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Beliefs & Causes

The twin cultural ambassadors of India

My grandfather S. Gurdial Singh (standing right) and his fraternal twin brother, S. Harminder Singh ( second from left) with staff from the Consulat général de France (Embassy of France). Connaught Place, Delhi. 1949

Image and Narrative contributed by Nona Walia, New Delhi

This is photograph is of my grandfather S. Gurdial Singh (standing right) and his fraternal twin brother S Harminder Singh (standing second from left) with people from the Embassy of France in New Delhi in 1949.

The brothers Gurdial and Harminder were born on August 1, 1916 in Wazirabad (now in Pakistan). The family was from a small town in Punjab, Chamkaur Sahib, where Guru Gobind Singh, the tenth Sikh guru’s, sons were sacrificed. The twins’ architect father Bir Singh had helped build government and residential buildings in Lahore (now in Pakistan) and Chamkaur town.

Bir Singh, my great grandfather had two wives, and the first wife had a daughter. The societal pressure for property distribution (the patriarchal line) was immense by his brothers, so he married Balwant Kaur, who gave birth to the twins with the blessing and prediction of a local saint in Punjab, Randhir Singh. The twins it turned out were quite unlike each other. Gurdial Singh was a introvert, and liberal hearted with a tight circle of friends. Harminder Singh was an extrovert, dynamic, social, philosopher who loved meeting the whos who.

The twins were just eight years old when their 34 year old father Bir Singh passed away and they were brought up by their mother, Balwant Kaur. Their spirit made them known for their strength, as Harminder (known as Kirpal Singh then) would daringly go swimming in the Ropar canal (the beginning of Sirhind Canal) and loved playing the banjo. They studied at BASJS Khalsa Sr. Sec .School, Chamkaur Sahib, and then went to do their higher studies at Wazirabad.

Gurdial Singh then developed a serious interest in the French language and began learning the language in Pakistan, he then went to Pondicherry,  (former French colonial city in South India), for an year, in 1936, to refine his knowledge. It was in 1940, Gurdial Singh, who by now was an expert on the language, became a professor of French at S.D. College (Sanatana Dharma) in Lahore. Gurdial Singh married Harjit Kaur in Wazirabad and had two sons and a daughter; Harminder Singh married Kanwal Singh had two daughters and a son. Both marriages were arranged by Sant Randhir Singh, who had predicted their birth.

After partition in 1947, the brothers moved to Delhi, and rebuilt their lives from scratch. My grandfather Gurdial worked in Delhi’s Dyal Singh College and went on to become the Vice Principal. He wrote many Grammar books and poetry in French. The big milestone was when he translated the Japji Sahib, the Sikh morning prayer into French. The then prime minister Indira Gandhi unveiled his book. He also translated Bhai Vir Singh‘s poems and Guru Tegh Bahadur‘s hymns into French. Some of his original French poems were broadcast by AIR (All India Radio). One of his other big works written in French and English was the biography of Maharajah Duleep Singh (youngest son of Maharajah Ranjit Singh) who spent the last days of his life in France.

It was in 1966, Prof. Gurdial Singh also participated in a special programme on French Television network in connection with the 300th celebrations of Guru Gobind Singh. He was the founder member of Alliance Francaise, Delhi and member of the Board of Studies in French at the Panjab University, Chandigarh and at the Punjabi University, Patiala.

My grandfather Gurdial came to be known as the literary genius and his friends who would sit with him to hear him tell stories and narrate poems for hours. There were times, I would see him in his study, writing for days. Eventually he translated, for the first time, the entire Guru Granth Sahib into French. There were shabads (hymns) he would write and sing in French. The songs I grew up listening were mostly in my grandfather’s voice in French recorded on a tape recorder by his daughter, Gurdeep Kaur.

His twin my granduncle, Harmandir Singh was in the Indian Foreign Service and served in Cairo, Nairobi, Kinshasa, and finally moved to High Commission of London in 1969. He was given the third Shiromani Award in 1979 for promoting peace and harmony in a multi cultural society. He was part of more than 20 organisations, globally, that worked towards Sikh charity and community work. He was the executive member of World Congress of Faiths and attended the annual conference at Canterbury in July 1976.

The brothers indeed became the cultural ambassadors of their culture around the globe and their literary genius resulted in a creative life well-lived. Gurdial Singh passed away in 1990 and Harminder Singh passed away in 2010. After Partition, they had built a life from scratch with resilience despite losing their home, in what became Pakistan. They found global fame with their literary genius and their never-say-die Sikh spirit opened up their lives that were full of curiosity and zest to understanding, discovering and sharing new and beautiful views of the world.


The work on Indian Memory Project takes a lot of time, money and hard work to produce. But it is necessary work and parallel views on our histories matter – now more than ever. If everyone who reads or refers to the project – likes it, admires it and benefits from it, please do help fund it and it will make the future of this project much more robust and reassured. You can support Indian Memory Project for as little as Rs. 100 or more if you prefer – AT THIS LINK


185 – The Indian man in the concentration camp

Cancellation of the look-out notice for A.C.N. Nambiar. 25 March 1938. UK

Image courtesy Bombay Special Branch Archives
Narrative points contributed by
Vappala Balachandran, Former Special Secretary, Cabinet Secretariat, India
Facilitated by Gautam Pemmaraju, Mumbai

This narrative has been rewritten and reformatted for the purpose of this archive.

During the early 1980s I was posted in a western European station as a diplomatic officer with an added responsibility of covert security intelligence. Under diplomatic cover I had the usual consular duties but my real work was gathering information in a clandestine manner. One day my boss, the chief at RAW (Research & Analysis Wing/ Indian Intelligence) NF Suntook briefed me about an unusual assignment that was requested directly by the Prime Minister of India, Indira Gandhi. I was to ensure the well-being of a former anti-colonial activist, journalist and a personal friend to Nehru, ACN Nambiar who was based in Zurich. He was 84 and I was 43.

I didn’t really know much about Nambiar, and an assignment with no intelligence agenda provided relief from my regular stressful duties. I met with Nambiar in his modest flat in Spiegel Gasse, two buildings away from Vladimir Lenin’s old residence. He was quiet, humble and a bit of a recluse and I struck a strong friendship with Nambiar. He was a treasure trove of information on European history, governance, security and power play of nations from the 1920s to the 1980s, and mentioned that he knew Subhas Chandra Bose well. Years after he passed away in 1986, in 2001, I happened to read a book by Rudolf Hartog that mentioned a rarely known “Indian Legion”, a small Indian Army in Nazi Germany raised by Subhas Chandra Bose. The Legion comprised of Indian POWs (Prisoners of War) captured by Nazis during their North African Campaign. I was surprised to know that Mr. Nambiar was the main person administering this 4,000-strong army. He had never mentioned anything about that in our meetings and conversations over six years. To challenge all contrarian views, Nambiar was not only a close friend to the Nehru family but he was also the right hand man of Subash Chandra Bose (Netaji) in Berlin.

This discovery set me off on a years-long research to find out who Nambiar really was. To understand what his contributions to the subcontinent were, brief but imperative points of world history in this narrative are important.

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Born in 1896 in Thalassery, Malabar in an intellectual and wealthy family, Arathil Kandath Narayanan Nambiar or ACN Nambiar was the son to the well known Malayalam litterateur Vengayil Kunhiraman Nayanar. Surrounded with the educated and the elite of the subcontinent, in 1919, he fell and love with, and against the wishes of his brother, married Suhasini Chattopadhyay, sister of freedom fighters Virendranath Chattopadhyay (known as Chatto) and Sarojini Naidu.

After the World War I, Berlin had become a center for nationalists associated with India’s freedom movement. Assuming that Germany’s bitter relations with Britain will offer cover, money and political support for their agendas, Indians ranging from students to revolutionaries began to frequent/live in Berlin. Inspired by the Ghadar Party, and support of German authorities,  Chatto along with other freedom fighters had helped form the Indian Independence Committee (Berlin Committee), and Nambiar was right in the middle of it, a witness to all of world’s modern history at once, at one of its most interesting times.

After their marriage, Suhasini attended Oxford, and Nambiar and she later moved to Berlin around 1924, for Nambiar had been asked to administer the Information Bureau of the Indian National Congress – The Indian News Service & Information Bureau co-set up by Chatto, on Nehru’s instructions. Nambiar had also began writing as a correspondent for European and Indian Publications about several issues including unequal treatment of Indians by Europeans. After an extra marital romantic affair, Nambiar’s marriage however did not last –and the couple separated. With funding from Nehru in tight supply, and eventual ideological differences between Chatto, Gandhi and Nehru, the Indian News service also lost its influence.

Circumstances placed Nambiar in a fascinating position to interact with various leaders, activists, conspirators, and revolutionaries from all over the world. British intelligence reports that though acquainted through a number of people including his brother, Nambiar met Nehru in person for the first time in Brussels in 1927, at the anti-imperialist congress and they became very good friends. Nambiar was also meeting with correspondents from different parts of the world that helped him form a excellent network with vast number of political organisations and ideologies. Nambiar on the invitation of USSR also visited Moscow in 1929, but that may have also been to meet Suhasini who was imbibing the values of a chosen political path, Communism. Suhasini  became the first woman communist member in the subcontinent. When she returned to India, the British Special Branch in Bombay began intercepting private correspondence between Nambiar and Suhasini.

In 1933, when the Germany came under the Nazi regime, Nambiar and Chatto took an anti-Nazi stand, and were arrested for an alleged involvement in the burning of the Reichstag building in Berlin. Hitler’s people (SA) caught him and kept him under arrest for four weeks in Berlin. He was then expelled from Germany and he fled to Prague, Czechoslovakia (now Czech Republic and Slovakia) and from there in hiding to France. In 1934, when a tall German approached him in a café, he says he thought- “This is the end”, but it turned out to be a representative of Netaji Bose who wanted to meet him. Bose was aware of Nambiar’s network and though both differed on the relations with Nazis, a friendship blossomed. Nambiar agreed albeit reluctantly to help Bose, aware that they shared the same goal – an Independent India.

When Bose was incarcerated in India from 1940, he escaped and resurfaced in Berlin in 1941. He finally got an appointment to meet with Hitler in 1943, and after tracking down Nambiar again in France, much to the chagrin of the Nazis, insisted that he came along as an interpreter. Bose wanted Hitler’s support in defeating the British in India, and insisted on the Indian POWs they had captured during the North African operations against UK & Commmonwealth troops. In winter of 1941, Nambiar became Bose’s deputy and they both jointly established Free India Centre, a division under the Azad Hind movement, working to rally support or India’s independence, use psychological propaganda warfare via radio & print material,  and train the POW army known as Indian Legion – IR 950, into an assault group that would form a pathfinder to a German–Indian joint invasion of India via Afghanistan. In 1943, Bose left for the far east to puncture Britain from the East with his already established Indian National Army (INA), leaving Nambiar to handle all his European operations. Despite Nambiar’s efforts, not much of the Indian Legion was put to use eventually.

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After the surrender of Germany in the World War II in 1945, the remaining soldiers left with the Indian Legion were either shot to death or shipped back to India to face charges of treason. Nambiar again went into hiding in a village in Germany, but was caught by the British intelligence, interrogated as a Nazi collaborator and was for a year, ironically placed in a concentration camp with several other Nazis. Nambiar may have also provided intelligence to the British spies posing as a representative of the Gestapo during his arrest but there is no evidence that he was an active asset for any agency. British Intelligence Records opened in 2014 state that Nambiar was a Soviet spy, but I don’t think it is confirmed statement – more a usual ‘suspected Soviet spy’ reference often put on doubted persons. Having said that, I have no doubt that he knew a lot more and operated behind the scenes in many matters than we will ever know. The British government did not want him in Europe, nor did they want him to go to India where he would have become a hero but against the wishes of Britain,  Nehru’s interim government gave him an Indian passport. It is noteworthy that Nehru considered Nambiar to be family despite knowing that Nambiar was associated with Bose. Letters between them show how Nehru taught him how to cook good eggs and he was instructed by Nehru not to miss physical exercise; and that “one could pursue such activity even while shaving, by just raising one’s legs.”

After independence, Nambiar was assigned diplomatic assignments in Europe by Jawaharlal Nehru, including an ambassadorship to Scandanavia, and in 1951 as the first Indian Ambassador to the Federal Republic of Germany and helped forge European alliances for the Indian Governmnent. With German ex-officers of the Indian Legion he even founded an Indo-German Society in 1950. But he didn’t quite enjoy the diplomatic profile and became a European correspondent of the ‘Hindustan Times’ though some suggest his last post was a cover for industrial intelligence collection. He was awarded the Padma Bhushan in 1958.

Contrary to what Indians think, the Nehru and Bose rivalry was a creation by later political groups. Yes, they had different opinions, but they deeply respected each other and looked out for the others’ well being. Bose ensured Kamala Nehru was well cared for during her medical treatment in Switzerland, while Nehru was in prison. After Bose went missing in 1945, Nehru insisted on financial compensation to his family in Germany, that was facilitated by Nambiar. Nambiar’s account of Nehru and Bose does not reveal any personal grudges or tensions between the two. Yes, Nehru held certain assumptions of Bose, but didn’t doubt his patriotism. Bose too recognised Nehru’s influence in India although he did not agree with Nehru’s pro-British attitude. This is a reminder for current generations that we can maintain good relationships despite differences.

Over time Nambiar became a guardian and god-fatherly figure to Indira Gandhi —a friend and a confidante, politically and personally. He even advised her on the selection of officers for India’s Intelligence & the RAW head. In 1984, with concerns for his health, Indira Gandhi insisted that he return to Delhi, and he reluctantly agreed, however a few weeks after he returned, she was assassinated causing him severe trauma, and depression. Nambiar and I had come to form a wonderful warm friendship, and he considered me to be almost like his own son. To help him, I suggested he write his memoirs, instead he agreed to dictate his memoirs to a tape recorder. In January of 1986, the man who knew too much, and whom no one knew too much about, passed away at his residence in New Delhi.

Vappala Balachandran’s Book A Life in Shadow: The Secret Story of A.C.N. Nambiar is available here


The work on Indian Memory Project takes a lot of time, money and hard work to produce. But it is necessary work and parallel views on our histories matter – now more than ever. If everyone who reads or refers to the project – likes it, admires it and benefits from it, please do help fund it and it will make the future of this project much more robust and reassured. You can support Indian Memory Project for as little as Rs. 100 or more if you prefer – AT THIS LINK


184 – The dynasty of forensic and hand-writing experts

Our Great-grandfather, Charles R. Hardless (seated), his son Charles E. Hardless, with the Nizam’s palace staff, and photographer. King Kothi Palace, Hyderabad. 1912

Image and Narrative points contributed by Karin Tearle, Shahila Mitchell – UK,
with expert inputs from Prof. Projit Mukharji – USA.

This is a photograph of our great grandfather Charles Richard Hardless, his son Charles Edward and the Nizam of Hyderabad’s court staff, taken in Hyderabad State (now Andhra Pradesh) in 1912. Our great grandfather was at the time a detective superintendent and the government’s first handwriting expert. He had been engaged by the Nizam Mir Osam Ali to help foil a conspiracy to overthrow his reign, and is seen here examining some documents. My great grandfather was what Prof. Projit Mukharji and other experts deem ‘The founder of a dynasty of graphologists’.

Our great-grandfather, Charles Richard Hardless was born in 1866 in Calcutta (now Kolkata, West Bengal). We believe that his father worked with the East India Company and as was customary in most British families in India, Charles along with his other siblings were brought up between Calcutta and UK. Charles had a keen eye for detection detail and inspired by an uncle, John H. Hardless, an administrator in the British Indian Railways and a trained graphologist (Hand-writing expert) – Charles taught himself the same skill but with a lot more ingenuity. By the 1870s, the Calcutta police had established an exceptionally skilled and large Detective Unit (especially after the infamous Amherst Street murder and Ezra Street murder cases). The department was constantly on the look out for expertise that could help them solve criminal cases in the subcontinent – a empirical region that was still culturally unfamiliar and whose diverse acumen, even on crime, they were constantly trying to catch up with.

In London, Charles Richard left school early, and after a brief stint at the accountant-general’s office in Bengal he joined the Posts & Telegraph Department in Calcutta in 1904 as a handwriting expert on railway and postal frauds, quickly rising to a permanent post. Interestingly, his appointment happened to coincide with a notorious case of mistaken identity/wrongful conviction in England, that relied on handwriting expertise. Based on that, in 1908 the British Indian government persuaded London officials to appoint my great grandfather as the first ‘Government Handwriting Expert’ with the Calcutta Police. In 1909, he served high profile cases as a graphology expert such as the Alipore Bombing case and later for the defense, on the infamous identity theft / Impostor case in Dhaka – The Bhawal Sanyasi case.

Trained in about 16 languages including Mandarin (China), Bengali and Hindi, the great grandfather travelled widely, helping with cases and representing court expertise, from Rangoon to Peshawar and from Colombo to Bombay. With rising repute, within a few years he resigned from the government to establish his own investigation practice with his sons, and began receiving high profile commissions from several Princely estates including the Nizam of Hyderabad.

My grandfather had an equally interesting personal life albeit it would have caused him a lot of turmoil. He married four times. His first wife Lilian Isabella died at the age of 29 of Cholera in 1899. The second wife, Mary Keogh, probably died of Septicemia in 1901 at the age of 27 after child birth. The third wife, Louise Maud Philbrick (my great grandmother) died in 1924 and the last wife, Phyllis, died in 1942. Clearly, he raised a very large family including Anglo-Indian descendants, many of whom are still scattered in India. Though they lived in Calcutta, at 17 Park Lane, Charles Richard gained many favours by the monarchs he served, for instance in 1917 he came into possession of an estate, The Sanctuary, in Chunar (now UP) most likely gifted by the Nizam. The bunglow on the estate was based on Italian Mansion blueprints sent to him by the Nizam. In Chunar, my great grandmother Louise established an extensive library.

Some of the family was actively involved in the investigation and detective practice even while its patriarch Charles Richard was alive. And after his death in 1944, my great grandfather’s three sons continued his legacy. The oldest, Charles Edward (in photo), fine tuned and upgraded their graphology techniques. Philip William Ravenshaw ventured into forensic chemistry and the youngest, my grandfather, Harold Richard Gordon developed techniques on Ballistics. They expanded their services to other parts of subcontinent and even established their own publishing and press Hardless & Hardless that published several books on criminology, and a quarterly journal. We still possess the first edition book entitled ‘Forgery in India, A Practical Treatise on the Detection of Forgery dealing with the languages of India’ (1920), a book that is still taught in Indian Law schools. In 1938 they even set up the School of Document Investigation, at 19 – Hastings Road, Allahabad.

Many of my great grandfather’s descendants left India in the late 40s/early 50s including my own father Harold Richard (I am aware that there other descendants in India still around, albeit still unknown to us). My grandfather – Harold (senior) stayed on in India and continued to practice criminology until  his death in the 1970s. His sister / my aunt Marie Louise Hardless assisted him when he worked from Chunar. Unfortunately, she was murdered at the age of about 53 in the 1990s, apparently by burglars.


The work on Indian Memory Project takes a lot of time, money and hard work to produce. But  it is necessary work and parallel views on our histories matter – now more than ever. If everyone who reads or refers to the project – likes it, admires it and benefits from it, please do help fund it and it will make the future of this project much more robust and reassured. You can support Indian Memory Project for as little as Rs. 100 or more if you prefer – AT THIS LINK


183 – The man who left home to become a renowned monk

My great grandfather (seated right) with an unidentified radio interviewer. Location Unknown. Circa 1960

Image and Text contributed by Nupur Nanal, Pune

My maternal great grandfather, Mr. Bhaskar Gangadhar Athalye owned a dairy farm in Borivali, Bombay (now Mumbai), and lived in a rented home in Shivaji Park with his wife and eight children. The dairy farm came to an abrupt halt when his entire cattle died due to a disease. (This information is unverified but he supposedly helped draft the plan for the now well known Aarey Milk Co-operative). Around 1940, with communal tensions abound, the family travelled to Baroda, Gujarat to attend a wedding and since Baroda was relatively safe from the communal turmoil and violence, he decided to extend the stay and keep his family there and look for some work. But a job interview in Delhi didn’t go as planned because of a conflict in political beliefs.

It seems that my great grandfather decided to go on travelling and visited various parts of the country. He even wrote letters to the family regularly, for a year. No one really knows what happened after because, in what was to be the ‘last letter’, in 1943, he suddenly announced a shocking decision to the family that he was no longer going to return and that he had decided to follow a spiritual path. Signed as his sanyasi (monk) name, Swami Bhaskarananda Paramhansa, there was no further correspondence with the family. I am told, in 1953, a family friend spotted him at the mass Hindu pilgrimage, Kumbh Mela in Allahabad, UP and called out to him by his family name Raja. He discovered that my great grandfather was by now a monk of great renown. The friend informed his son who then travelled to Allahabad to meet with him but the son returned alone. My mother says she did ask her grandmother (his wife) once, “Aren’t you upset with him?”, she replied, “This is my path, That is his.”

In my quest to research my great grandfather, I discovered several things incredible things about him, that I never known before. He travelled the country promoting a new spiritual movement of inter-religious co-operation known as ‘UNISM’. Unism is a philosophy which emphasizes unity among all things and human beings, a concept found in every religion. However, Unism is patently anti-religious (not anti-religion). A follower of Unism may follow tenets of religions, but the central tenet is that Unists have absolutely no emotional ties, exclusive adherence and preference to any specific religion.

For a while, it seems he even lived in Kashmir and that he wrote a small book that I found in the Jammu Archives & Library, ‘The Kashmir Cauldron’. The book, it turns out is beholden by many as ‘one the most revered works on Kashmir’. It offers a detailed analysis of the political situation in Kashmir at the time and also sheds light on the correspondence and ties my great grandfather shared with various politicians and scholars, including Jawaharlal Nehru. I found a scanned copy for myself from the University of Wisconsin, USA and the book, if I may say so, is quite well written, and unbiased towards any religion and an overall well rounded academic analysis.

How he supported himself monetarily, I am not sure. But he had come to be quite renowned and I assume that people must have helped him with his expenses. For instance, when people from all backgrounds and classes began visiting him, at his lone hilltop shelter in Kalkaji  (in Delhi) and many people including politicians volunteered to add little bits and pieces to the shelter that eventually and somehow became a Lord Shiva temple. The temple still exists and has a shrine in his honour, buried under dust and dry leaves.

For years, my mother would often mention some black & white photographs of her grandfather with monks and nuns from around the world that I hunted for but never found. I assumed that photographs were probably lost. However, I cannot explain the co-incidence of discovering them with an extended family member who found them right after I formally began researching my great grandfather. Several of the photographs are of his travels in South East Asia. But I know for a fact that he travelled to various parts of Europe, USA, and South America too. The Singapore Free Press newspaper of 1961 I have a clipping of, writes of his visit to their country, his faith and beliefs about Unism, and his upcoming plans to meet other spiritual leaders around the world including the Pope. The article also mentions that he founded a ‘World Fraternity of Monks’ and that he presided over a ‘USSR Cultural Festival’ in 1956. My great grandfather’s comment in the article above states, “ If I were to seek a career I would have been a soldier. In the real sense I wear a ‘Khaki uniform, I love discipline and I love service of mankind to the point of laying down life for a cause”. Known as Swami Bhaskarananda Paramhansa, my great grandfather passed away in 1975 due to old age.

This story of my great grandfather sounds all too extraordinary, but I have attempted to verify every aspect of it. For the last two years I have been researching him for a documentary film, and I hope that someone may recognise this radio interviewer at a radio station (it could be anywhere around the world) and if there is anyone who might know more about my great grandfather. I would be happy to learn about it all.


181 – The wonderful nuns of Ajmer, Rajasthan

My grandmother, Hansa Singh with her doctor, her son as a baby – my father, and the Nuns from St. Francis Nursing Home. Ajmer, Rajasthan. October 1956

Image and Text contributed by Priyamvada Singh, Ajmer, Rajasthan

The newly born baby in this picture is my father, Jitendra Singh, and the lady holding him is my grandmother, Hansa Kumari This picture was photographed at Saint Francis Nursing home, Ajmer (Rajasthan) in October 1956 – a few days after my father , was born.  The lady sitting on the left is Dr. Albuquerque, one of the most proficient gynecologists of that time. The nun sitting on the right is Sister Beatrice – a senior administrator at Saint Francis. The three nuns standing behind them also worked at the nursing home, and even though my grandmother doesn’t recall their names now, she can never forget their kindness and compassion as long as she lives.

My family used to live in a small village Meja, about 125 kms from Ajmer (now a large township in Rajasthan). Our district at the time did not have very reliable medical facilities and so it was decided that my heavily pregnant grandmother would be taken to Ajmer for delivery. As soon as her ninth month began, my grandmother went to Ajmer along with my great grandmother by train. My grandfather went to drop them but returned immediately because someone had to stay back in the village to look after my bedridden great grandfather.

The plan was to find a reasonably priced hotel or a rented apartment for the delivery period, but when the nuns learnt that my family were outstation patients and that only two ladies were going to stay back in the city, they figured it was going to be an  inconvenient, especially in case of a medical emergency. So they made a generous gesture and offered my family a room in the hospital itself, in return for a nominal donation.

The offer was indeed a blessing because 60 years ago, even well-educated women like my grandmother (who had completed her schooling from a convent – St. Patricks School, Jodhpur) weren’t very confident about living on their own and that too in an unknown town. The nursing home premises was a safe dwelling place and most importantly, my grandmother would have medical assistance 24X7. My grandmother and great grandmother lived at Saint Francis for nearly two months – the entire ninth month and a month after the delivery – and my grandmother has the most wonderful things to say about that time. She recalls how the nuns showered her with much love and affection, and made her feel so much at home that she never realized the absence of her family. They knitted woolens for her soon to be born baby, made chicken broth (my pure-vegetarian great grandmother was not comfortable touching meat), they accompanied her for evening walks and shared many warm moments.

Even after my father was born and things got more hectic, the nuns went way beyond their professional duties to lend a helping hand. Whether it was early morning or middle of the night, they were always there to offer their unconditional love and care. Soon the baby was about a month old and it was time to leave. But the bonds made over these two months lasted a lifetime, and every time that my family was passing Ajmer, they made it a point to meet the nuns. In fact, my family was so grateful for the kindness of these nuns that for several years after, during harvest season, my grandfather gifted sacks of grain to the nursing home kitchen as a token of appreciation. The nuns were reluctant to accept it at first, but when my grandfather insisted that it would help other outstation families like us, they accepted it graciously. With time, our association with Saint Francis got stronger – four of my father’s first cousins (my grandfather’s sisters’ kids) were born there, and years later, me and my brother as well.

When I had a baby, he was born in another city at a state-of-the-art private hospital. A four day fixed package was offered to me with highly professional staff & efficient service. I was home on the fifth day and I have no complaints, but sometimes I think about my grandmother’s delivery experience and feel that mine was so warmth less, and mechanical as compared to her experience. I wonder why didn’t I form such personal connections? My guess is that not all of us are fortunate enough to be blessed by the harbingers of humanity.


177 – My father, the first antiquarian of Calcutta

My father Nirmal Chandra Kumar.  Calcutta (now Kolkata), West Bengal, India. Circa 1950

Image and text contributed by Professor. Aloke Kumar, University of Calcutta/ IIM/ ISRO

My father, Nirmal Chandra Kumar, born in Calcutta, Bengal in 1917, and was the eldest of seven children. After graduating from school at Mitra Institute, he went on to study at Bangabasi College. My grandfather was a trader and the family had a large Departmental Store at Shyambazar Crossing and a home at 52, Mohan Bagan Lane. My father grew up to be an avid reader, hungry for knowledge and to make a living, he worked several odd jobs and tried his hand at writing, which in his own words he said he failed miserably at.

In the early 1940s, after my father got his own place in Calcutta, he met an illiterate Muslim bookseller by the name of Yakub and began helping him read and organize his books. Yakub encouraged my father to trade in books; a venture that was not going to particularly help in making a living, yet in 1945, my inspired father opened a book-shop in his house, called Kumars and began collecting rare books and documents. He combined his pursuit with a broader interest to serve the society around him. In 1950, my grandparents also arranged for my father to be married to my mother Karuna, a school teacher from Adra, (Bengal and Bihar border) and my father continued working on his collection.

Kumars, my father’s book-shop, if it could be called so, spread over several rooms in his residence, around divans and reading chairs, and looked more like a personal library in a living room. In the 1940s, rare book collections were in a dismal, class-bound rut. The famous rare book-shop Cambray was already fading, Thacker & Spink, another well known bookshop was alive, but there were hardly any rare books. With a growing collection of rarities at my father’s book shop, it soon became was a hub for book lovers and a meeting point for people from all walks of life, ranging from iconoclastic artists to conservative writers.

With books on art, travel, ornithology, botany, history, literature, mountaineering, religion and Indology as its strengths, Kumars soon became the place to go. At the shop, my father could be found wearing a white collared half sleeved shirt, and a Lungi, (stitched or unstitched cloth worn around the waist) or a Dhoti and Kurta with pump shoes. We can’t even imagine somebody wearing an attire like that and smoking a pipe or a Davidus Cigar sitting in a library surrounded by books now.

My father had several agents buying books for him at auctions and establishments abroad such as Foyles, Bernard Quaritch and Sotheby’s. One of his many enthusiastic collections included the then unheralded works of British Painters, uncle and nephew, Thomas Daniell and William Daniell. He bought an elephantine Folio of 144 Views of their works from Sotheby’s, and had it sent to Calcutta. On the way it got damaged that resulted in a bitter battle with the shipping company, MacKinnon McKenzie records of which can be found in Calcutta High Court. Much of the folio is now entrusted in care of the museum The Victoria Memorial.

When Satyajit Ray, the filmmaker, began his research on the Indian Rebellion of 1857 for his film Shatranj ki Khilari (The Chess Player), he depended on my father for information on the subject. Kumar not only provided him with all the relevant books, but also went out of his way to bid for a rare scrap book on the 1857 Mutiny, at a London Auction that contained paper clippings and notes on the event, and later he also provided him with many antique props for his sets. Ray it seems did not forget this gesture and paid my father his biggest personal tribute. He based one of his characters in his well known Feluda series on Kumar – the character Sidhujata (Sidhu Uncle), a man with vast encyclopedic knowledge on several subjects.

Kumars became the haunt of an unlikely mixture of luminaries such as – Radha Prasad Gupta, the Anglophile & PR Head of Tata Steel, writer Mulk Raj AnandNirmalendu Chowdhury, the folk singer, Santi.P.Chowdhury, documentary film maker, Asok Mitra, the father of Indian Census, Subho Tagore, the founder of Cubism in India, Jean Riboud, the French billionaire industrialist and writer Peter Fleming. Ella Maillart, the traveller and photographer wrote, ‘to visit Kumar’s, was like pilgrimage. You spend the whole day browsing through books, chatting with Kumar on different subjects, meeting the Calcutta intelligentsia and enjoying the Bengali hospitality with the best of food and savories….all seamlessly interwoven.’

If rare works and books of painter William Hogarth, writers Colonel SleemanGeorge V HigginsJames Hamilton, the unknown Bishop Heber, Scottish writer O’Malley, African Missionary Traveler David Livingston and Sir Richard Burton were easily available in Calcutta to the literary landscape, it was in no small part due to my father, Kumar’s efforts. My father also convinced several people including Satyajit Ray to bid for rare works and if Lahari, the then Superintendent of Calcutta Zoo has been able to leave behind the rare collection of Himalayan Birds, books on Ornithology and Wild-life to the collection of The Zoological Gardens, it is again because of my father. Kumar introduced several artist works to Calcutta; mainly the Flemish artist, Francois Balthazar Solvyns, whose works constitutes the first ‘ethnographic survey’ of India or more precisely of Bengal.

As the 1960s moved into the 1970s, Kumars was a resource for international researchers, but my father was not able to cope as much of its collection had now begun to fade away. His health had deteriorated and much of it was due to a domestic crisis of two of his children becoming members of the Naxalbari Movement (Revolutionary Communist Party). With a pipe smoking habit, conversations in mono-syllables and interrogative questions, he began to resemble the eccentric film director Alfred Hitchcock. Soon he became a recluse and his once dazzling library dimmed.

For 30 years, he had presided over a vast rarest of rare collections in his own bookshop, Kumars, a pre-eminent institution. He was the first in the subcontinent to publish a catalogue of books in his collection. He even formalized the literary scene by initiating regular readings in the bookshop, an innovation at the time. By the end of the 1975, the rare book trade became thoroughly commercialized; books began to be torn for their prints and sold separately. My father did not want to be a part of this and lost out.

Nirmal Chandra Kumar died in 1976 of a cerebral stroke, aged 60 and this year, in 2017, is his centenary. He was a genuine antiquarian and possibly the greatest influence on a generation of artists, filmmaker, writers, musicians, activists, teachers and travellers – perhaps more than any art critic or editor of his time. With his death, the literary world lost an extremely generous and unselfish man who gave of his vast knowledge and delighted in the achievements of those he had influenced so profoundly.


171 – The first Indian woman to perform on New York Broadway

Gopal Sharman & Jalabala Vaidya. Rome, Italy. 1967

Gopal Sharman & I, Jalabala Vaidya. Rome, Italy. 1967

Image courtesy Akshara Theatre Archive. Text by Jalabala Vaidya, New Delhi

I was born in London (UK) in 1936. My English-Italian mother, Marjorie Frank-Keyes was a concert singer and my father Suresh Vaidya was a successful young writer. He was also on the editorial board of Time Magazine in London. My father was arrested by the British authorities when he refused to join the British Army to fight in World War II. He declared he would gladly fight as a free man, but not as a colonial subject. He was imprisoned in Canterbury and fought and won a case in the British Court. His case was defended by well known lawyers like Sir Fenner Brockway and Lord Reginald Sorensen. In a landmark judgment, the court ruled that the British Army could not compel a person to fight because he was a colonial subject.

Of course I was one my feisty parents’ two daughters. I completed my schooling in London then in Bombay (now Mumbai). Later I graduated from Miranda House, standing third in Delhi University. I was also actively involved in theatre and was awarded the best actress for performing sections from Bernard Shaw’s Saint Joan. Later, I began working with Link Magazine in Delhi as a journalist that also had a daily paper called The Patriot. Gopal Sharman was suggested to us as an independent writer who could write very well on the arts. Up until then I had been writing them.

In the 1950s, at the office, I was in charge of putting the month’s issue to bed and I had been told that Gopal would come by with the copy on the Arts columns. He came to the office early and sat several glass cubicles away, typing away, but by late morning the copy was still not done and I began to lose patience. I went bossily through the cubicles and asked him about the text. He looked up and said “Don’t go through the roof, this isn’t a spoof, I am writing it and here it is.” and that’s it, we fell in love. 
I have no idea how, why and what it was, but that’s how we met and were together since. We began to live together in a garage in Bengali Market. Later, we got married.

Gopal at the time was also writing two popular columns under a pseudonym – Nachiketas for the Indian Express and the Sunday Standard. One was about artists and the other was about the Upanishads, Vedanta, mythology, questions on philosophy, life and death. Unknown to us the time, the second President of India, Dr. Sarvepalli Radhakrishnan was a fan of Nachiketas’s (Gopal’s) columns.

In early January of 1966, Dr. Radhakrishnan underwent a cataract operation. Unable to read and restless, he asked a close friend Prof. K Swaminathan who had edited the Collected works of Mahatma Gandhi and was a former editor of Indian Express, to find out who was this ‘Nachiketas’ person writing these fascinating pieces, and to invite him to the Rashtrapati Bhawan (Presidential Residence) for a narrative session. Prof. Swaminathan found Gopal and was surprised to find out that it was a young man who went about on a bicycle, with a shock of unruly hair, and wore a polo neck shirt & trousers. He asked Gopal if he would come and read his works to the President. Gopal happily agreed.

When he returned home, Gopal told me about the President’s request and insisted that since I was much better at it, I should perform Gopal’s Full Circle for the President. Full Circle was a dramatic recitation of stories and poems with philosophical concepts narrated with voices of regular people. I would perform and recite the stories & poems, while Gopal, a classically trained singer, would sing songs ranging from Meera Bai’s bhajans (songs with spiritual themes) to songs written by the poet, philosopher and politician Muhammad Iqbal. After some reluctance, I agreed and we both decided to go. I always needed glasses to read, but since I didn’t want to read off a paper, I learnt all of it by heart.

When the day came, a big Rolls Royce came from the Rashtrapati Bhawan to pick us up, along with the formal invitation. To our shock it mentioned my name, but left Gopal’s out! We informed the officials about the confusion, but they did not accommodate the mistake and no change could be made. Nonetheless, now there was no turning back. Gopal came along with me up till the Rashtrapati Bhavan’s reception, wished me very well and went off to another meeting. I still remember watching him walk down the slope of that road.

When I was escorted upstairs, the door was opened by the President, with a bandaged eye. He exclaimed “Ah Welcome! But where is the poet?!” I explained what had happened, he insisted a car bring Gopal back, but with 20-30 people in the room including foreign dignitaries already seated, it seemed a bit awkward so we let the matter rest. I began to narrate the pieces, and I remember now and then the very impressed President would interrupt to explain the contexts to his guests and what was being said.

When I ended the performance, Dr.Radhakrishnan was extremely happy. He had loved every bit of it. He insisted that this work should be performed for a proper audience and that he will have ICCR (Indian Council for Culture Relations) arrange a performance at Azad Bhawan. And so it was arranged. When we went and met the director of ICCR, Inam Rahman, I think he was a bit put out at the order of accommodating young unknown people. Perhaps to be a bit difficult, he said the only date available was January 13, only a few days after, and will we take that? Gopal and I looked at each other and immediately said yes.

The ICCR invited many well-known people & important dignitaries from the Embassies, and they all loved Full Circle. After the performance we received invitations from the Embassies of Yugoslavia (now seven independent states) and Italy to perform in their countries. But there was a hitch, ICCR refused to pay for the tickets, and we had to find the tickets on our own. We wrote to Air India and asked if they’d like to sponsor us. They wrote back and said they could, for one person and one way only, but that too on the condition that we distribute their advertisements in Europe.
Something had to be done, so I decided to go to Bombay and request the TATAs if they could help. There was a special secretary to J.R.D Tata, I forget his name now but he agreed to arrange another ticket. This was the year of tourism so there was no problem getting a visa to foreign countries. Neither was there a problem with one-way tickets at the time. We managed to get two one-way tickets but only till Rome, Italy.

In Italy, we performed at the Italian Institute for the Middle and Far East (IsMEO). Through that performance we got invited to perform at the famous theatre, Teatro Goldoni and so we did. Then we went to Yugloslavia and performed in three cities and they were all wonderful performances. I remember as guests, we were even offered tickets, twice, to the well-known Opera La Boheme but unfortunately on both occasions we had such a time of partying and drinking the night before that we never made it to the opera.

Back in Rome, we did another round of performances, each with a theatre-full of audiences. In the audience we also noticed a lot of red cardinal gowns. Soon, we were invited by the Assistant Father General of Jesuits, an Indian at the time, to perform at their headquarters near the Vatican. We were hosted at a lovely convent and the nuns were so extraordinarily impressed with us because we were vegetarian. They thought it was such an austerity and it was so spiritual, and made lovely vegetarian things for us. Later, the Indian Assistant Father general also organized for us an audience with the Pope Paul IV and so we also got to meet the Pope.

One night, I heard that Joan Baez was going to perform at a theatre, and I was a particularly big fan of hers. It was disappointing to realise that I couldn’t because we too were performing the same night. Next morning when we went to see the papers, I was on the front page and Joan Baez was somewhere in small print. It was amazing and unbelievable. Nonetheless, we did get to met her later, but missed seeing her perform. And that’s how we began our theatre career.

In the next few months we were invited by ITV (Italian TV) to record our performance. After the recording they said that they were cash strapped and couldn’t pay too much. We were used to that, because in India no one really paid or paid well at all – In Delhi we got Rs.250. But the Italian TV pay turned out to be a lot more than we had ever imagined. Excited about our big pay, we spotted a second-hand car sales place across the TV station and Gopal and I immediately bought ourselves a Black Volkswagen Beetle, with a Number 1 plate. We excitedly discussed how we could drive back home to India, because in those days you could’ve driven back home to India.

In 1968, we drove to Munich, and the Southern German Radio & TV : Bayerischer Rundfunk, also recorded our performance. After the recording they enquired how much the Italians had paid us and simply upped our pay by a lot more. We were so happy and amused. I remember in Frankfurt, I also went and got myself my first pair of contact lenses.
We met and made so many amazing friends along the way, some famous and some not. While we performed and drove all over Europe, our beloved second hand car would often break down. I remember a lot of our friends like actress Vanessa Redgrave and even the Qatari ambassador to India were among the many people pushing that car.

In London we performed at various places, including the Mercury theatre, where T.S Elliot had performed his plays. Everywhere we went we received rave reviews. London is where we finally settled down for a while and continued to perform. Gopal began writing on the arts for The Times and The Sunday Times in London and wrote a book on Indian music, Filigree in Sound that was published in London. At the time the Royal Shakespeare Company (RSC) had an event called the World Theatre season. It was the most prestigious theatre festival and they approached us to bring a play to the event. Gopal said – “Yes, we’d like to, but the play I’d like to bring I haven’t written it yet.” He wanted to write a Ramayana relevant to our times, a modern, dramatic and humane interpretation of the Sanskrit epic. RSC happily agreed and signed a contract with us. When our event with RSC was announced, a TATA representative from London came forward to financially back the venture because we were getting India a good name. They awarded Gopal with a Homi Bhabha fellowship, the third person in the country to get it.

At the end of our two-year adventure, in 1970, we returned to India and began preparations on the Ramayana. We also needed to find a space to rehearse the play. We began with the process of auditioning actors and actresses in Bombay for our new play. I remember Amjad Khan came, and others from FTII (Film & Television Institute of India) and soon we had a good crew. While in Bombay, I heard that Morarji Desai, deputy to the Prime Minister Indira Gandhi was also in-charge of allotting government housing to artists in Delhi, so I approached him about a place and he called me to his office at 7.30 in the morning. Gopal had written a preface on our Ramayana, and I showed it to him. Morarji Desai said he would read it and that I should return the next morning at exactly the same time. I thought he was a nasty man for calling me at 7.30 am in the morning. Nonetheless, I went and he had read it, had made some notes and said it was wonderful. I was shown six locations, and asked me to choose whichever house I’d like. I chose this one in Lutyen’s Delhi. Gopal hollowed out the bunglow, redesigned the space, and included a 50-seat indoor theatre. He did a lot of the work all by himself.

Soon after rehearsals began, the cast went on strike over some grouses. Now when I look back it was probably an attempt by some envious people whose incitements sabotaged our crew. It was dreadful and we were upset, but we went to the bank, paid them their dues and said our byes. On a trip to Simla to pick up my daughter from her boarding school, Gopal who had clearly been doing a lot of thinking, asked me to perform all the 22 roles in the Ramayana he had written, by myself. He was inspired by the narrations of Kathas (the traditional Indian storytelling format) at his home in Lucknow, UP. I was not so sure, but Gopal rewrote the script into the form of a Katha and it began to look very good – and we began working on it. But there was more disappointing news. When RSE heard that our Ramayana was going to be a one-woman show, their interest in the project turned cold. They had envisioned an epic story with a large crew. That was a big blow. Nonetheless, we didn’t stop the work and I performed it for the first time in 1970, for a small audience above the porch of Ashok Hotel and later at other venues, including our own theatre.

One day, a team from USA Educational Institute sent 15-20 people to see the Ramayana. It was their last night in India but they were quite impressed with the show and asked us to meet them for breakfast before they flew out. They said it was the first time they had seen something that displayed a contemporary spirit of India, moreover it was in English and hence understandable. They invited us to USA and to perform through their colleges. We went to America, and in the course of travelling, we were also asked to perform at the 1000-seater National theatre School of Canada in Ottawa. Along the way we met with a big New York based lawyer and an angel investor, Robert A. Hendrickson who was known to fund the arts, and was interested in our work. He came along with us to Canada to see how we did with a big audience. Of course, we did splendidly well, and soon he contacted us to do a season on Broadway and that’s how we got to New York Broadway. It was most fantastic. So far, we are the first and only Indian production to have performed on that platform.

In 1981, TN Kaul, the Indian ambassador to USA, suggested that we perform the Ramayana at the NCPA (National Centre of Performing Arts), Bombay, but NCPA’s response to sponsoring the show was at best luke-warm. Kaul then invited actors Sunil & Nargis Dutt to watch us at Akshara. After the show, the Dutts insisted on paying for the play to be staged at NCPA. We agreed and played for 10 days straight to a full house. I remember after one of our shows, JRD Tata invited us for tea and said that he hadn’t watched the play, but it wasn’t because he did not want to. He had sent his driver to buy tickets but even the cheapest tickets were being sold in ‘black’ outside.

Our Ramayana has since been staged more than 2,000 times over 45 years at the most prestigious of institutions around the world and everywhere we went the theatres were filled with audiences. We did a lot of more work after that. A play called Karma, which was funny and moderm. I produced, performed in and narrated most of Gopal’s acclaimed television films like India Alive, The Kashmir Story, The Sufi Way, Gitanjali and Gandhi’s Gita, a play about Mahatma Gandhi’s translation of the Bhagavad Gita into Gujarati and how he and his wife Kasturba went through the final revision in the Himalayan foothills.

Gopal passed away in June of 2016, and his last appearance on stage was on April 13, 2016, when he played the part of the British Presiding Magistrate in the play about my father in the English Prison: Suresh Vaidya vs The British Government.
I miss him a lot. But we both believed in our work, the wisdom of life, love and theatrical arts and that should never stop. These days I am writing a play on Gopal and my life. A life that we have so loved, enjoyed and shared. We built a wonderful world together.

But this story is about Akshara Theatre, Gopal Sharman, me, our family, friends and well-wishers. We have been theatre performers for so many years and we have been extremely fortunate. Built in phases over a decade by Gopal himself and his team, the Akshara theatre, a non-profit arts institution, is spread over an acre of land and has grown to a 96-seat indoor theatre, and a 300-seat amphitheatre at the back of the property.

Our life is about our work, and anyone who is a part of our family or the theater has to willy-nilly perform, including our dogs and cats.


168 – From Karachi to Bombay

My mother Indra's family. Karachi (now Pakistan). Circa 1930

My mother Indra’s parents, siblings, and cousins. Karachi (now Pakistan). Circa 1930

Image and Text contributed by Roma Mehta, Taipei

This is one of my favourite photographs of my mother Indra’s family. It was taken in front of her family’s home in Sindhi Colony in Karachi, almost a decade before the partition of India and Pakistan took place. It is difficult to pinpoint an exact date but I estimate it was the 1930s.

It is possible this photo was taken on the occasion of my uncle (mother’s brother) Moti’s wedding but I cannot confirm it. Sitting in the middle are my grandfather, Gaganmal Jhangiani whom we fondly called Baba and grandmother, Laxmi Bai whom we called Ammi. Around them sit his children, his brother’s children and a relative-in-law.

Baba was a tall and dark complexioned man, and Ami was petite and fair. To me, they seemed like ebony and ivory. Ami and Baba used to play together as children and when Ami turned 12, the families got them married. It seems that my grandmother had basic elementary education but like most women of the time, she became busy with domestic matter and household duties.

My grandfather was an architect by profession and had studied in England. I have been told that he was instrumental in designing and planning the Sindhi Colony in Karachi. Life was good for the family : they had a lovely home, a horse carriage, and a great love of music and culture. Each one of them knew how to play an Indian classical music instrument. The family would even sing together on many occasions.

My mother, Indra always told us stories from her youth with utmost glee, reliving her days of fun and freedom. Here she stands directly behind Ammi on our right. My mother was independent natured, fierce and talented. She played the Harmonium, Sitar, Tanpura, and the Tabla. She also loved to sing and longed to perform on radio, which of course, was out of the question – For it was improper for a girl to do such things in society. Nonetheless, my mother found a way around and would sneak away from home in the horse carriage when no one was watching.

My mother and her siblings were staunch supporters of Mahatma Gandhi and participated in the struggle for freedom and would often march along with pro-independence processions against British rule. Later, they even joined the Dandi march (Salt march) initiated by Mahatma Gandhi, and the women would carry red chili powder in their fists in case they needed to protect themselves. Upon an arrest of one such march, my uncles were put in jail, but my mother and other women were set free and that did not sit well with her. My mother said she felt cheated from the rush of spending a night in jail – fighting for a cause she believed in.

During partition, the family decided to leave Karachi and move to the Indian side of the border. They were amongst the few with an already established base in Bombay (a grand-uncle ran a sports equipment business). The family traveled light to Bombay (now Mumbai) in midst of rioting, with bare clothing to keep the children safe. Like million of others who could never return – Bombay became their home and they began a new life.

Many of our relatives were displaced or lost their family members during this migration, and for months after their move to Bombay, my grandmother would search the docks and train stations, for relatives and acquaintances who needed help. Baba passed away soon after the partition and I never got a chance to meet him, but I did inherit his reclining armchair, that he sat on every day to rest and read.

Years later, when my parents were on a flight to London from Calcutta (now Kolkata), they had an unscheduled stopover in Karachi due to technical difficulties. My parents used this opportunity to visit the places they grew up in. My mother was delighted and deeply saddened at the same time to see her childhood home and an engraved stone plate that still displayed the family name.

A little bit of the past still lives on in the only surviving family member seen in this photograph, my mother’s first cousin, Radhika, sitting left in the front row. She celebrated her 90th birthday in August 2016.


167 – The man who compiled the first English to Hindi & Marathi dictionaries

My great grandfather, Sukhsampat Rai Bhandari. Ajmer, Rajasthan. Circa 1955

My great grandfather, Sukhsampat Rai Bhandari. Ajmer, Rajasthan. Circa 1955

Image & Text contributed by Myra Khanna / Rachana Yadav, Gurgaon

This is the probably the only photograph we have of my maternal great grandfather Sukhsampat Rai Bhandari or as we refer to him Nana Sahib. Born in 1891, Sukhsampat Rai Bhandari was the eldest of four brothers. He was brought up in Bhanpura, a district in the Central Provinces of the subcontinent (now Madhya Pradesh, India). I never did get a chance to meet him, but stories my mother and grandmother tell me about him make me feel that would have been an honour to know him.

While there is some documentation that mentions our ancestor Rao Raghunath Singh Bhandari as the acting King of Jodhpur from 1713-1724, I am not sure how it all turned out because in our family’s current memory we had humble beginnings from a village called Jaitaran (Jodhpur District). The family then migrated to their maternal land Bhanpura where Nana Sahib was born. After his birth and as tradition was, his umbilical cord was cut and buried in the soil of our family home’s courtyard and a tree was planted. The house still stands in Bhanpura today, and in it’s courtyard so does a grand tree.

In 1904, at the age of 12, Nana Sahib was married off to 13-year-old, Roop Kavar, my great grandmother. Nana Sahib was not interested in the family business and ran away to Jodhpur to complete his education. He excelled at Marathi, Hindi and English languages and self-published his first works by translating Ralph Waldo Trine’s In tune with the Infinite in Hindi. He then went on to serve as editor to several newspapers & publications in Bombay (now Mumbai), Delhi, Patna, Ajmer and Indore. Through the course of his youth, he befriended and worked with several influential writers, poets, politicians, activists and royal families from all over the subcontinent. Deeply inspired and curious about world revolutions, cultures, literature & affairs he became a well-reputed writer and author. Two of his early books Bharat aur Angrez (India & the British) and Sansar ki krantiyan (World Revolutions) won him huge accolades and appreciation around the country.

Nanasahib was a follower of Mahatma Gandhi and a fierce congressman. My mother remembers him always wearing khadi (hand-spun cloth). In the early 1910s as an assistant editor at Sadharm Pracharak, a weekly newspaper in Delhi, his articles featured Gandhi’s civil rights movement in South Africa and his words spread far and wide. Funds to support Gandhi’s cause flowed in and the newspaper was instrumental in raising Rs. 60,000 to be sent to Gandhi. In 1920, he helped establish the Congress party in Indore, Nagpur and Jaipur. Most evenings at home would come alive with debates, discussions and heated arguments between the greatest of minds of that time.

In the 1920s, he was invited to set up and co-edit an independent Hindi Marathi Weekly Malhari Martand by the Royal family of Holkars in Indore. While serving as an editor he wrote two books on the History of Indian States commissioned by Maharaja Tukaji Rao Holkar III that won him appreciation and monetary awards from several Royal Families around the country.

One of Nana Sahib’s several great accomplishments was that he was the first to have translated and compiled two 10 volume dictionaries – English to Hindi and English to Marathi; The dictionaries went on to be used as the blueprint for other regional language dictionaries that are used until today, and was used as a reference by authors such as Rabindra Nath Tagore. The dictionaries are considered to be one of the greatest achievements in Indian Literature. After the dictionaries he embarked on researching, writing and compiling the first Hindi books on around 30 academic subjects, with contributed material from international and national scholars. These books too won huge publicity and accolades around the subcontinent and were even used as reference by UNESCO in their reports.

Indore state is where Nana sahib earned countrywide respect, but also lost his fortune. My mother tells me that Nana Sahib was an extremely honest and liberal man and his views on religion, marriage, education and relationships were very modern for his time. But his honesty and high standards also made him gullible, resulting in huge losses of wealth. Amongst the many stories I’ve heard, the one I’d wish to ask him about is the time he seems to have contradicted his own belief system.

In 1925, the Bawla Murder Case (aka The Malabar Hill murder case) created a massive stir in the country. A love triangle comprising the Maharaja Tukojirao Holkar III of Indore, his most beloved courtesan Mumtaz Begum and a wealthy businessman Abdul Kadir Bawla, ended up in a royal conspiracy to kidnap the courtesan and murder the businessman by men from the Holkar house. Everyone knew that the king had given the orders and it was a great opportunity for the British to take control of Indore state. With pressures of possible dethronement, the King sought the help of Nana Sahib whose word was held in high regard politically & publicly. Knowing well that the king was indeed guilty, Nana Sahib nonetheless mediated the king’s appeal to political parties and the public. Eventually, his word paid off and the only consequence was a voluntary abdication of the throne to the King’s son Yashwant Rao Holkar II.

One would wonder why a man, so self-righteous and honest would help a man who conspired to kill. My mother and I conjecture that perhaps Nana Sahib was obligated to the Holkar family for its patronage, and returned the favour by protecting the King. As a reward, the Holkars opened up their treasury to Nana Sahib. Overnight, my great grandfather became wealthier than he had ever imagined. Ironically, he got carried away with wrong advice and bad investments, and again overnight he was back to his humble beginnings; only now with additional debts.

While Nana Sahib was still extremely popular and respected, losing money and the debt caused him some embarrassment and he decided to leave Indore and move to Ajmer with his family – his wife and five children – two sons and three daughters. Their home was open to anyone who wanted to learn and study and he would spend a lot of time educating children from the neighborhood. His youngest daughter, Mannu Bhandari (my maternal grandmother) went on to become one of the greatest Hindi authors of our times and his other daughter Sushila Bhandari established  India’s first preschool “Bal Nilaya” in the country, in Lake Gardens, Calcutta (now Kolkata).

My Nana Sahib, Sukhsampat Rai Bhandari died of throat cancer at the age of 72 and spare a few copies scattered within the family, and in some libraries around the world, all of his literary works are either lost or were donated and bought by several publications. I am told he had a huge trunk in which he kept all of his works-in-progress and insisted on carrying it with him everywhere, including in his last days to the hospital. It seems that his last works-in-progress was translating the volumes of Encyclopedia Britannica into Hindi.


166 – The families that fled Tibet with the Dalai Lama

My grandfather Faizullah Baba with my uncles Abdullah and Majid. Darjeeling, India. Circa 1957

My grandfather Faizullah Baba with my uncles Abdullah and Majid. Darjeeling, India. Circa 1957

Image & Text contributed by Soheb Ahmed Baba, New Delhi

The man in the photograph above is my grandfather Faizullah Baba. Standing left is my grand father’s eldest son, my uncle, Abdullah, age 7, and on the right is Abdullah’s cousin Majid.

During the Tibetan Uprising in 1959, fearing for his life, the Dalai Lama and his advisers fled Tibet with the help of the CIA and were given asylum by the Indian Government. While the world press published stories of strain in Indo-China relationships, very few threw light on the families that followed the Dalai Lama and fled from Tibet to India in the subsequent months. My grandfather and his family were few of the many that also fled to India to seek a better and peaceful life after the uprising. Our family, however, weren’t Buddhists but Muslim minorities living in Tibet and were often referred to as “Ka- chee” which literally means Kashmiri or Kashmir. One of the reasons that my grandfather also decided to flee was because he sensed Islam being suppressed by the Chinese Government and felt India to be more secular and comforting.

Historically, our ancestors were from Kashmir. On one hand, they were traders who would travel between Kashmir and Lhasa to exchange goods, and on the other, they preached the teachings of Islam. Many community traders married local Tibetan women forming a fusion of cultures and resulting in the gradual growth of the Tibetan-Muslim community in Tibet.

It was important for our ancestors that the young were educated in the lessons & practices it boasted and there were a few madrasas in Lhasa but these institutes were limited to religious education. My grandfather instead wanted his kids to gain more knowledge and decided early on (before the uprising) to send the young boys all the way to Delhi, in India, to study in a school founded within Jamia Millia Islamia.

What fascinates me about this picture and the story, are the journeys young Abdullah and his cousin Majid, made each time they crossed over to the Indian border to study and to return during vacations. From Lhasa, they would hitch a ride with the traders, trekking through the rough terrains until the border, and then use public transport into India. Sometimes they would make a pit stop at Darjeeling, West Bengal and carry on till Delhi to attend school. They would embark on this journey back and forth each time they visited home in Lhasa.

Occasionally, my grandfather, Faizullah, would make the same journey to go and pick them up from Delhi. This photograph was taken during one of those journeys. The well ironed collared shirts and half trousers with a book in hand were perhaps important props to display at the time because quality education in Tibet was rare and only a few attained an English education.

The separations and the hard journeys must have taken a toll on both Abdullah & his parents but my dad says it was these characteristics of my grandfather that he greatly admired – His inner strength, his will power to let go of problems and his faith in the almighty. Maybe this is why my father, his siblings & cousins were encouraged to travel to far out places and pursue their dreams.

By 1962, the Indian government granted the Kachee community permission to settle in India and many of my relatives began a new life in Delhi, Darjeeling, Kalimpong, Siliguri, Gangtok, Kashmir and Srinagar. My grandparents themselves earned a living by selling garments at one point. Abdullah, my uncle in the picture, took up teaching as a full-time profession in Kargil, Ladakh for most of his adult life. He passed away in Srinagar, Kashmir, at the age of 62.

Today, 57 years later after this photograph was taken, I, a grandson of this community is writing this testimony in Delhi, the capital of India. My sister, our cousins and I are the third generation born and brought up in this country and a city that we now proudly call home.


164 – He donated his personal wealth to save a country in crisis

My grandparents Jagajiban & Kanaka Sahu with their youngest son, Shwetabahan. Bombay, Maharashtra. 1976

My grandparents Jagajiban & Kanaka Sahu with their youngest son, Shwetabahan. Kesinga, Orissa (now Odisha). 1976

Image and text contributed by Samant Sahu, Mumbai

This picture was taken at the Meena Bazaar Photo studio in Kesinga (Orissa) and it has my grandparents Jagajiban and Kanak Sahu with their fourth son Shwetabahan.

My grandfather Jagajiban was from Bagad Kesinga, Kalahandi district in Orissa (now Odisha) and was the eldest in the Sahu family followed by four younger sisters and a brother. Even as a 10th standard high school dropout he somehow managed to get a job as a government teacher and taught mathematics and science to primary school students. He got married at the age of 20 to my grandmother, Kanak. As a young boy, Jagajiban was interested in serving society and was a renowned name in his village Bagad for his contributions towards the development of his fellow villagers.

In 1967, he happened to meet with an Ayurveda physician in the near-by forest. The physician was looking for a herb to prepare a medicine and after few minutes of interaction, Jagajiban discovered that he had written Rasayana Kalpadruma, an ayurvedic book that proposed the ultimate solution for youthfulness. Jagajiban returned home impressed and influenced by the science of Ayurveda. So much so that in 1968 he convinced his wife that he must leave with the physician to Berhempur to learn the art and science of Ayurveda practices. Over time he garnered an in-depth knowledge about Ayurveda and herbs that could cure some of the most dangerous and infectious diseases. In 1971, he returned to his village and began practicing in his village, offering ayurvedic treatments for free. He was famous for treating people with snake & scorpion bites and was believed to cure people just by chanting mantras.

One of the foremost contributions to the country by Jagajiban was when India was in the midst of the Sino-Indian war  in 1962. The papers were abound with news that the government of India had spent much of its money on war and was in deep crisis. Jagajiban decided to do something about it and marched across Kalahandi district to create awareness among the villagers. He asked for their help to save the country resulting in contributions in gold and money from farmers and villagers. He also donated much of his own personal wealth. When the government chose to honour his contributions, he denied it – saying that it was only his duty.

The people of Bagad have now established a botanical garden named the Tengra Garden that is used for research in Ayurveda and is managed by Jagajiban’s son, my father. My grandfather Jagajiban Sahu passed away on February 4, 2016.


162 – The day all the states of India were reorganised

AP-Formation-1956_Low

State Reorganisation Act. Legislative Assembly. Hyderabad, Andhra Pradesh. November 1, 1956

Image and text contributed by Subhadra Murthy, Hyderabad / Telangana

This photograph is from my family album and was taken on November 1, 1956, on Andhra Formation Day, at the Legislative Assembly in Hyderabad. The then Nizam – Mir Osman Ali Khan, speaker Kashinath Rao Vaidya, the first elected Chief Minister Burgula Ramakrishna Rao, and Neelam Sanjeeva Reddy (the to-be 6th President of India) are seen in this image.

On this day, all states of India were re-organised by language including the state of Hyderabad. The nine Telugu and Urdu speaking parts of Hyderabad State were merged with the Telugu-speaking Andhra to create Andhra Pradesh, with Hyderabad as its capital. The rest of the state merged with two of its neighbours to form the modern states of Maharashtra and Karnataka.

My father M.K Shastri sits in the inner semi-circle in the white shirt on the right. He was fluent in Urdu, and became the Editor of Debates and the warden of M.L.A Quarters. Until this day of the formation of Andhra Pradesh, the independent state of Hyderabad was ruled by the Nizam and his family since the 18th century.

I remember it was a very exciting day in Hyderabad and everyone was dressed up well. My father wore a beautiful sherwani. I insisted that I be taken along to the assembly on this important day in Indian History. There were two galleries for people to watch the moment take place. The Speakers gallery and the Visitors gallery, and my father got us a pass to the Speakers gallery. Most people of Hyderabad state were happy that that this moment in history had taken place.

Everything had began to change when India became independent in 1947, Hyderabad was amongst the many princely states given the choice of either joining India or Pakistan. The Nizam wanted to do neither and insisted on remaining independent. Negotiations between the Nizam and the Indian government for integration of Hyderabad into the India Union were unsuccessful. He finally relented to a “standstill agreement” with India on November 29, 1947 to maintain status quo and not accede to Pakistan instead. But Hyderabad state began to experience communal unrest caused by the Razakar’s movement. The Razakar was a private militia organized by the Nizam’s aid, Qasim Razvi to support the rule of the Nizam and resist the integration of Hyderabad State into the Dominion of India. That is until Operation Polo, when the Nizam finally agreed to join the India. In January of 1950, M. K. Vellodi, a senior civil servant was made the Chief Minister of the state and the Nizam was given the position of Governor.

In 1956, I remember I was in class 10 and life was simple, though now and then there was a lot of communal friction. There used to be no traffic, we used to travel from one place to another in rickshaws for mere four annas. I also had a lot of friends, including the Chief minister’s daughter. In days of trouble we were not allowed to go anywhere but to go to school and return right back home.

The capital Hyderabad has changed a lot since. The good consequences of being a part of a state from India was that there was a lot more equality than earlier. All kinds of classes and kinds of people were interacting and working with each other. I too found a lot of great and simple friends in elite classes of Hyderabad. My family however, was quite orthodox, and while I really wanted to become a doctor, I couldn’t and instead got married. Subsequently there was change in our family’s ideas and all my sisters and brothers were highly educated. Having said that, people say that women find independence without marriage but for me, it was the reverse. I think I found my independence after marriage. I decided to become a teacher and over the years flourished at my work and in positions. I am now 78 years old, fiercely independent and am the Advisor to the Red Cross in Hyderabad. Since 2014, we are now shared capital of a newer state of Telangana.


160 – The Purana Qila Incident

Standing in the middle, my grandfather George O'Brien. Delhi. Circa 1947

Standing in the middle, my grandfather George O’Brien. Delhi. Circa 1947

Image and text contributed by Simon Digby, UK

My grandfather, George O’Brien, was born in Meerut in 1900. His grandparents had fled Ireland in 1847 to escape the Great Potato Famine. My great great grandfather then joined the British army and the family moved to India. In India, they became part of the Irish diaspora, but they were alive and being fed by their old enemy, the British.

During the Second World War, my grandfather volunteered to be the Indian Home Guard. He had his own platoon of part timers whose role was to keep the peace and defend India against her enemies. At the end of the war, the platoon was retained to maintain order as Indian Pakistan Partition was tearing the country apart. 

In September of 1947, thousands of displaced Muslims were taking refuge in the Purana Qila in Delhi and were extremely agitated as they feared attacks on their journey to Pakistan. Mahatma Gandhi heard of their terror and drove to the fort to allay their fears. The crowd listened to their leader, but a more agitated group worked themselves into a frenzy and started to attack Gandhi’s car. My grandfather’s platoon had been called to the incident and arrived to see the mob smashing the car windows and shouting violent threats. I am told my grandfather, George climbed on top of the roof of Gandhi’s vehicle and shouted in Hindi, “This is the only man that can save you!” and managed to placate the crowd long enough to get the car out. 

Unfortunately, Gandhi was assassinated the following January. A great global leader was lost, but my grandfather George O’Brien had played his small part in history. My grandfather told me that a reporter called Ralph Izzard (a famous Daily Mail hack) wrote an article which appeared in The Times titled, ‘Mad Irishman saves Gandhi‘. Unfortunately, I have not been able to track the article down because he never told which ‘Times’ it was; The Times of India or The London Times or another Times!), and my Grandfather was too modest to keep a copy for himself. But his story concurs with Gandi’s visit to the Purana Qila on September 22, 1947. 

My Grandfather spent his whole life in India living in Delhi & Meerut. He was born in 1900 and died in 1986. He married Sheila Gately, my grandmother who was of Irish lineage too. Sheila’s brother Michael Gately won a gold medal at the 1928 Amsterdam Olympics playing field hockey for India with Dhyan Chand, the legendary player, on the team

After leaving his job as a home guard, he worked for the rest of his life with the British Motor Corporation and referred to it as ‘Bugger My Car’ company, although this was down to a great sense of humour rather than a derogatory comment about his employers.  My grandfather also loved fishing and at one time had the record for the largest Rainbow Trout ever caught in Asia. His daughter, my mother got a scholarship to study in Dublin when she was 17, she met my father (an Irish doctor) and then stayed in Ireland. They had a family of five; me being the middle one.

 I was lucky enough to stay with my grandfather for a month in 1983, at Church Street, Meerut. It was the only time I met him and I was filled up with so many questions I had about my heritage. I am very proud of my Indian heritage and have visited India with my own family to give them a taste of their past. We now live all around the world, but Ireland is home.


154 – She was sent to London to learn production for films

My maternal Grandmother, Jaya Phatak. London, United Kingdom 1972

My maternal Grandmother, Jaya Phatak. London, United Kingdom 1972

Image & Text contributed by Rohit Kulkarni, Pune

This is a photograph of my grandmother, Jaya Phatak. It was taken at a film studio in London in 1972.

My grandmother was born in the Phatak family in Pune, Maharashtra in 1926. Her father Duttatre Phatak worked with the British Indian Railways, and was also the manager of a record label ‘Orion‘ that no longer exists. I am told he was instrumental in the first ever recording of Ustad Abdul Karim Khan, a well-known Hindustani Classical Singer and appointed musician to two royal courts in Baroda, and Mysore. Duttatre died when my grandmother was very young and over time her life turned out to be very different for many of the women of her era. She was very interested in sports and also represented the State at the Kabaddi Nationals in 1964.

She was very young in 1942, when she became involved in India’s Independence movement in Pune. She was jailed along with other 6-7 of her mates and sent to Yerwada Jail for disrupting and distributing Anti-British leaflets at a British military gathering at Nowrosjee Wadia College grounds. At the jail, she discovered many more imprisoned freedom fighters across castes and classes. They were detained and went through a one-month trial, and offered either Bail or an arrest for a month in jail. The family didn’t have much money so there was no bail forthcoming. Despite an arrest for only a month, my grandmother says that they were still not released and instead were kept for another 11 months, because British law stated that it did not need to justify or give reasons to detain anyone. She notes that in prison, despite the fact that everyone was fighting for the same cause, a section of the higher caste would not share their meals with other castes. There was unsaid  segregation along caste lines and at that time, castle lines were not questioned very much.

My grandmother was married twice. After divorcing her first husband which was unheard of at the time, she met and married my grandfather Vishwanath Modak, a journalist, who ran a daily political /social commentary column in the Marathi newspaper Prabhat and they fell in love. My grandfather used to call my grandmother “the man amongst the women”. She was fiery, opinionated and an atheist. My mother is the only child they had and jokes that her birth was an experiment that was never to repeated again.

My grandmother Jaya found a good job at the Department of Education and was sent to England in 1972, to study and receive a Diploma in Production for Films – for education specifically. This picture is from that time when she was studying there. She also established a charitable trust called Kishor Mitra (“friend of the young”) where she produced short films on simple science – for instance how a Thermos or bread is made and helped publish Marathi books for making learning fun. Inspired by Sesame Street, the well known American Television series for children, she developed and produced puppet shows that were made into educational films. It was her first and last job until retirement. My grandmother Jaya continues to be a trustee of Kishor Mitra and lives in Pune with her granddaughter.

 


148 – Picnic at Juhu Beach

Our family and friends at the Juhu Beach. Bombay. 1941

Our family and friends at the Juhu Beach. Bombay. 1941

Image & Text contributed by Rumi Taraporevala/ Sooni Taraporevala

This photograph of our family was taken by my youngest kaka (uncle) Shapoor at Juhu Beach. We had all gone out to Juhu beach for a picnic, outside the Palm Grove hotel (now Ramada Plaza Palm Grove). It was a regular haunt for picnics and we used to look forward to our day out for weeks. The beach was totally un-spoilt and had only a few small shacks around. Now I wouldn’t go even if someone paid me for it.

I remember, we would take the train from Grant Road to Santa Cruz and then take a bus to Juhu beach. At that time the Bombay trains were not called Western or Central railways. The Western line was called BB & CI – Bombay Baroda and Central India Railways and the Central line was called GIP – Great Indian Peninsula Railway. I don’t remember what we would do though, I think mainly chatter, run around, eat and some of us swam. Picnic lunches were fun, sometimes they were large tiffins full of Pork Vindaloo. It was very tasty.

In the middle wearing a white dress is Freny, now my beautiful wife, and on her left is me. Freny and I are also first cousins, our fathers were real brothers. Like some other communities in India, in Parsis too, marriage between cousins is allowed. Though we weren’t an arranged match, we just fell in love with each other. She was beautiful. I think even at this picnic I was eyeing her. Our parents must have noticed and declared that we must be made into a match. There was no ‘dating’ at the time, so the way I would get to meet her was – when she would be attending the girl guides meeting, I would go and fetch her back. We would walk through Azad Maidan and at Churchgate take the train to Grant road. At the time she used to live at Sleater Road. A lot of boys were after her, she was a beautiful girl you know, but I got her.

At that time there was not much entertainment for us in Bombay. In school, we were big on Hollywood movies. It was our only past time. On Thursdays and Sundays, we’d be standing in the queue at the Metro Cinema (now Metro Big Cinema) and buy tickets for Four Annas (one Anna was 1/16 of a Rupee).

In this picture, I would have been 11 years old and Freny was six months older to me. I studied at St. Xavier’s School and then St. Xavier’s college. My daddy was a foreign currency exchange broker, and would earn around Rs. 3000 a month, which was a lot of money and would take care of the entire family. After I left college, I joined the same business in 1951. At that time we didn’t question the expectations of our parents and teachers. My father was a tough disciplinarian but that was the general case with our parents anyway. My mom however, was full of mischief, and was a very jovial and fun person.

Daddy used to pay me Rs.100 and when Freny and I got married my salary was Rs. 400. It was a lot of money for us. We used to go to the movies, for the office dances, and then there was Ideal restaurant where Freny and I would eat Chicken salad for 12 Annas.

In the picture there were also my cousins from Canton, Hong Kong – Veera, Perin and Baji. My uncle and aunt were visiting India to show their children what India was like. But then Japan declared occupation in Hong Kong and they couldn’t go back. So they stayed here in Bombay for four years, until they could return. Veera was a beautiful girl. She was dark with one of the most beautiful faces one had seen. She was a great athlete, swimmer and diver -and all the boys used to run after her. My mom and she used to get along like a house on fire. They loved each other, and were in touch all the time. The ladies of my mum’s generation would correspond with each other in Gujarati and the men would write each other in English. Maybe it was because many of the orthodox families didn’t educate the girls for too long. When Freny’s elder sister was studying at Sophia’s college, one of the Parsi girls converted to Christianity. Right then my grandmother wrote to my uncle/father-in-law saying “immediately remove her from school”. Her fears were that maybe they will brainwash her into becoming a Christian.

On the top right are Jehangir Tarapore and his wife Khorshed. Jehangir was a very well known studio photographer in the Gujarati and Parsi community. His images are simply beautiful, very radical for the time. The superb quality of his prints still baffles me. Many of his photographs are now stored by a museum in London, with my daughter Sooni as the guardian.

Sorab Kaka is on the top left. He was a professor of French and he used to teach French at the Elphinstone college. Shapoor, my youngest uncle who took this picture, was very fond of photography. As children we started off with cameras such as the Brownie and Agfa. It had only six exposures. Then they increased it to eight and we were ultra excited about that. I remember we had an old gramophone too, and had to change the needle after each record revolution. Then they started making bronze needles, each lasted three records, then came the gold needle which lasted eight records. We had to change it else it would spoil the record. Can you imagine that?

This area where we live, the Gowalia tank was so beautiful at the time, it was an absolutely quiet locality. The trams used to end at the maidan (playground), and the only sound at night was the bell announcing the tram changing tracks. In 1942, the Quit India Movement Speech was issued by Gandhi right here at the maidan. I remember, I was at my boy scouts meeting and there was a rally going on. Then my father fetched me, because there was a lot of rioting and shooting going on and many people were killed.

After Indo/Pak partition Bombay changed. I remember that in December of 1942, Japan dropped a few bombs on Calcutta, and so all the Gujarati traders fearing that Bombay will be next, fled back to their native places. Several apartments were available with “To be let” signs. Or as my Gujarati colleague used to pronounce it- “Toblet”. By the late 1940s, a lot of people immigrated into Bombay from Karachi and different places – the prices started rising, houses became difficult to get, and what really changed for the worse that suddenly the builders had the bright idea of ‘ownership apartments’. Till then all Bombay flats were only on rent and we didn’t have any ownership. Of course, a lot of the Parsis were pro-brits. You will find many of them still keep pictures of Queen Victoria and Queen Elizabeth and call them “Aapnee Rani” (Our queen). When Sooni did her photo book on the Parsis, I ensured that we get the book to the Queen in England. At first it got rejected, because of the letter bombs going around, then a British colleague helped me re-send the book to her.

I have had a wonderful life with a very warm close knit family of cousins & friends and now grandchildren. Together we have had a lot of fun. There was always some outdoor activity or the other – trekking to Nepal or scooter tours to the south of India- the sites of our subcontinent are amazing. But Bombay, I tell you, was the most beautiful and interesting city.


146 – My father’s inspired passive resistance

Woven portrait of Raja Ram Mohan Roy. Victoria Jubilee Technical Institute. Bombay, Maharashtra. 1934

Woven portrait of Raja Ram Mohan Roy. Victoria Jubilee Technical Institute. Bombay, Maharashtra. 1934

 

Image and Text contributed by Jayati Gupta, India

Indian textiles were a major part of the East India Company’s trade since the 17th century. Hundreds of thousands of people in India were involved in the textile trade, as spinners, weavers and dyers. 
By the early years of the 20th century too, textile and textile technology was controlled and promoted by the British and colonial masters. Indian textiles was a rapidly growing industry, especially since the demand for British cotton had slumped during the interwar period.

During the booming era of the East India Company, raw materials were sent back to Britain and the finished goods were re-exported and sold in the colonies at exorbitant prices. The production and consumptions of textiles was controlled with imbalanced equations between the producer and the consumer, the coloniser and the colonised.

 When Mahatma Gandhi’s activism to promote khadi (homespun thread and home-woven cloth) became a big part of resistance to imperial authority, cotton became an important symbol in Indian independence and the Swadeshi movement began to overrule all. The resistance took the form of boycotting foreign goods and textiles.

My father, Nirmal Chandra Ghosh (1911-1989), after his initial education in the Zilla School (district scool) in Hazaribagh, Jharkhand, (formerly part of Bihar), won a scholarship and decided to train as a textile technologist.

In 1930, he became a student of Victoria Jubilee Technical Institute (now Veermata Jeejabai Technical Institute/VJTI) in Matunga, Bombay (now Mumbai). He graduated in 1934 becoming that year’s recipient of the Dadabhai Nowrojee Gold Medal. His name appears on the Roll of Honour, a board that is maintained in the Institute.

 Those were heady days of the nationalist movement and my father was very far away from home living in a cosmopolitan city thriving with conversations on the movement. At the time, for such distances from Bombay to Jharkhand, a railway journey would take more than three days, letters reached after more than a week and telephone calls were unheard of.

My grand father Kshitish Chandra Ghosh, was employed as a Post Master in the Bihar Postal Service run by the State & British administrators. It was a transferable job and he had warned his children, a large family of four sons and five daughters, that any nationalist activity they indulged in could be interpreted as anti-government and lead to losing his job. He sternly indicated that any anti-government activity would have disastrous consequences for the family as he was then the sole earning member and hence they would have to be very cautious.

But my father, at the time a young man in Bombay, was inspired by the movement of resistance and found a way to express himself. In his final year (1933-34) one of the assignments that he had, was to design and weave a piece of cloth. Very ingeniously he wove several textile portraits of public and national figures, highly respected and feted by patriotic countrymen. He wove portraits of Raja Ram Mohan Roy, the Father of the Bengal Renaissance, of Rabindranath Tagore, Poet & Nobel prize winner and of Mahatma Gandhi, already an icon of Indian nationalism. One of those portraits woven of Raja Ram Mohan Roy by my father, as shown in the photograph, was framed many years later and still hangs in my sister’s Kolkata home. As a child, I remember the woven portrait of Gandhi hanging in my grandmother’s room in Hazaribagh. The other portraits may have been gifted by him to others and seem to be lost.

Luckily, this gesture expressing solidarity with the national movement went unrecorded and unnoticed by his sahib instructors. My father spoke of the act as an inspired passive resistance, and that it was a source of immense thrill and excitement when he was planning and executing the design. In volatile colonial times, it must have needed immense personal courage and extreme conviction to think and act in this manner.

My father was also an excellent amateur photographer. The image above was photographed and pasted by him in his album. The album also holds photographs from early to late 1930s from the time of his education in Bombay to when he lived in South India on his first and only job with A &F Harvey Limited, established in 1883 by two Scottish entrepreneurs. A & F Harvey Ltd., a british company, was incorporated as a private limited company in 1945 to manage textile and other companies in South India. It acted as the Management Agents of Madura Mills Co., Ltd., until December 1969. My father retired from his job in 1970.

 


137 – The only valuable he saved while fleeing to India in 1947

My father, Anand Prakash Bakshi as a child with his parents. Rawalpindi. (now Pakistan). Circa 1930

My father, Anand Prakash Bakshi as a child with his parents. Rawalpindi. (now Pakistan). Circa 1935

Image and Text contributed by Rakesh Anand Bakshi, Mumbai

On October 2, 1947, during partition, my father Anand Bakshi’s family was informed that within an hour or two their Mohalla- Qutabdeen in Chityian Hattian, Rawalpindi (now Pakistan) was going to be attacked by rioters and marauders belonging to another community. My father Anand, then 17 years old, his grandparents, father, step mother & step siblings, had only minutes to grab whatever money, clothes, personal effects, they could possibly carry with them. Hundreds of others and they fled from their homes, overnight. From Rawalpindi, the family travelled to Delhi via a small Dakota Air plane, (the plane was a bonus, because my great grandfather was at the time, the Superintendent of Police of Punjab Prisons in Rawalpindi.)

When the overnight displaced family reached Delhi in India, homeless and with only few valuables on them, my grandfather took stock of what everyone had managed to carry across the border. Upon seeing what my father had carried, in those moments of life threatening crisis, my grandfather was livid. Angrily he asked my father – ‘Why did you not carry valuables!? What useless things have you carried with you? How can we survive without our valuables? You should have carried some valuables!’  My father had carried what he had thought were valuables, a few family photographs; and particularly those of his mother.
He had lost his mother, Sumitra Bali, when he around 9 years old due to pregnancy related complications. On being yelled at, my father said to my grandfather – “Money we can earn when we find work, but if these photos of her were lost, no amount of money could ever bring them back for me. Pictures of her are all I have to live with, my entire life!”

The photograph above is one from the few my father had managed to save. This framed photograph found a place of immense pride on our home walls, in every house we shifted to and however big and fancy the houses got over the years with my father’s growing success.

At the time my father’s family fled, he had been serving the Royal Indian Navy for nearly three years, since the age of 14, as rank ‘Boy 1’ and he was registered as Anand Prakash. He served on board the ships H.M.I.S. Dilawar and H.M.I.S. Bahadur until 1946 and was dismissed from the Royal Indian Navy because of his participation in the revolt that took place at Karachi port against the British Empire. Post India and Pakistan partition, he joined the Indian army Corps of Signals, rank ‘Signal Man’, at Jubbulpore (now Jabalpur) and served for nearly six years.

On March 25, 1950 a poem of his was published in the Army publication ‘Sainik Samachar’. A published poem gave him the confidence to try his luck as a lyrics writer in Hindi films. After he qualified as a Switch Board Operator Class II, he resigned from the Army in April 1950, and traveled to Bombay in quest of his dreams. But with no breaks or opportunities forthcoming, he ran out of money. He returned to the army and enlisted with the E.M.E. – (The Corps of Electrical and Mechanical Engineers), in February 1951, with the rank of “Ex-Boy”, and this time he registered as Anand Prakash Bakhshi. He qualified as “Electrician Class III” based at Jubbulpore and Lucknow, Uttar Pradesh. In 1954, he got married to my mother, Kamla.

But yet again, after serving a total of seven years in the army, he took a voluntary discharge in 1956 and returned to Bombay, this time armed with 60 poems to find work. He also qualified himself as a motor vehicle driver as his ‘Plan B’ in case he didn’t succeed in finding a job as a song writer; he could always drive a taxi or work as a motor mechanic. History repeated itself, and within a few months in 1956, he ran out of money again and lost hope of ever making it as a song writer and despite the Plan B, he instead decided to return to his army job.

While sitting at the platform of Marine Lines station to take the train back home, a ticket inspector named Chitramal Swaroop caught my father without a valid ticket and asked him to pay a fine. My father had no money. Chitramal then asked him if he had eaten, bought him some food and asked him what he is doing in Bombay. My father told him of all that had happened and that he had lost all hope of becoming a lyrics writer and had decided to return to his army job, and his wife. A patient Chitramal then asked Anand to narrate a few of his poems. After hearing his works, an impressed Chitramal picked up my father’s tin suitcase and told him to follow him home. He led him to his Western Railway Quarters at Borivali, and allowed him to live there a few weeks until he found work. With only a few poems that he had heard, Chitramal had come to believe, and rightly so, that my father Anand was an exceptionally talented man.

Weeks became years and my father lived at Chitramal’s house at Borivali for nearly three years. Chitramal would even give him a pocket money of Rs. Two to eat and travel daily to meet producers and directors for work. I believe, my father Anand had two mothers, one who gave him birth, Sumitra Bali, and the other was Chitramal Swaroop; had he not stopped Anand Bakshi that day at Marine Lines station from returning to the army, the world of hindi cinema may never have discovered his poetry and lyrics.

By the end of 1956 he got his first break in a hindi film by Bhagwan Dada, a well known actor and film director. My father while sitting outside his office, overheard that a lyricist had not turned up, causing much stress to Dada. So my father walk into his office and told him he was a song writer, and he was immediately put on the job. But my father only got established by 1964, when the film Jab Jab Phool Khile became a huge hit. The songs were hugely popular across demographics and across the nation. After that, he found another big success with Milan in 1967; post that, he never lacked work until he lived. He wrote for the top most film producers and directors, several times for two generations of actors, producers and directors, until he passed away on March 30, 2002. He had by then written nearly 3300 Hindi song lyrics, for nearly 630 films. Some of his top songs, like the exceptionally famous “Dum Maro Dum” found cult status, and have been remixed and sampled by many other contemporary artists.

Looking at his work I am sure that the loss of and longing for his mother inspired him to write incredibly amazing and emotional lyrics. At least that is what he told us when he would get nostalgic and emotional, which was very often.  Sometimes I even wonder what made my father survive the loss of his mother, the loss of his land of birth, youth, and an impoverished life because of partition for nearly two decades. The secret may lie in what he always said – “There is something inside of me superior to my circumstances, stronger than every situation of life.”

The contributor is now writing a biography about his father. 


133 – “My grandparents were staunch political rivals”

My grandparents' wedding. Gaya, Bihar. 1956

My grandparents at their wedding. Dehradun, Uttar Pradesh 1956

Image and Text contributed by Richa Srivastava, Mumbai

My grandmother, Sushila Sahay whom we called Nani, was born in Jila (District) Hoshangabad in 1926 in the Central Provision, now known as the state of Madhya Pradesh. A daughter of a Forest officer, she was brought up in Dehradun in Uttar Pradesh. When she was 13 years old, Nani heard that Mahatama Gandhi was visiting Mussoorie and she travelled to hear him speak. Heavily influenced by Gandhi’s words, she met with him and declared her wish to be involved his Ashram, the Sabarmati Ashram. However, Gandhi recommended that she finish her education first. She heard him out, but to feel associated with the movement, she began to wear only Khadi clothes, worked to uplift the Harijan groups, who were considered Untouchable in the conservative caste system of India. And when she finished her Bachelor’s degree, she did joined the Ashram. However, by then Gandhi has been assassinated.

My grandfather, Dayanand Sahay, whom we called Nana, was born in 1928, in a village called Bhadvar in Bihar to a conservative family. By the time he grew up he had already lost many siblings to the fight for freedom. He became a Sarvodaya Activist, that propagated Gandhi’s political philosophies. Later, he joined the Shakho Deora ashram in Gaya district, a branch of the Gandhi ashram established by Jayaprakash Narayan, popularly referred to as JP or Lok Nayak (people’s leader).

In the 1950s, my grandmother would travel to the ashram in Gaya with a few other women and that is where my grandparents met. At the Gandhi Ashram however, every member was considered a brother or a sister and in the beginning she also tied a Rakhi (symbol of brotherly love & protection) to my grandfather, considering him an elder brother. So for my maternal grandparents to gradually fall in love may have surprised or shocked many. Anyway, in 1956, they got married. They both only wore Khadi and as a token of dowry (as was the custom) he took only Rs. One. My grandfather’s father, I am told, was very unhappy with his son’s inter-caste marriage and declared to disown him. Nana was even coerced into attending a village panchayat meeting meant to dissuade him from marrying Nani, but he wouldn’t listen. Eventually the family came around and blessed the wedding.

Over time, JP and my grandparents  became close friends and associates. They became actively involved with politics. They worked with and supported JP when he led the opposition against the then Prime Minister, Indira Gandhi, in the 1970’s, calling for her resignation, and a program of social transformation, which he termed Sampoorna kraanti (Total Revolution). Instead, Indira Gandhi proclaimed a National Emergency in 1975 and subsequently, JP, several leaders and his party members including my grandparents, were all thrown into jail.

When Janata Party was voted into power, and became the first non-Congress party to form a government at the Centre, Nani who had by now become its member, became the Home Minister of Bihar for one year from 1977 to May 1978. She resigned the same day as her first grandchild, my brother, was born, and so she also missed his birth.

What I consider the most interesting part of my grandparent’s lives is that they also became political rivals, with my grandmother joining the Janata Dal Party as an MLA and my grandfather who had very early on joined the Congress. In fact, in 1989, when VP Singh became Prime Minister, was also the year that Nani stood for elections representing Janata Dal Party while my Nana supported the opposition, Congress (that eventually won). It is amazing that their relationship stood the test of political and professional rivalry, and we sometimes wonder how they even managed to work around that. Having said that, my grandmother was an idealist and my grandfather a pragmatic man, they both encouraged and respected each other and there never seemed to be any ego problems.

My grandfather or Nana went on to serve three terms as member of the parliament. He emerged as a Kingmaker for several established Politicians who would go to him for money, encouragement or advice. Nana was the first person to make pre-stressed concrete sleepers, now used by the railways for reasons of safety, speed enhancement. Inclined with a socialist attitude, he also decided to share his sleepers formulae with other businessmen. He rose in position to become a member of the Rajya Sabha, however he passed away in a car accident in Gaya in 2002.  Nani, even at a very old age, continued to serve people in her own several ways,  and was deeply concerned about the country’s emotional and intellectual health. I remember, she would dictate to us letters of grievances to the president and the prime-minister. To my family and I, my grandparents were a truly a great team and a couple to reckon with.


132 – A Subhas Chandra Bose loyalist who refused the Indian freedom fighter’s pension

My father, P. Devrajan’s identity card, issued to him by the Japanese army in Singapore as a member of the Indian National Army [INA] (top). His identity and oath card issued to him by the Azad Hind Sangh (India Independence League). Singapore. Circa 1942

My father, P. Devrajan’s identity card, issued to him by the Japanese army in Singapore as a member of the Indian National Army [INA] (top). His oath and loyalty card issued to him by the Azad Hind Sangh (India Independence League). Singapore. Circa 1942

Images & Text contributed by Ranjit Devraj, New Delhi

My father, P. Devarajan was very young, maybe around 16 or 17 years old went he went to meet his uncle in Singapore from Kerala. Singapore was, at the time, a major British military base in South-East Asia and was nicknamed the “Gibraltar of the East”.

During British Reign, many Indians and especially from the south of India, had migrated to Singapore, and surrounding countries. If they were illiterate they worked in Rubber plantations and if literate they could do clerical jobs, or even find higher positions as doctors and engineers.

At the time he was planning to return to his state Kerala, the Japanese army attacked the british Base in Singapore in 1941 (Battle of Singapore) and he with all borders shut down, was stuck. However, in retrospect he made good use of his time. I am not sure how he decided to enrol himself into the INA, the Indian National Army, that was run under the leadership of Subhas Chandra Bose, but he most likely met and was heavily influenced by freedom fighters and the strong belief in fighting for the Independence of India, a movement that catching fire in Singapore. While in the INA (as allies to the Japanese army), my father then fought alongside with the Japanese to defeat the British. The British lost the Battle of Singapore and surrendered to Japan. Though, ironically, when the war ended, Singapore reverted to British control because of the increasing grants of Self Controlled governance.

One could say that Imperial Japan was the first country that formally initiated a huge battle against the ‘white man’s’ supremacy, an event that encouraged and inspired millions of Indians and citizens from African countries trying to do the same. Japan was also one of nine countries that had forged a great relationship with Subhas Chandra Bose and supported the Azad Hind Sangh, the Indian provisional Government for a Free India.

My father was strongly inspired and encouraged by Bose’s philosophies and beliefs. He was also well acquainted with Captain Lakshmi Sehgal who as one of first strong female personalities in INA, played a very influential role in fighting for independence. The INA after all was at the forefront of women’s empowerment and equality.

The oath card (bottom) that you see was a card issued by the Azad Hind Sangh and as a first-of-a kind experiment offered Indian Citizenships to South Asian Indians living in other countries in exchange of this sign-up of loyalty, because to Bose, India’s people were more important than just re-claiming territory. Hundreds of thousands signed on and it was to become an important part of several efforts made by Bose to help him achieve legitimacy than just formal recognition of the Azad Hind Sangh. Ironically, the same cards were then used against INA in the Red fort trial as evidence of war and treason waged by Azad Hind.

[Translation of Oath card]

I, the member of the Azad Hind Sangh (India Independence League), do hereby solemnly promise, in the name of god and take this holy oath that I will be absolutely loyal and faithful to the provisional government of Azad Hind, and shall always be prepared of any sacrifice for the cause of freedom of our motherland, under the leadership of Subas Chandra Bose.

Though eligible, my father, earlier a British Singaporean citizen, refused to accept a UK citizenship, a job at the War office in London offered by the British, and then later even an Indian freedom fighter’s pension or benefits, stating diplomatically, that it was honour enough to have been able to strike a blow for Independence. For all his life, my father remained a staunch admirer of Bose. He was later conferred an Indian Citizenship, and died an Indian Citizen in 2009.

 


126 – Foxtrotting at the Blue Fox

My Grandparents, Shobhendra Nath and Gouri Tagore. Calcutta. West Bengal. Circa 1950

My Grandparents, Shobhendra Nath and Gouri Tagore. Calcutta. West Bengal. Circa 1950

Image and Text contributed by Somdev Thakur, Kolkata

My grandfather, Shobhendra Nath Tagore, had a very charismatic personality. He was a lawyer in the High Court, a theatrecian, an adventurer and a government employed hunter (to hunt animals that had turned rogue and attacked villages).

Shobhendra Nath was a descendant of the well known Tagore lineage. His great-grandfather Ramanath and Dwarakanath Tagore were twins, and Dwarkanath was Rabindranath Tagore‘s grandfather.
In the several albums that document my grandparent’s life I recently found a number of images titled “Dancing” that show an active nightlife my grandparents led. Mostly they danced the Foxtrot and the Cha Cha Cha, as my grandmother recalls at the Blue Fox, one of Calcutta’s first bar/restaurants that had famous and popular live bands, meant specifically to play music for people to dance. It is an entertaining record of Calcutta’s night life from the 50s and the 60s. The Blue Fox was situated at Calcutta’s famous road – Park Street, a kilometer long stretch that had several amazing eateries, throbbing with joy, laughter and lights, it hosted some of the best of Indian Parties one had ever seen. Some then even called Calcutta, the best place to party in the world. During the day the carefree young would rush to Park Street and by sun down, shiny expensive cars would swoop down the street, and out would come beautifully dressed men and women.
Calcutta was once upon a time, truly a city of joy.


125 – A trip to the Holy Land just before the historic Six-Day War

My grandmother, Kunjamma (standing fourth from right) with a travel group. Jerusalem. 1967

My grandmother, Kunjamma (standing fourth from right) with a travel group. Jerusalem. 1967

Image and Text contributed by Annie Philip, Mumbai

My grandfather, T.T. Zachariah, was working with petroleum company Aramco in Dhahran, Saudi Arabia and my grandmother, Kunjamma, joined him from Kerala with her two youngest children in 1965. She had taken leave for a couple of years from the school where she used to teach.

The expatriate community at the company was close knit and had a fairly active social life that involved sports, picnics and festival celebrations. While living in Saudi Arabia, my grandfather picked up and excelled at tennis, while my grandmother held homeschooling classes for her children and couple of their neighbour’s children.

During the time, my grandfather heard about a three-four day trip to Jerusalem being organised by a Catholic group. This was in early January 1967, few months short of the historic Six-Day War that changed boundaries and destinies in the region.

The group planned to take a chartered flight from Dhahran to Jerusalem. Children were, however, not allowed on the trip. My grandparents came from a long line of Syrian Christians in Kerala and visiting the Holy Land was considered a once in a lifetime opportunity. My grandfather encouraged my grandmother to go, insisting that he would stay back and take care of the children. His reasoning was that he could go anytime later and she should not miss this chance. Kunjamma too was set to go back to Kerala by March 1967, to re-join the school in Kerala for the next academic year, and so she agreed.

The group of around sixty people were a mix of expatriates. It included Westerners, Indians and Pakistanis, Catholics and Protestants. Jerusalem was expected to be chilly at the time and so my grandmother borrowed a coat from her friend. As she made preparations for the trip, she was apprehensive more not about travelling with new people but having to use knives and forks at meal time.

And so she was relieved and happy to have the company of two Malayali nurses. The three women hung around together and my grandmother did not have to worry too much about dining etiquette. My grandmother remembers the name of their hotel as Gloria Hotel. In this picture you can see the Dome of the Rock and the town of Jerusalem. She also remembers that a Western couple solemnised their wedding at one of the churches during the trip.

The group covered most of the important pilgrimage points including Stations of the Cross, the Mount of Olives, Golgotha, Jericho and Bethlehem. At the suggestion of some Protestants in the group, my grandmother also visited the Garden Tomb, outside the walled Old City of Jerusalem, with them (Protestants believe this to be the burial site of Jesus Christ). They could, however, not visit Nazareth (which lay under Israeli control) as they had taken their visa from Saudi Arabia. (At the time, much of the walled Old City of Jerusalem commonly referred to as East Jerusalem lay under Jordanian control).

My grandmother brought back water from River Jordan and the Dead Sea in tiny bottles as memorabilia from the trip, apart from an olive wood cover- bound Bible and framed pictures. Months after she returned, the Six-Day War took place and my grandfather was unable to make the trip. He returned to Kerala in 1976 and passed away in 1986. She remembers the trip as one that was truly memorable and fondly recalls how it was my grandfather who encouraged her to go.


120 – Eight generations of Tantrics

My great-great grand father's younger brother, Govindan Achari with his grand nephews. Thiruvananthapuram, Kerala.1930

My great-great grand father’s younger brother, Govindan Achari (seated) with his grand nephews. Thiruvananthapuram, Kerala. 1930

Image & Text contributed by Sharat Sundar Rajeev, Thiruvananthapuram, Kerala.

This photograph shows my great- great grand father’s younger brother Govindan Achari sitting with his grand nephews. Govindan Achari (c.1850s-1944) was better known as ‘Govindan Kanakkukaran’ and ‘Valiya Mandravadi’  which indicated his position as a veteran Tantric or an occultist.

Born and brought up in Kadakkavoor, a small village which was a part of the erstwhile princely state of Travancore, Govindan came from a family that had since the 15th century followed tradition of  training the youngest son of the family to become a Tantra and Black magic practitioner. All of my tantric ancestors (we have managed to count around six to eight) were patronised by the Royal Family of Travancore even before they came into power and they remained their royal physicians, astrologers, tantrics as well as black magicians for centuries to come.

Govindan too like the rest of his ancestors was given a traditional education of studying Ayurveda, Tantra and Black Magic. The latter understood to construe and use evil methods and powers, as Tantra itself is mistakenly identified as the practice of black magic & witchcraft.

He also studied under the well known Hindu sage at the time, Pettayil Raman Asan and was also influenced by Ayya Guru Swamikal‘s teachings. It was during his days in Thiruvananthapuram, the capital city of Travancore State, did he come into contact with the Hindu Saint, Sree Narayana Guru (Narayana Guru was a contemporary of Govindan).

As a young man, Govindan travelled far and wide and mastered the traditional knowledge in Siddha and Ayurvedic medicine and the methods of treatment. However, in his later years, Govindan gained more name as a Black magician, witch doctor and an occultist. In his later years, Govindan who as per tradition of a tantric, led a celibate life and settled in Thiruvananthapuram with his nephew’s family. He spend his last days in composing Attakadhas (Gesture Stories) and teaching secret occult practices to one of his nephews, Narayanan, again as per tradition, the youngest in the family. Govindan attained Samadhi in 1944, while sitting on his cot.

Narayanan too went on to become a Tantric, however oral stories from the family say that he never practiced black magic. After his death in 1970, my family abandoned the tradition of Tantra, making Narayanan the last tantric of our family.


117 – The man who nabbed two conspirators of Mahatma Gandhi’s assassination

My Grandfather, 1975. Bombay, Maharashtra.

My Grandfather, Bhalchandra Ambadas Haldipur. 1975. Bombay, Maharashtra.

Image & Text contributed by Amrita G. Haldipur

His name was Bhalchandra Ambadas Haldipur. He was my grandfather and we fondly called him ‘Daddy’. In this photograph he was being awarded the President’s Police & Fire Service Medal, highest achievement award for a police officer in that year.

Bhalchandra Ambadas Haldipur or Daddy was the only person I have ever been scared of. And that fear came from the immense respect I had for him and for the school of discipline he belonged to. I was all of 10 years old when Daddy passed away in 1992. But he left behind a few things which were to influence me for the rest of my life. Deep-rooted values and beliefs, a memory of his charming personality and the aura he impressed everyone one with, be it family or friends, his tongue-in-cheek humour in the most difficult times, and his last words to me.

My grandfather, Bhalchandra Ambadas Haldipur joined the Bombay City Police in 1939 as Sub-inspector , Thoroughly “clean” and incorruptible, he was known for his tireless and thorough investigations, and fearless drive against crime during his hectic career spanning 36 years in the Police Force. Whether working in the Crime Branch or Anti-Corruption Bureau (ACB), he remained a courageous, fearless crime-fighter who led his men from the front.

My grandmother has always had interesting tales to tell us about the way he worked and one of my favourite anecdotes is the the story of him Capturing two conspirators of Mahatma Gandhi’s assasinationNarayan Apte and Vishnu Karkare in 1948. What set him apart in his investigation procedures was a set of sketches he drew during his chase and trial of the killers.

Sifting through the album with yellowing sheets of these sketches, my grandmother said –

Daddy was part of the special cell to trace Gandhiji’s assassins. A team set out to scour the country for the absconders soon after January 30, 1948. And he was asked to track Apte and Karkare, two co-conspirators of Nathuram Godse in the assassination. He was posted in the Red Fort, Delhi during the entire trial period. For his records, he drew portrait sketches of whomsoever he met – be it the then DSP of Delhi , a sub-inspector at Gwalior, a tailor from Pune or an IAF official. During the chase, for weeks he did not come home, and we never knew where he was. You are lucky to live in the age of mobile phones. I wish I had some such help to avoid sleepless nights wondering where and how he was. He survived on eating raw eggs and followed leads on the two assassins from Gwalior in Madhya Pradesh to Ahmednagar (their hometown), in Maharashtra. During daylight he would go hunting and chasing leads on both with guns and at nights, he sketched with pencil, portraits of those he had met or interrogated. The day Apte and Karkare checked into Pyrkes Apollo Hotel near Regal Cinema in South Bombay under assumed names, Daddy finally nabbed them after waiting there for them for seven hours.

Daddy became a key official in the Justice Kapur Commission set up by the Govt. Of India to investigate the various events that led to the assassination of Mahatma Gandhi. During the completion of 150 years of Mumbai Police Commissionerate, he was declared as one of the most important Police Officers from the Bombay Police division to have significantly contributed to the country in the immediate post-independence era. But he never discussed his work at home or spoke about his achievements and never let anyone promote him either. All he said was, “I am working for the public and not for publicity.”

Daddy was also so much more than a great police officer. He was a body builder and a Pole Vault Gold medalist at the National Olympics in 1940. A multi-linguist, he had passed three examinations in Urdu while in service. He also initiated the Annual Ganesh Chathurthi festival at Santacruz Police Station in Bombay. After he retired in 1975 as the Deputy Commissioner of the Anti-Corruption Bureau (ACB) he was one of the founder members of the Senior Citizens’ Club of Bombay. He was a music and instrument buff, a loving husband, father and grandfather.

If I had a time machine, I would have had only one wish – more time with Daddy but I’m also glad that I have no such privilege because he would have only been disheartened to live and watch the country today, rotting with corruption and indiscipline.
I have been wanting to share my grandfather’s story for a long time now. He always makes my heart swell with pride and brings the widest smile. He is the hero, my Idol.

 


116 – Rukmini, a princess, a great artist & the great grand-daughter of Raja Ravi Varma

Rukmani Varma with Lord Mountbatten. India House, London, UK. 1976

Rukmini Varma with Lord Mountbatten. India House, London, UK. 1976

Image contributed by Rukmini Varma, Text by Manu Pillai

In a time when the Indian Subcontinent was still a land of splendid Maharajahs and fabulous courts, Rukmini Varma was born in 1940 into one of its most early royal houses, with an unbroken dynastic lineage of over 1200 years.
Titled Her Highness Bharani Tirunal Rukmini Bayi Tampuran, Fourth Princess of Travancore, her early life was an idyllic fairytale, with all the enchanting auras and ceremonies surrounding a royal princess. Her grandmother, the Maharani Setu Lakshmi Bayi (1895-1985) was the revered matriarch of the house, who had ruled the State of Travancore and its five million people with much distinction in the 1920s. The entire family lived in her hallowed shadows. Rukmini was her eldest and favourite grandchild, and in a dynasty that traced its bloodline through female gene, her birth was of significant importance for matters of succession to the  Gaddi (Throne) of Travancore.

Growing up in Satelmond Palace in Trivandrum, art came naturally to Rukmini. Her great grandfather, Raja Ravi Varma, was a master and celebrated painter, known as the Father of Modern Art in India. Some of his most fabulous works adorned the palace walls of Rukmini’s home. Her grandmother, the Maharani, was a patron of many local artists whose works ranging from portraits & landscapes to murals & dramatic scenes from the great epics, were a constant inspiration. But what impressed Rukmini’s attention the most were the hardbound, tastefully produced annual catalogues of all the major art galleries across Europe that her grandmother had collected. The works of great baroque masters like Rembrandt, Rubens, and Caravaggio fascinated her, and as a child she began to experiment with colour.

Observing her growing interest in art, Rukmini’s uncle gifted her with her first full set of brushes and paints on her sixth birthday, ordered specially from Bombay.  Her grandmother too, noticing her general inclination towards the arts, appointed dance and music instructors, and in the years to come Rukmini would master forms such as the Bharatanatyam, Mohiniattam, Kathak, and more. With an appreciation of India’s cultural heritage as well as an interest in history, mythology, religion, architecture, she would reveal herself in her works in the years to come.

By the eve of India’s independence from the British Empire in 1947, things began to change in the royal household. Rukmini’s parents began to spend much of their time away from the palace, in the hill resorts of Kotagiri, Coonoor, and Kodaikanal. They also chose to enroll their children in public schools instead of having a train of tutors following them around. The slow lifestyle of the palace was replaced by an instilled regular routine focused on academic achievements instead of art. 
In 1949, the State of Travancore vanished from the map forever when it was merged with Independent India, and the royal family retired from active public life. The liveried servants, royal guards, and all the ritualistic ceremonies of palace life slowly faded away. Rukmini’s parents and her grandmother, the Maharani, moved to Bangalore. Satelmond Palace and the old world it represented became a mere memory.

For the next two decades painting took a backseat for Rukmini as school and college became more of a priority, followed by a marriage and children- all by the time she was 21 years old. But Rukmini kept her artistic interests alive, and recalls how she would try to recreate scenes from Greek mythology, painting Venus, Aphrodite, Paris, and other characters. Her classmates and friends were quick to ask for these pictures, encouraging her to paint more. Rukmini also excelled in science and despite her father insisting she focus on academics, her grandmother, the Maharani, advised her regularly, to aim towards perfection in her paintings. The encouragement helped- Rukmini chose art and not science.

By the 1960s Rukmini successfully dabbled in a variety of artistic spheres, a time she considers her ‘most creative phase.’ Around the same time Rukmini had also become an excellent dancer. Training under the renowned U.S. Krishna Rao, Chandrabhaga Devi and Uma Rama Rao, she gave several exclusive performances, including for charities. Film directors like Raj Kapoor began to approach her for acting roles, as did people with modelling offers, on account of her exceptional good looks. A then-prominent magazine, Mysindia, for instance, referred to her in 1968 as ‘an Ajanta painting come to life’. Magazine covers, including Femina and The Illustated Weekly of India, began to feature her regularly and she became the toast of Bangalore society.

In 1965 she started her own dance school in Bangalore in the halls of Travancore House, her family home on Richmond Road, which became an instant success. Still the orthodox social pressures and judgement on a ‘princess from a royal family dancing’, resulted in a premature termination of this phase of her career and to the greatest regret of her gurus. The Maharani, for whom Rukmini often performed in private, helped her move on by suggesting an alternative – Painting.

Rukmini returned to painting, an arena where it was felt society judgments were less pressing. Fortunately, soon enough she began to enjoy it actively and took it up with a renewed vigour. By 1970 she had completed her first series of oil paintings, which were exhibited in Bangalore to positive reviews. Her second exhibition in 1973 was opened by Governor Mohanlal Sukhadia of Karnataka State. 34 of the 39 paintings displayed were sold in a matter of days. Her third series in 1974 was inaugurated by the then President of India, V.V. Giri, at the Lalit Kala Academy in Delhi. Rukmini’s art began to bring her serious recognition in India’s art circles (including from Svetoslav Roerich, with whom Rukmini later sat on the Advisory Board of the Chitrakala Parishad in Karnataka).

In 1976, upon the invitation of BK Nehru and Natwar Singh, Rukmini embarked on her first major international exhibition at India House in London, which was opened by Lord Mountbatten, the last Viceroy of India. Impressed by her skill and ability he asked her if she would paint a portrait of him in traditional Indian attire, wearing a turban and an achkan. They also became friends briefly, with Mountbatten inviting her to fox hunting and picnicking with him on his country estate. The commission of the portrait, however, could not be completed owing to Lord Mountbatten’s tragic assassination in 1979, just before he was due to visit India with Prince Charles and provide Rukmini with three promised sittings.

Subsequent exhibitions followed in Bonn, Cologne, and Neuenahr in Germany, along with invitations from Paris, Zurich, Madrid, and Rome. Queries for her work began to come in from collectors in Europe, America, Singapore, and the Middle East. In 1981 she had another highly successful exhibition in Bombay at the Jehangir Art Gallery and at The Taj Art Gallery winning her the appreciation of M.F. Hussain. The exhibition was a sensation and caused a ‘stampede’ because it included her ‘Flesh and Gems’ series, which had voluptuous female nudes in mythological settings, not meant to trigger ‘erotic fantasies’ but a celebration of the human, particularly female, form and experience.

Throughout her career Rukmini was always compared with her renowned ancestor, Raja Ravi Varma, but, while she followed his concepts of depicting scenes from the epics, there was a substantial difference: Ravi Varma’s women were always luxuriously draped. Rukmini, on the other hand, had no qualms about painting them nude. It was a courageous move for the times and drew in a lot of criticism too from people like Swami Chinmayananda, who commented that Rukmini ought not to have painted nudes based on the epics, which had some religious value and could give offence.

Despite objections, including from within family circles, through the 1980s, Rukmini experimented with nudes. Disillusioned by this prudish conservatism in art, years later she said: ‘I got fed up with all these restrictions. You couldn’t express yourself in the way you wanted. I am certain even Ravi Varma wanted to paint flesh as flesh is, without restrictions…’ Rukmini was going through a phase of rebellion. Interestingly, this corresponded with the time when her commercial success was at its peak, and artists and collectors alike would regularly show up to meet her at Travancore House. Her ‘Pratiksha’ series which included many nudes, was quietly sold into private collections in India and abroad, and was not exhibited anywhere so as not to provoke orthodoxy.

Tragedy struck in 1988 her youngest son, Ranjit, died in an accident at the age of 20. Rukmini, devastated by the event for the next several years did not pick up the brush. She moved out of her grand old house into a private flat to escape attention from the stream of visitors and the media. A separation from her husband too followed. In the mid-90s Rukmini picked up the brush to paint with a portrait of Ranjit (one of the few portraits she has done). Another one followed but she was unable to complete either of them. To the genuine satisfaction of her collectors and well-wishers, however, she slowly began to do other paintings as well. Her lifestyle remained reclusive, though, and she turned down all invitations to exhibit her latest works and did not receive visitors.

Over the last eighteen years until now, Rukmini has been painting in Bangalore, with a dedicated group of private collectors following the progress of her work. She continues to avoid visitors for most part along with requests from the press, even as her work, although much reduced in volume, remains singular in style and excellence. And even today, at the age of 73, she remains a singularly beautiful woman, with such a remarkable past, with so many stories and anecdotes from around the world, that perhaps one needs to dedicate an entire book to recording her life.