far too busy,” she used to say, “for all this idle chatter” finding the closed world of their incessant society gossip exasperating.
With Ambi at the studio, I could devote myself almost exclusively to news photography, initially for the East African Standard, and then – increasingly – for UPI and other international press agencies as well. Come 1959, I was spending less and less of my time in the studio, as assignments would call on me to leave Nairobi to cover events elsewhere in Kenya and throughout East Africa. When, in 1960, I began covering events across the whole of Africa, I would be away for lengthy periods, leaving Ambi to ‘hold the fort’ at Halle Studio. Having acquired a passion for photo-journalism, I had become ambitious. So, in 1959, I wrote to Planet News Photos (subsequently taken over by United Press International, UPI) asking if this international agency might consider taking my pictures. The reply I received was surprisingly short and to the point: ‘Yes, Please’ – just the two words; no further explanation required; no demands; no doubts even over whether I could deliver photographs of the desired standard. This stunning breakthrough would prove the making of my company Africapix Media Limited.
Mohinder Dhillon (Founder and CEO of Africapix Media Ltd.) was the first photo and TV journalist to capture the plight of Iranian Kurds behind Khomeini’s lines. His first pictures shocked the world generating a lot for sympathy of Kurdish sufferance. He was knighted by the Order of Saint Mary of Zion during a ceremony at the Royal Artillery Headquarters in Woolwich, U.K. on November 12th 2005. “The honors were conferred upon those who had made significant contribution to the society.
His films of Ethiopian famine finally moved the world into action resulting in one of the biggest famine relief operations in history. Relief planes from dozens of countries descended on little dirt air strips of Ethiopian countryside round the clock as if they were Heathrow or JFK airports. The very first pictures of the terrible Ethiopian famine was the combined effort of Mohinder Dhillon and Michael Buerk of BBC TV to gain entry into tightly controlled military ruled Ethiopia in 1984 opening the door for rest of the media and rest of the world.
May 21, 2013 | Categories: 1910s, 1947 India Bangladesh Partition, 1960s, Accolades & Awards, Achievements, Adventure, Apartheid, Arranged Marriage, Boat, Books, British Reign, Bus, Child Marriage, Cock Fowl, Commerce, East Africa, Education, English, Ethnicity, First of a kind, Food & Drink, Friendships, Future icons from the Past, Halle Studio, Hockey, House of their dreams, Kite flying, Knighthood, Men's Clothes, Migration, Most Popular, Noteworthy Journeys, Photo Studio, Photographer, Photography, Pre-Independence, Previous, Punjabi, Punjabi, Punjabi, Racism, Rags to Riches, Railways, Relocation, Ship, Sikhism, Smallpox, Urdu, Vehicles & Transportation, Violence, Wartime Separation, Western Clothes, Widower, Women Empowerment | Tags: 1960s, Africapix Media Limited, Babarpur, BBC, Bombay to Africa, Bribery, British East Africa, Brownie Box, Dhyan Chand, East Africa, Edith Haller, Ethiopia, Famine, Halle Studio, Hockey, Hola Camp Massacre, ID photographs, Immunisation, Indian hockey team, Indian national election campaigns, Iranian Kurds, Kenya, Kenya Broadcasting Corporation, Kenya National Table Tennis Championship, Khandala, Kite Flying, Knighthood, Manyani Camp, Mau Mau, Michael Buerk, Mombasa, Nairobi, Olympic gold medals, Olympics, Punjab, Rolleiflex camera, Royal Photographic Society, Sam Dhillon, Ship, Sir Mohinder Dhillon, Small pox, Uganda Railway, yellow Fever | 6 Comments »
Image and Text contributed by Dave, Bristol, England
This is a picture of my father Sydney (Sid) and a colleague having a drink at a hotel or club somewhere in India or Pakistan during World War 2. He was was as an airplane mechanic with the RAF (Royal Air Force). He is the one with a cigarette and he would have been about 27 years old at the time.
He was also in the RAF football team and used to say that they sometimes flew 1000 miles just for a football game, this was during wartime and there must have been rationing, but it serves as an example perhaps of the british attitude at the time, towards sport.
My father Sydney was born in Liverpool, England around 1916 and had two older brothers and two older sisters. His father died when he was a child and he was brought up by his older brothers Joe and John.
He volunteered for armed service when the war (WWII) broke out in 1939 and was able to choose which service he wanted, which was the RAF. He failed his medical exam to be a pilot due to problems with his ears and became an aircraft mechanic dealing, I’d presume with air engines.
He was posted to Detling Airdrome in East Anglia, it was a coastal command airfield, but they were attacked in summer 1940 by the German airforce and about 67 RAF personel were killed. His squadron was then posted to India and I believe they went there by ship in either 1940 or 1941.
When in India, they were ‘posted’ or stationed in many different locations, he didn’t talk much about it but I do know he was in Hyderabad at some stage, and it was before partition. He always said that he lost his hair (he went partially bald) due to the heat in India. The main enemy in India during WWII were the Japanese coming through Burma, but I don’t think my father was ever on the front line. He returned to England after the war, around 1945 and never went back. He met my mother at a dance after the war, in Liverpool. He passed away died in 1979.
Nov 19, 2012 | Categories: 1940s, 1947 India Pakistan Partition, Architecture, Beer, Burma, Clubs, East India Company, English, Food & Drink, Football, Furniture, Hair Styles, Hand Painted, Head Gear, Hyderabad, Interiors, Japan, Men in Uniform, Military, Noteworthy Journeys, Pakistan, Pre-Independence, Previous, Ship, Smoking, Summers, Travel, Western Clothes, Western Dances, World War II | Tags: 1940s, Baira, Balding, Beer, Burma, Cigarette, Club, England, Football, friend, Furniture, Head Gear, Hyderabad, India, Japan, Liverpool, Mechanic, Medical exam, Partition, RAF, Royal Air Force, Sports, Sydney, Turban, Uniform, Waiter, World War II | Leave A Comment »
Image and Text contributed by Naresh Fernandes, Author, Bombay
The picture, photographed sometime around 1910, is the childhood image of my grand-uncle Alec Cordeiro, fondly called Bunnu. Next to him is my Grand-aunt May and my Grandmother Beatrice.
It isn’t clear when and how exactly my ancestors got to Karachi, but it seems that they’d been there for four generations. Like most Goans, they left looking for work: the Portuguese didn’t establish any industry in Goa, so hundreds and thousands had to seek work in other places. There were sharp discussions in the family about whether our ancestor Santan Vaz had made his money running a liquor distributorship or a booze joint.
My paternal great-grandfather, Xavier Cordeiro, was a postmaster general in Karachi. His son-in-law, my grandfather, Alfred Fernandes, moved to Karachi from Burma during World War II. He’d been working for the Burma Railways and had to leave when the Japanese invaded in 1941. So he and his wife, my grandmother, Beatrice (standing right), decided to return to their family’s home in Karachi. In only a few years, the entire family pulled up their roots from the city in which they’d lived for four generations to take their chances in India, a few months before Partition in 1947.
Though my father was only nine when the family left Karachi, his elder siblings had more vivid memories : trips between Bombay and Karachi were made on ferries named the Saraswati and the Sabarmati (“they were like little tubs, we all got seasick”) ; relatives having leisurely evenings at the Karachi Goan Association (KGA), “gin and lime was the favourite drink”, and the enterprising nature of the Karachi Goan community -“they even owned a flour mill!” From my grandmother’s stories, it appeared that everyone in the family had spent a lot of time at the KGA. After all, it was right opposite their bungalow in Depot Lines. That bungalow, sold months before Partition, has long been replaced by a characterless block of apartments.
When we were children, my cousins and I could have been forgiven for thinking that our great-uncle’s first name was “Poor”. That, was how my grandmother and her sisters referred to their only brother each time he came up in conversation, “Ah, poor Bunnu,” they’d sigh whenever someone mentioned their Cambridge-educated sibling who’d chosen to stay put in Karachi at Partition. The somewhat embarrassed tone in which his three sisters talked about him left Bunnu obscured by a whiff of mystery—even scandal.
If there’s one thing I knew about Uncle Bunnu, it’s that he spent a great deal of time at the bar of KGA. Friends joked that the committee of Karachi Goan Association had once made a decision to sack the chowkidar (guard). He wasn’t really needed since Bunnu Cordeiro never seemed to leave the building.
When I finally made a visit to Karachi in November 2011, I met 92-year-old Rita de Souza. She’d been in school with all three of my grand-relatives. She displayed all the discretion you’d expect of a woman of her breeding, but under my badgering, was gradually lulled into talking about my great-uncle. “Ah, poor Bunnu,” she eventually sighed. “He was quite a talker.” She let slip an anecdote relating to the time Bunnu was at Cambridge in the 1920s. “He was disappointed in love,” Rita de Souza said. “He was quite keen on a woman when he was in England, but his mother heard of it and made him exit the situation post-haste.” That’s all she remembered about him.
Others too remembered Bunnu. “He’d tell us about the libraries in Cambridge, where you’d have to maintain pin-drop silence,” a third-cousin said. “‘What would happen if you had a cough?’ we’d ask. He’d reply, ‘If you had a cough, courtesy would require that you didn’t visit the library.’”
At one recent family get-together, the conversation turned to Bunnu. It would be difficult to send mail over the border after each India Pakistan war, so Bunnu’s letters were infrequent. But sometimes, perhaps to remind everyone of his real name, Alec, he’d sign himself as “Sikander”—the sub-continental name for Alexander the Great. “He called his three sisters ‘the gangsters’,” someone recalled. “When he was in England, they sent him a childhood photo of the four of them and he said, ‘I’m not coming home. If I do, I’ll have to take care of them.’”
My aunt Margaret corroborated the story I’d been told in Karachi. Evidently, Bunnu had refused to return to Karachi because he’d fallen in love with an Englishwoman. His mother, Mary, who wanted him to marry a Goan, was horrified. She “picked up her skirts and took the next boat to England”. The conclave was divided on what happened next. Either my great-grandmother “grabbed his ear and dragged him right back home” or “he sent her right home without even allowing her a day to see the sights, but promised to return soon”. At any rate, Bunnu was back in Karachi by the mid-1930s and would remain a KGA Bar fixture for the rest of his life.
Uncle Bunnu never married, held a job for long or seen his sisters after 1947. Later he moved into an old folks home in Karachi. No one in the extended family seemed to have a recent photograph of him. I’d always held the impression that Uncle Bunnu had drunk himself to death, but considering that he was 80 when he died, he didn’t do it very efficiently. By the time he passed away in 1984, Bunnu had become more like a hazy myth to his younger Indian relatives than a real person.
The old folks home in which Bunnu had spent his last years is located in one corner of Cincinnatus Town. Cincinnatus Town was unnervingly familiar. Many of the older homes had been built in the 1930s, exactly at the time the pocket of Bandra in which I live had been constructed and with the same coastal-city architectural features. Parts of Garden East (Cincinnatus Town) resembled the now-demolished landscapes of my childhood. They were filled with the kind of teakwood furniture you find in older Bombay homes and had identical Catholic iconography. My ancestors, yes, they’d been dead for decades, but as we discussed them in Bombay, six decades and 900 kms away, they were warm, breathing presences, as real and as resolute as Karachi.
An unedited version of this narrative can be found here.
Jun 05, 2012 | Categories: 1910s, 1947 India Pakistan Partition, 1971 India Pakistan War, Addiction, Alcohol, Architecture, Arrivals & Departures, Bandra, Boat, Bombay, Bombay to Karachi, British Reign, Bungalow, Burma, Catholic iconography, Christianity, Cincinnatus Town, Colaba, Committees & Senates, Decor, Depot Line, Dressed for an Occasion, Fashion & Trends, Ferry, Furniture, Gin, Goa, Goan, Government Jobs, India, Interiors, Karachi, Karachi to Bombay, Letters, Love & Romance, Men's Clothes, Migration, Pakistan, Photo Studio, Picnics & Feasts, Pre-Independence, Previous, Prints & Stitches, Sabarmati, Saraswati, Shoes, Studio Backdrops, Studio Portraits, Teak, Travel, United Kingdom, University of Cambridge, Wartime Separation, Western Clothes, Western Clothes, Women's Clothes, World War II | Tags: 1910, 1910s, 1947, 2011, Alcohol, Alfred Fernandes, Bombay, Burma, Burma Railway, Cordeiro, Gin, India, Japanese Invasion, Karachi, Karachi Goans Association, KGA, Mumbai, Naresh Fernandes, Pakistan, Portuguese i, Post Master general, Sea sick, World War II | 2 Comments »
Image and Text contributed by Anshumalin Shah, Bangalore
This image of maternal grandfather, Shri Manikchand Veerchand Shah and our extended family was photographed in November 1956, by the famous ‘Malage Photographer – Oriental Photo Studio’ who charged a tidy sum of 30-0-0 (Rupee-Anna-Paise) for two Black & White 6” x 8”copies with embossed-border mounts. The occasion was my grandfather’s birthday, he had just turned 60.
The family was photographed in the front yard of the bungalow called ‘Ratnakuti’ opposite the Fort in Solapur (then Sholapoor), Maharashtra. Ratnakuti was one of twin bungalows built around 1932 as mirror images of each other, known as ‘Jod-Bangla’. Beautifully crafted in stone and plaster, with imposing pillars, balconies and rooms with ceramic-chip handcrafted flooring, exquisite teak, brass grills for windows, coloured glass panes on windows and doors, verandahs with neat terracotta tiles, a large court-yard in front, ‘Ratnakuti’ and its twin would never fail to draw the attention of passers-by and stands to this day as a well known landmark. Eventually, the two bungalows were sold and are now owned by the Goyal family.
My grandfather, Manikchand Veerchand Shah, born in 1896, came from a pioneering and visionary Gujarati Digambar Jain family. He was a self-educated, successful entrepreneurial man with modest beginnings. Before 1910, he along with his younger brother, Walchand Motichand Shah, worked in a Saree shop of their guardian where they got paid One Paisa for every saree they neatly folded, ready for dispatch or sale and delivered on a bicycle to the shop at Phaltan Galli.
As they grew up together, my grandfather and his brother established and operated several businesses together complementing each other’s strengths. The businesses included a handloom cloth dyeing unit, in Valsang, near Solapur, for which the dyes were imported from Japan. They also began importing General Motors cars, motorcycles and trucks around 1922. I am told my grandfather would drive and deliver the imported truck chassis himself from Bombay to Pune and Sholapur. Their firm ‘Sholapur Motor Stores’ continues on in Pune, albeit only as a Fuel Station. He also established the well-known ‘India Garage’ in the 1930s where the present showrooms of Renault and Volkswagen stand, still operated by the family.
Closely associated with the freedom movement in Solapur, opposing the Martial Law imposed in 1930, he was arrested by the British, sent to Bijapur Central Jail and later exiled. Not to be outdone by the British, he used his stay at Bijapur Jail to monitor the establishment of a ‘Sholapur Motor Stores’ branch in the city.
Also associated with the Hindu Mahasabha, he rubbed shoulders with very important personalities like V. D. Savarkar, Dr. K. B. Hedgewar, M. S. Golwalker Guruji and Gulabchand Hirachand Doshi. While he was also deeply involved with several causes for the people of Valsang, unfortunately, owing to his association with the Hindu Mahasabha, an irate mob of villagers from Valsang set his car on fire in a frenzied reaction to the assassination of Mahatma Gandhi on January 30, 1948. Barely managing to escape with his life, he was deeply hurt and disillusioned by the senseless act by the people of Valsang. In consequence, he wound up his businesses and left Valsang, never to return.
After the death of his wife, my grandmother, when he was just 34, and as a sign of love for her, he changed his attire to only pristine white – a white turban, coat and a dhoti with white canvas pump shoes. While visiting us in Hyderabad, he would regularly buy the special black metal ‘Bidriware’ buttons for his white coats from a handicraft showroom at Abid Road.
My grandfather was a man of many parts. He was the Director on the Board of Bank of Maharashtra Ltd. As well as on the governing council for several religious and temple trusts. His contribution to the educational infrastructure development from his own funds at Solapur is widely acknowledged. He offered personal loans, scholarships and donor’s seats at the Walchand College of Engineering, Sangli for students pursuing higher studies in the 1950s and 60s. Several successful senior Engineers owe their careers to him.
Farming, Gardening, and Photography were his passions. I remember us youngsters gathering on his farms near Sholapur during summer holidays and enjoying the juiciest mangoes to our brim. Quite taken up with Photography as well, he had acquired a glass-negative Camera in the 1920s and his collection of glass negatives and pictures are our family’s priceless treasures.
My grandfather passed away in June 1968. Many members of the two older generations of the three appearing in the pictures have also passed on. The third generation now have their own children and grand-children. I feel very honoured to have shared some of the birthday celebrations along with my grandfather as we were both born only a few days apart.
Time moves on, but photographs manage to freeze fleeting moments here and there. If we could preserve these photographs, we succeed in reliving those moments over and over again and again.
Mar 06, 2012 | Categories: 1920s, 1930s, 1940s, 1950s, 1960s, Agriculture & Farming, Assassinations & Attempts, Birthdays, Bombay, Bungalow, Business-man / Business-woman, Charity, Committees & Senates, Currency, Decor, Development, Elite, Entrepreneur, Exile, Factory & Manufacturing Units, Freedom Fighters, Friendships, Gujarati, Head Gear, House of their dreams, Imports & Exports, Imprisonment, Indian Clothes, Indian Clothes, Indian Politics, Industrialisation, Interiors, Jain, Japan, Jewellery, Landmarks, Maharashtra, Men, Men's Clothes, Mourning, Oriental Photo Studio, Personal Collections, Philanthropy, Photo Collection, Photo Studio, Public Sector, Pune, Rags to Riches, Riots, Sarees, Solapur, Trader, Vehicles & Transportation, Violence, Widower, Women, Women's Clothes | Tags: 1920s, 1930s, 1940s, 1950s, 1960s, Agriculture & Farming, Anna, Anshumalin Shah, Architecture, Assassination of Mahatma Gandhi, Assassinations & Attempts, Attire, Bank of Maharashtra, Bidari-ware, Bijapur Central Jail, Birthday, Birthdays, Black & White, Bombay, British Empire, bungalows, Business-man, Buttons, Cars, Charity, Committees & Senates, Currency, Decor, Development, Dr. K. B. Hedgewar, Elite, embossed-border mounts, Entrepreneur, Exile, Factory & Manufacturing Units, Family Business, Family Portrait, Farming, Fort, Freedom Fighters, Friendships, Fuel Station, Gardening, General Motors, glass-negative Camera, Gujarati, Gujarati Digambar Jain, Gulabchand Hirachand Doshi, Handloom, Head Gear, Hindu Mahasabha, House of their dreams, Hyderabad, Import, Imports & Exports, Imprisonment, Indian Currency, Indian Politics, Industrialisation, Interiors, Jain, Japan, Jewellery, Jod-Bangla, Landmarks, M. S. Golwalker Guruji, Maharashtra, Malage Photographer – Oriental Photo Studio, Mangoes, Manikchand Veerchand Shah, Martial Law, Mourning, Oriental Photo Studio, Personal Collections, Phaltan Galli, Philantrope, Photo Studio, Photography, Public Sector, Pune, Ratnakuti, Renault, Riots, Rupee-Anna-Paise, Sangli, Sarees, Sholapoor, Sholapur Motor Stores, Showroom, Solapur, Trader, Trucks, Turban, V. D. Savarkar, Valsang, Vehicles & Transportation, Violence, Volkswagen, Walchand College of Engineering, Walchand Motichand Shah, Widower | 5 Comments »
Image and Text contributed by Soni Dave, New Delhi
Born on April 12, 1918 in the Mainpuri Dist. of Uttar Pradesh, Brigadier Gyan Singh, whom I fondly call Gyan Uncle, was a man of many many accomplishments and huge influence. He was commissioned in the Regiment of Artillery in June 1940. In 1947 he set up the Army Ski Training School in Gulmarg, Kashmir, which is now the High Altitude Warfare School. In 1959 he became the second principal of the Himalayan Mountaineering Institute, Darjeeling established in 1954. He took over from Major N.D. Jayal who was the principal from 1954 to 1958.
And the best part, in 1960, he led the first Indian attempt to the Mount Everest. Unfortunately, the expedition was short of the summit by 200 meters when they were forced to return due to very bad weather.
He was also awarded the Padma Shri in 1961. And then was the first principal of the Nehru Institute of Mountaineering set up in 1965 to honour the great desire of Prime Minister Pandit Jawahar Lal Nehru, who was an ardent mountain lover. In 1979 he founded the National Adventure Foundation and set up a chain of adventure clubs throughout India. He was also awarded the IMF gold medal in 1993 for his outstanding contribution in the field of mountaineering. ’Lure of Everest‘, ‘Peak to Peak‘, are some of the books he wrote.
The above is information readily available on the Internet. But I have a few personal words on the man I knew as Gyan uncle. Gyan Uncle was my mother’s brother, one of 5 siblings. Three elder brothers followed by two younger sisters. Gyan uncle was the second eldest. I consider myself fortunate to have spent long periods with him in the late 70′s early 80′s. He was in Delhi very often those days in connection with setting up the National Adventure Foundation. When in Delhi he always stayed with us. For me, in my early 20′s, he was a ready role model of optimism, work ethics and good cheer. He described it very well when he said that he ‘had a very bad memory for unpleasant things’. And so that’s how he lived his life. Always in the present moment. He was a man of action. Always doing something and doing it well.
His own family life however was turbulent. He had 3 sons and a daughter. He lost his eldest son, Mahinder, to a fire accident. His third son, Ravi, lost his life to an overdose of drugs. Ravi’s drug addiction had been a matter of great concern to his father who tried his best to help his son overcome it. He also admitted him to a de-addiction center after-which when he took him home he encouraged him to write about it. It turned into a book called ‘I was a Drug Addict’. However before it could be published, Ravi, unable to deal with issues, returned to his world of fantasies, and we lost him to an overdose. The last chapter of the book was written by a heartbroken grieving father. The book was published posthumously in 1979. To watch him mourning and then recover from such great losses were valuable life lessons. In 1979 he focussed all his energies on starting the National Adventure Foundation.
When I talk about him, how can I not talk about his great sense of humour and comic timing. There was never a dull moment. Quick wit and repartee would fly! Being around him was uplifting. And he was charming charming charming ! He won hearts so effortlessly. He passed away in 1997 at the age of 79. We still talk about him. Tell the children stories about him.. Nearly all those stories are accompanied by loud laughter! What an accomplishment! What a life!
Apr 27, 2011 | Categories: 1950s, 1960s, Adventure, Books, Darjeeling, Drugs, First of a kind, Founders, Gulmarg, Head Gear, High Altitude Warfare School, Himalayan Mountaineering Institute, Indian Politics, Medal, Men, Men in Uniform, Mount Everest, Mountaineering, Padma Shri, Professional Gear, Professional Training, Self Published, West Bengal | Tags: 1950s, 1960s, Adventure, adventure clubs, Army, Army Ski Training School, Award, Bad weather, Books, Brigadier Gyan Singh, Darjeeling, De-addiction Centers, Delhi, Drug Abuse, Drugs, First of a kind, Founders, Gulmarg, Head Gear, High Altitude Warfare School, Himalayan Mountaineering Institute, HMI, I was a Drug Addict, Indian Army, Indian Politics, Lure of Everest, Major N.D. Jayal, Medal, Men in Uniform, Military, Mount Everest, Mountaineering, National Adventure Foundation, Nehru Institute of Mountaineering, overdose, Padma Shri, Padma Shri, Pandit Jawaharlal Nehru, Peak to Peak, Principal, Professional Gear, Professional Training, Regiment of Artillery, Self Published, Soni Dave, Summit, Tenzing Norgay, West Bengal | 7 Comments »
Image and Text contributed by Sunder Mirchandani
Colombo consisted of a small Sindhi Community – they were mainly traders/shopkeepers, who lived there since the 1940s. My mother, Sita Mirchandani (second from right) was a founding member and a secretary in the committee. All meetings were occasions to dress up and show off their latest saris, fashion and styles. Fourth from left stands Kamala Hirdaramani (President) – proudly displaying a then in style purse.
Jun 18, 2010 | Categories: 1940s, 1950s, Clubs, Columbo, Fashion Accessories, Hair Styles, Indian Clothes, Parties, Picnics & Feasts, Sarees, Shopkeeper, Sindhi, Sri Lanka, Trader, Women, Women Empowerment, Women's Clothes | Tags: 1940s, 1950s, Clubs, Columbo, Fashion & Trends, Fashion Accessories, Hair Styles, Hirdaramani, Indians Abroad, Mirchandani, Parties, Picnics & Feasts, Sarees, Shopkeeper, Sindhi, Sindhi Ladies Association, Sri Lanka, Style, Trader, Traders, Women Empowerment, Women's Clothes | Leave A Comment »
Image and Text Contributed by Usha Bhandarkar
Men and women were always very smartly turned out for the races…”you never repeated a sari!” Men wore full suits and felt hats; women wore Chiffons and Pearls. My mother Maya is appalled at the current dress code at the Races which she finds positively sloppy.
Apr 10, 2010 | Categories: 1940s, Bombay, Chiffon, Clubs, Gambling & Races, Head Gear, Indian Clothes, Mahalaxmi, Maharashtra, Men's Clothes, Parties, Pearls, Race Course, Sarees, Western Clothes, Women's Clothes | Tags: 1940s, Attire, Bombay, Chiffon, Club, Clubs, Dress Code, Friendships, Gambling & Races, Head Gear, Mahalaxmi, Maharashtra, Men's Clothes, Parties, Pearls, Race Course, Sarees, Sari, Saris, Shivdasani, Sindhi, Style, Turf Club, Women's Clothes | Leave A Comment »
Image and text contributed by Usha Bhandarkar
My mother Maya Shivdasani is now 90 year old of age. She was born in Hyderabad Sind in 1919 and came to Bombay after her marriage in 1937. After her marriage in 1937 Maya moved to Bombay but would visit her parents in Hyderabad Sind (Now Pakistan) at least twice a year. This photograph was taken on one of her visits to Hyderabad where she was the epitome of style and sophistication: sleeveless sari blouse, short hair, long, painted fingernails.
She has lived in Cuffe Parade all these 73 years, read the Times of India every single day and visits the Cricket Club of India once a week. One of her favourite haunts is the Sea Lounge at the Taj Mahal Hotel. She was truly saddened to see it damaged in the Mumbai attacks of 2008. On the day the Sea Lounge reopened she was there sitting at a window table, sipping their wonderful Viennoise Coffee.
Apr 10, 2010 | Categories: 1910s, 1930s, Bombay, British Reign, Clubs, Cricket, Doctor, Fashion & Trends, Fashion Accessories, Glamour, Hair Styles, Hotel, House Wife, Hyderabad Sind, Indian Clothes, Landmarks, Maharashtra, Men, Men's Clothes, Migration, Mustache, Now Pakistan, Pre-Independence, Sarees, Sindh, Sindhi, Western Clothes, Women, Women's Clothes | Tags: 1910s, 1930s, Bombay, British Reign, Clubs, Cricket, Cuffe parade, Doctor, Fashion & Trends, Fashion Accessories, Glamour, Hair Styles, Hotel, House Wife, Hyderabad Sind, Landmarks, Maharashtra, Migration, Mustache, Now Pakistan, Pakistan, Pre Independence, Sarees, Sari, Sea Lounge, Shivdasani, Sindh, Sindhi, Style, Taj Mahal Hotel, Times of India, Women's Clothes | 2 Comments »
Image and text contributed by Krishna Algotar and Dr M. J. Algotar, Ex.Professor & Head, Department of Surgery,
& Ex Vice-Dean, Grant Medical College
This photograph is from my collection of the medical college I worked in. The lady sitting in
front is ‘Mai Ambedkar’, Mrs. Savita Ambedkar, wife of Dr. Babasaheb
Ambedkar. Grant Medical College is one of the oldest medical colleges of India and was started in 1845.
Apr 05, 2010 | Categories: 1800s, 1930s, Clubs, Doctor, Education, Grant Medical College, Maharashtra, Pre-Independence, Sports, Teacher | Tags: 1800s, 1930s, Ambedkar, Babasaheb Ambedkar, Bombay, Clubs, Committee, Doctor, Dr. Ambedkar, Education, Grant Medical College, Maharashtra, Mai Ambedkar, Medicine, Pre Independence, Savita Ambedkar, Sports, Teacher | 2 Comments »