
My Parents, K. M. Devaki Amma & Lt. Cdr. P.P.K. Menon. Bombay. Maharashtra. 1941
Image & Text contributed by Radha Nair, Pune
This photograph of my parents K. M. Devaki Amma & Lt. Cdr. P.P.K. Menon was taken at a Photo Studio in Bombay in 1941, soon after they were married. My father was based in the city serving the Naval Force.
My mother, K. M. Devaki Amma belonged to Feroke, a part of Kozhikode in Kerala. Her initials K. M. stood for Kalpalli Mundangad and her family originally belonged to the Anakara Vadkath lineage. The large joint family of more than 25-30 people lived in a house called Puthiyaveedu which still exists in Feroke, however the members are now settled in far flung places and my grand aunts and uncles are no more.
My mother had to give up school very early in life. She came from a large family of 14 brothers and sisters and belonged to an era where a girl’s formal education wasn’t a priority. While they grew up under the tutelage of grand uncles and aunts, they learned to cook, clean, and learnt to make do with and share whatever little they had with their siblings without ever complaining. Congee (Rice Gruel) was what they mostly had for lunch and dinner, supplemented with a little coconut chutney, and may be a side dish of some green banana, but only if they were bestowed with a ripe bunch of plantains available from the kitchen garden.
My mother and her sisters’ daily life entailed preparing food for all members of their very large family. By the light of a wick lamp, sweating by the blaze of crackling coconut fronds they would wash dishes with ash from the kitchen hearth and rinse them with water drawn from the well. My mother in personality was very self-reliant and was happy with whatever little she had.
Arranged by my paternal grandmother, when Amma married my father, a man with an aristocratic lineage and a Naval officer, my father’s cousins would scoff at her and condescendingly regard her as a ‘village girl’. They had been educated in Queen Mary’s Women’s college, Madras (now Chennai) whereas my mother had studied only up to Class IV in a local village school in Karrinkallai.
Undeterred, my father, who knew his wife was a bright and intelligent woman took her under his wing and brought out the best in her. He taught her English and bought her abridged versions of books written by Charles Dickens, Walter Scott and many other great authors. He read out passages to her and patiently explained to her what they each meant.
Thus Devaki, my mother, slowly emerged from her rural background, and became a lady endowed with great poise and charm. Not only did she steal my father’s heart, but even of those who befriended her. She became a much sought after friend by wives of both British and Indian naval officers. She taught them to cook Malayali dishes and stitch & embroider; skills, which were executed by her exquisitely. She wrote and spoke English with such assurance that she could put a present day Post Graduate in English to shame. But despite all these changes, she remained loyal to her roots, proud of her humble origins, and very attached to her siblings.
Sometimes, deep into the night I would catch whispers of my parents’ conversation as they sat and planned the monthly budget, and spoke about their dreams of providing us with the best of every thing. It was my mother who insisted that my sister and I be given the best education they could afford. She firmly refused a State Board SSC education, and insisted on us being admitted into schools which followed a Senior Cambridge syllabus. She was efficient and fiercely independent. By comparison I was a pale shadow. In fact, many times I used to feel very unsure of my self in her presence, intimidated by her indomitable spirit and the complete control she had over any situation.
When my father was suffering Cancer, she stood by him; nourishing him with love and healthy food, while my sister and I watched our father’s condition worsen by the day, helpless and often giving in to tears. My mother always remained calm, but only when he breathed his last in 1977 did she break down completely. He was her life force, and she was his guiding light. Theirs was an extraordinary relationship, always supportive of each other at all times and completely committed to each other till the end.
After I graduated, it was her dream that I put my education to good use. However, a few years after marriage when I was forced to give up my teaching post, she never forgave me till she breathed her last. To make up for it, I began to write and put together a collection of short stories, but the book never got published.
What pained me most was that I was not able to place a copy of my book in my mother’s hands and make my peace with her before she passed away in 2008.
Apr 23, 2013 | Categories: 1940s, Arranged Marriage, Attire, Bombay, Cancer, Condiments, Domestic Skills, Dressed for an Occasion, Education, English, Fashion Accessories, Food & Drink, Fruit & Vegetables, Furniture, House Wife, Illiteracy, India, Interiors, Jewellery, Kerala, Literacy, Material, Men in Uniform, Men's Clothes, Military, Photo Collection, Photo Studio, Picnics & Feasts, Pre-Independence, Previous, Prints & Stitches, Props, Rags to Riches, Royality, Sarees, Specialised Clothing, Studio Backdrops, Studio Portraits, Women Empowerment, Women's Clothes | Tags: 1940s, Anakara Vadkath, Bombay, Budget, Cambridge, Chennai, Couple, Dreams, Education, Hair Styles, House Wife, Indian Navy, Jewellery, Joint Family, K. M. Devaki Amma, Kalpalli Mundangad, Kerala, Literacy, Lt. Cdr. P.P.K. Menon, Madras, Maharashtra, Marriage, Men's Clothes, Naval force, Photo Studio, Props, Puthiyaveedu, Radha Nair, Regret, Sarees, Shoes, Studio Backdrop, Studio Portraits, Syllabus, village girl, Women Empowerment, Women's Clothes | 5 Comments »

The Khambhaita family photograph. Tanga, Tanzania. Circa 1960
Images and Text contributed by the Khambhaita family, U.K. & Tanzania
Our grandfather, Jagjivan Samji Khambhaita (top row, middle) was born on March 10, 1912 in Kalavad (Gujarat), India and came to Tanzania in 1928 when he was a teenager. He married Jashvanti Ben who was born on August 6, 1915 in Talagana (Gujarat), India and went on to have seven sons and a daughter. The family photograph was taken in the early 1960s in Tanga, Tanzania shortly after an uncle’s marriage during which the family had gathered.
A central pillar to the family, he was also widely known and held in high regard across communities in Tanzania, East Africa, South Africa and India. I witnessed this in 2008 on a visit to Tanzania when I went about purchasing a bus ticket in Dar-es-Salaam’s main bus station and was required to fill in my details. The elderly station clerk instantly recognised my last name and embraced me enthusiastically saying he knew of my grandfather. I was left speechless. I knew I was truly dealing with an individual who left more than just a mere footprint.
Our grandfather had an incredible flair for architectural design and entrepreneurship from a young age. He partnered with his elder brother in Moshi, Tanzania from 1928, building and contracting on various projects. In 1938, with his younger brother he established his own building & civil engineering contractor business under the name of J.S. Khambhaita Limited in Moshi and in 1942 he expanded the company to form branches in Tanga and Arusha.
By the early 1960s, the company employed around 300 Africans and 10 Asians and undertook large projects such as the European quarters for the Public Works Department (PWD) in Tanga and part of a large primary school in Moshi. They were also sub-contractors for the Air Ministry at Tanga and went on to become responsible for more than 150 prominent buildings in Tanga, Moshi and Arusha.
He split his time between businesses, travelling, photographing and participating in religious/social work with a significant contribution to the Hindu community, particularly in Tanga and Moshi. Indeed, in the 1950s his company undertook the task, free of all cost, to construct a Hindu temple in Moshi, against the scenic backdrop of Mount Kilimanjaro. He travelled widely throughout East Africa, India and exactly like Mahatma Gandhi was also told to disembark from a train in South Africa under the apartheid regime.
J.S. Khambhaita was also particularly interested in family matters and genealogy, reaching out to and photographing relatives overseas and later compiling an impressive family tree dating back well over 350 years. He remained an Indian citizen for most of his life until 1964 when he took up Tanzanian citizenship. He passed away on March 10, 1976 battling Leukaemia on the day of his Birthday in Moshi, Tanzania.
Fast forwarding the clock to nearly 75 years to today, the company he founded in 1938 remains a strong concern in Tanzania and is termed a ‘Class 1’ contractor. It is one of a handful of private firms to have survived through early colonial times into modern day Tanzania. More importantly though, his name and legacy will continue to live on in the hearts of his grandchildren, great grandchildren and all those he reached out to during his life.
Dec 10, 2012 | Categories: 1910s, 1960s, Achievements, Apartheid, Architecture, Cancer, Charity, Commerce, Cultural Attire, Dar es Salaam, Dressed for an Occasion, East Africa, Entrepreneur, Founders, Future icons from the Past, Gujarat, Gujarati, Hair Styles, House Wife, India, Men's Clothes, Migration, Mount Kilimanjaro, Noteworthy Journeys, Personal Collections, Photo Collection, Photo Studio, Photography, Previous, Prints & Stitches, Rags to Riches, Relocation, Sarees, Stations & Junctions, Studio Backdrops, Studio Portraits, Tanzania, Western Clothes, Women's Clothes | Tags: Africa, Apartheid, Architecture, Arusha, Builder, Buildings, Charity, Contractor, Dar-es-salaam, East Africa, Gandhi, Gujat, Gujrat, Gujrati, Hinduism, J.S Khambhaita Limited, Khambaitha, Migration, Moshi, Photography, PWD, South Africa, Studio Portraits, Tanga, Tanzania, Temple, travelling | 2 Comments »

My mother, Parveen Kaur. Patiala, Punjab. 1975
Image and Text contributed by Manmeet Sahni, Maryland, USA
This picture of my mother Parveen Kaur was taken at a photo studio in Patiala, Punjab after she successfully attained a first division in M.P.ed (Masters in Physical Education) at the Government college of Physical Education in Patiala.
Parveen Kaur (Arora) was born in the small hill town of Mussoorie, India in 1952. The ‘Arora’ family originally belonged to Rawalpindi, (now Pakistan), and moved to Mussourie during the Indo-Pak partition.
My grandfather S. Chet Singh was a cloth merchant and he, as was with many others, had to abandon his business and assets when they moved to India. My grandfather tried to re-establish his business in Mussoorie but it was difficult. He then decided to move to Delhi for better prospects. The family settled in the western parts of the city. He bought a small piece of land and set up a Deli shop. The business couldn’t pick up the way it had in Rawalpindi, but they did manage to do reasonably well.
When the family moved to Delhi, Parveen Kaur was just 11. She was the youngest in a family of five sisters and two brothers. At the time, the family norm was that women should get married as soon as they turns 18 or younger if an appropriate groom was found. So all my aunts (mother’s sisters) got married early and none of them completed their graduation.
My mother, being the youngest managed to claim her right to education. An avid sportswoman at the age of 13, she went on to represent her school for Nationals in Basketball. At the Nationals she became an all-rounder best player at the Janaki Devi Mahavidyala(JDM College) at the University of Delhi. She was the only daughter of the family who went to a hostel. It was very difficult to convince my grandfather, but he finally gave in to her daughter’s want of pursuing a career of her choice. She then pursued her masters in physical education in Patiala, after which, she returned to Delhi looking for work.
She served as an ad-hoc at
Lady Irwin College and also had a brief stint at
Miranda House. She finally got a permanent job at
S.G.T.B. Khalsa College, University of Delhi in 1981. A year later, she became the manager of several teams at the
Asian Games in 1982 which she believed was a great honour at her age. She also got married in 1984, a turbulent year marked with
Anti-Sikh riots. The story of how they survived the riots is another long one indeed.
In 2010, she was appointed the host manager of her college grounds which was officially selected as one of the practice venues at the Common Wealth Games. At the time she was also battling cancer, but was very excited and performed her role of a host manager with great enthusiasm.
My mother, Parveen Kaur served the college as Directorate in Physical Education until December, 2010. All through her tenure, the sports teams’ did very well and the college was reckoned in the top five colleges’ for sports at the university rankings.
She passed away, on February 4, 2011 and is fondly remembered by all the faculty, friends and family as one of the most zealous, interesting women and sports personalities of her time. The college has now instituted two yearly awards for ‘Outstanding Sports Person’ in her name.
Nov 01, 2012 | Categories: 1947 India Bangladesh Partition, 1950s, 1980s, 1984 Anti-Sikh Riots, Accolades & Awards, Basketball, Cancer, College, Degrees, Delhi, Delhi University, Dressed for an Occasion, Education, Graduation, Graduation Gowns, India, Literacy, Masters, Migration, Miranda House, Mussoorie, Outdoor Games, Pakistan, Photo Studio, Pre-1947 Indian Regions & States, Previous, Rawalpindi, Relocation, Sarees, Scholar, Scholarships & Grants, Sikhism, Sports, Sports, Studio Portraits, Teacher, Women Empowerment | Tags: 1947 India Pakistan Partition, 1950s, 1980s, Asian Games, Basketball, Cloth Merchant, Common Wealth Games, Delhi, Delhi University, Deli Shop, Manmeet Sahni, Masters, Mussoorie, Pakistan, Parveen Kaur, Patiala, Physical Education, Rawalpindi, Studio Portraits | Leave A Comment »

My maternal grandfather, Samuel John Souri, Singapore. 1942
Image and text contributed by Sandhya Rakesh, Bangalore
My maternal grandfather, Mr. Samuel John Souri was born to Mr & Mrs Rev. JJ Souri (Reverend) in Ananthapur district of Andhra Pradesh. He had two sisters & three brothers. After he completed his studies in Ananthapur he began working in the Collectorate. At the advise of his cousin’s wife, he learnt Stenography (Short Hand) and found a job with the British as Chief Clerk in Singapore in the late 1930s.
My mother, his daughter, Joyce, tells me that once when he was called out for an urgent meeting, in a hurry he forgot his footwear, but when he went back to collect it, the sentry at the gate refused to allow him in because the British might think him to be a spy.
My grandfather spent many years in Singapore working for the British, during the World War II. He also had six children, all of whom received Singaporean citizenships. After a few years, when the British were defeated at the Battle of Singapore he moved back to India, sending the family ahead by a few months.
A diabetic patient, he passed away very suddenly, failing to eat some food after an insulin shot. My mother remembers that it was when she was in college. I do regret never having the opportunity to see and spend time with this very interesting and great man.
Mar 05, 2012 | Categories: 1940s, Andhra Pradesh, Attire, Battle of Singapore, Christianity, Citizenship, Clerk, Diabetes, Furniture, Hair Styles, Intelligence and Spies, Men's Clothes, Migration, Mustache, Pre-Independence, Professional Training, Props, Singapore, Studio Backdrops, Studio Portraits, Western Clothes, World War II | Tags: 1940s, Ananthpur District, Andhra Pradesh, Attire, Backdrop, Bangalore, Banister, Barefoot, Battle of Singapore, British, Carpet, Chair, Chief Clerk, Christianity, Citizenship, Clerk, Collectorate, Diabetes, Footwear, Furniture, Grandfather, Hair Style, Hair Styles, Insulin, Intelligence and Spies, Man, Maternal, Men's fashion, Migration, Mistaken Identity, Mustache, Nationality, Pants, Pose, Pre Independence, Professional Training, Prop, Props, Samuel John Souri, Sandhya Rakesh, Sentry, Shoes, Short Hand, Singapore, Single Breasted Suit, Spy, Staircase, Stenography, Studio Backdrop, Studio Backdrops, Studio Portraits, Textiles, Tie, western attire, White Socks, World War II | Leave A Comment »

My wife’s great great grandfather, Rao Bahadur Pundit Shambhu Nath Misra, Civil Surgeon. Bulandshahr, United Provinces of Agra & Oudh. Circa 1920.
Image and Text contributed by Paritosh Pathak
This image of my wife’s great great grandfather was photographed in a studio in Bulandshahr, then a part of the United Provinces in India. In those days there were only a few trained doctors in a city, and a civil surgeon was considered to be a ‘top medical practitioner’ as well as the last hope of anyone with an ailment requiring surgery.
Shambhu Nath Misra was awarded “Rao Bahadur” medal by the British government, the top civilian award of the time which was an equivalent of “Order of British Empire -OBE”. He wears that medal proudly around his neck in this picture. The medal has the British crown connecting the loop to the neck string. In the centre is a circular portion with etched words Rao Bahadur that is barely legible because of picture quality.
He graduated with a Degree in Medicine in 1899 from The University of Panjab located in Lahore of undivided India. (In 1956, the university was relocated to Chandigarh, Punjab, India). At the time of his graduation the university awarded an all-in-one degree- Medicine, Surgery and Obstetrics. Today the three are considered separate medical specialties.
A very fashionable man, in this picture, he sports a bowtie, very western for an Indian in 1920s. His ’Head Cap’, was common head gear for a man of stature, though unlike the kings and other royalty, it indicated status as a civilian. Completing his attire is a 3 piece suit, a silk vest, and I think a pocket watch which was specifically worn on the left pocket.
He was a very wealthy man, earning a salary of Rs 14,000 a month. And the ‘civil surgeon’ tag was important enough to get a letter delivered to him with only “Shambhu Nath Misra, Civil Surgeon, Bulandshahar” as the address. He supported many families of needy relatives and had significant real estate assets. He fathered 2 daughters and 3 sons, one of whom was the great grandfather of my wife. Two of his other sons emigrated to the United Kingdom. The family prestige and assets, both were gradually lost and it never regained the glory of his achievements. He suffered from diabetes and other common ailments, and passed away around the age of 70.
Feb 11, 2012 | Categories: 1800s, 1920s, 1950s, Accolades & Awards, British Reign, Certificates, Chandigarh, Degrees, Doctor, Documents, Elite, Fashion Accessories, Head Gear, Lahore, Landmarks, Medal, Men, Men's Clothes, Now Pakistan, Pakistan, Pre-1947 Indian Regions & States, Pre-Independence, Relocation of Spaces, Studio Portraits, United Provinces of Agra & Oudh, Uttar Pradesh, Western Clothes | Tags: 1800s, 1899, 1920, 1920s, 1950s, 1956, 19th Century, 20th century, Accolades & Awards, Agra, Attire, Bow-tie, British Empire, British Reign, Bulandshahr, Certificate, Certificates, Chandigarh, Civil Surgeon, Civilian, Degree, Degrees, Diabetes, Doctor, Documents, Education, Elite, Fashion & Trends, Fashion Accessories, graduation, Head Gear, Hinduism, Lahore, Landmarks, Medal, Medicine, Men's fashion, Migration, Now Pakistan, Obstetrics, Oudh, Pakistan, Pandit, Panjab University, Paritosh Pathak, Partition, Pocket, Pocket watch, Portrait, Pre Independence, Pre-1947 Indian Regions & States, Pre-Independence, Pundit, Punjab, Rao Bahadur, Relocation of Spaces, salary, Shambu Nath Misra, Silk, Studio Portraits, Suit, Surgery, United Provinces of Agra & Oudh, Uttar Pradesh, Vest | Leave A Comment »

LEFT IMAGE - My great grandfather, Raja Janampally Rameshwar Rao II, the Raja of Wanaparthy with sons Krishna Dev Rao (left) and Ram Dev Rao (right) RIGHT IMAGE - Krishna Dev Rao (Left) with sister, Janamma, and brother Ram Dev Roa. Wanaparthi, Andhra Pradesh. Circa 1912
Images and Text contributed by Kamini Reddy, USA
My great grandfather Raja Rameshwar Rao II was the ruler and Raja of Wanaparthy, (seated) Hyderabad state, ruled by the Nizam. In 1866, at the request of the Nizam of Hyderabad, my great grandfather fused his army, the Bison Division Battalion with the Nizam of Hyderabad’s army, the Hyderabadi Battalion. He was appointed the Inspector of the Army. Wanaparthi‘s rulers were closely associated with the Qutub Shahi Dynasty. My great grandfather died on November 22,1922 and was survived by two sons, Krishna Dev Rao and Ram Dev Rao.
Ram Dev Rao (the younger boy in the image) was my grandfather. He was the youngest son of the Raja of Wanaparthy, He had an older sister, Janamma, and elder brother Krishna Dev. My grandfather used to say that he didn’t have much interaction with his father – it was quite a formal relationship – and he only replied to him when spoken to.
Raja Rameshwar Rao II and his family strongly believed in education. When his sons were young, they were sent to Hyderabad to attend St. George’s Grammar School (an English medium school). They stayed with a family (the Welingkars) during the school year and would go back to Wanaparthy for their holidays. His daughter Janamma married when she was very young, to the Raja of Sirnapalli. After my great grandfather passed away, his elder son Krishna Dev was still a minor, so the property was managed by the Court of Wards until he came of age. Krishna Dev though passed away when he was only 20 years old and eventually his son Rameshwar Rao III inherited the title.
After the end of the British reign in India, The Nizam wanted to be independent of the Indian government, but the government was determined to have Hyderabad succumb to acceding, with whatever means. Sure enough, the government of India in 1948 launched a police action against Hyderabad, and forced the Nizam to accede to India and surrender. Subsequent to the Hyderabad State’s merger with the Indian Union in 1948, all units of the Hyderabad State Forces were disbanded and only volunteers of the Battalion were absorbed with the Indian Army. Popularly known as the “Hyderabadis” in the Army, the unit had a unique mixed class composition with no rank structure based on class. Troops celebrated both Hindu and Muslim festivals together.
Feb 01, 2012 | Categories: 1800s, 1910s, 1940s, Andhra Pradesh, Child Marriage, Education, English Medium, Furniture, Hair Styles, Head Gear, Hyderabad, Hyderabadi, Indian Army, Indian Clothes, Indian Clothes, Indian Politics, Jewellery, Men, Men's Clothes, Mustache, Nizam of Hyderabad, Pre-1947 Indian Regions & States, Pre-Independence, Props, Royality, Shoes, Studio Portraits, Western Clothes, Women, Women's Clothes | Tags: 1800s, 1910s, 1940s, Andhra Pradesh, Bison Division Battalion, British Empire, Child Marriage, Children, Court of Wards, Education, English Medium, Family, Furniture, Hair Styles, Head Gear, Hyderabad, Hyderabadi, Hyderabadi Battalion, Indian Army, Indian Politics, Janamma Rao, Jewelry, Kamini Reddy, King, Krishnadev Rao, Men's fashion, Mustache, Nizam of Hyderabad, Pre-1947 Indian Regions & States, Prince, Princess, Props, Qutub Shahi Dynasty, Raja, Raja of Sirnapalli, Raja of Wanaparthy, Raja Rameshwar Rao II, Ram Dev Rao, Ramdev Rao, Rameshwar Rao III, Royal Family, Royalty, Shoes, St. George’s Grammar School, Studio Portraits, Welingkar, Women's Clothes | Leave A Comment »

My mother, Kamini Agaskar, grandmother Kamala Vijaykar, me, Mrudula Joshi and in my lap my daughter, Anupamaa Joshi, Bombay, Maharashtra. Circa 1970
Image and Text contributed by Mrudula Prabhuram Joshi, Mumbai
Kamala Vijayakar, my grandmother (sitting, center) was born in 1890 in a well-to-do Pathare Prabhu family in Bombay. Pathare Prabhus are the original residents of the Bombay Islands along with the Agaris, the Bhandaris and the Kolis since 700 years. They are known to be a small, close-knit, and a 100 % literate community. Kamala was a bright student of the Alexandra Girls’ School. She passed her Matriculation exam in 1910 and joined St. Xavier’s College for higher education the same year. She was ”the first Hindu girl student” of this esteemed college. She excelled in higher studies and was preparing for the First Year Arts examination when she got engaged to Mr. Narayan Vijaykar, who was an artist but non-matriculate. According to the prevalent norms, the wife could never be more educated than the husband, so she had to give up college education, start family life, raising children and fulfilling the duties of a good housewife.
Settled in Malad, a distant suburb in Bombay, she began taking a keen interest in the Local District Board activities and the emancipation of women around her. She was a fluent and forceful speaker in English, and was appointed as the Honorary Magistrate at Malad. A lady Magistrate was a major novelty in those days and people would throng the courts when she delivered her judgments. When she left her home to go to the courts, people would stand on both sides of the road just ”to see ” how a lady magistrate looked. She had long innings at the Malad District Court. Kamalabai Vijaykar was appointed ”Justice of Peace ” (Honorary Magistrate) by the government, and she later became popular as ”J. P. Kamalabai ” all over Bombay. She was also a staunch Congress-woman.
All her life, she held Education dear to her heart. Her own children, 7 in all, fulfilled her own dream of becoming Graduates and Double-graduates. She lived long enough to see even her grandchildren become double graduates. She breathed her last on 8th August, 1972, at the ripe old age of 82, content in the knowledge that she had done her bit to empower at least some women around her by providing for their education.
Jan 16, 2012 | Categories: 1800s, 1900s, 1970s, Artist, Bombay Islands, Education, English Medium, Graduation, Hindu, House Wife, Indian Clothes, Indian Politics, Law, Magistrate, Maharashtrian, Malad, Matriculation, Pathare Prabhu, Sarees, St. Xavier's, Studio Portraits, Universities & Colleges, Women, Women Empowerment, Women's Clothes | Tags: 1800s, 1900s, 1970s, Agari, Alexandra Girls' School, Anupamaa Joshi, Artist, Bhandari, Bombay, Bombay Islands, Congresswoman, Education, English Medium, Generations, graduation, Grandmother, Great grandmother, Hinduism, Honorary Magistrate, House Wife, Indian Politics, J. P. Kamalabai, Justice of Peace, Kamalabai Vijaykar, Kamini Agaskar, Koli, Law, Local District Board, Magistrate, Maharashtra, Maharashtrian, Malad, Malad District Court, Matriculation, Mother, Mr. Narayan Vijaykar, Mrudula Prabhuram Joshi, Mumbai, Pathare Prabhu, Pathere Prabhu, Photo Studio, Sarees, St. Xavier, St. Xavier's, Student, Studio Portraits, Universities & Colleges, Women Empowerment | 2 Comments »

My mother's classmate, Sharda Pandit (later Mukherjee), Bombay, Maharashtra. 1935
Image and text contributed by Mrudula Prabhuram Joshi, Bombay
The beautiful woman seen here is Sharda Pandit, a scion of a Maharashtrian aristocratic family in the earlier half of the 20th century. She was born in Rajkot, Gujarat. She was hailed as the ‘Beauty Queen’ of Elphinstone College of Bombay, in fact of all collegians of the city; because Bombay (now Mumbai) had only three colleges at that time – Elphinstone, Wilson and St. Xavier’s. She possessed a kind of serene beauty, singular charm and grace. Her contemporaries from other colleges would drop by just to have a glimpse of this icon of beauty. Not only was she beautiful to look at, she possessed a beautiful heart, too.
At that time, there were only a handful of women students in the colleges, most of whom were from middle class families. Sharda would get along amicably with everyone despite her wealthy family background. She acted as the heroine of several plays during the college years, for the Annual College Day functions.
Sharda and my mother, Kamini Vijaykar were classmates and that is how I came to know about her.
Later on, Sharda married Subroto Mukherjee, the first Air Chief Marshal of the Indian Air Force in 1939. After his untimely death in 1960, she devoted herself to social service and political activism. For some time, she was also the Governor of Andhra Pradesh from 1977-1978 and then the Governor of Gujarat from 1978 to 1983. She kept herself busy with several constructive activities. She was beyond 90 years of age when she passed away, but preserved her inner and outer beauty till the very last.
Sep 28, 2011 | Categories: 1930s, 1970s, Acting, Activist, Andhra Pradesh, Aristocracy, Beauty Icons, Chiffon, College, Elphinstone College, English Medium, Extra Curricular, Governance, Graduation, Gujarat, Indian Air Force, Indian Clothes, Indian Politics, Inter Caste, Lifestyles, Love & Romance, Maharashtra, Maharashtrian, Military, Pre-Independence, Props, Sarees, Studio Backdrops, Studio Portraits, Theatre, Women, Women's Clothes | Tags: 1930s, 1970s, Acting, Activist, Air Chief Marshal, Air Marshall, Andhra Pradesh, Annual Day functions, Aristocracy, Aristocrat, Beauty Icons, Beauty Queen, Bombay, Chiffon, College, Education, Elphinstone, Elphinstone College, English Medium, Extra Curricular, Fashion & Trends, Friendships, Governance, Governor, Governor of Gujarat, graduation, Gujarat, Indian Air Force, Indian Politics, Inter-caste, Kamini Vijaykar, Lifestyles, Love & Romance, Maharashtra, Maharashtrian, Middle Class, Military, Mumbai, Pre Independence, Props, Royal Family, Sarees, Studio Backdrops, Studio Portraits, Subroto Mukherjee, Theatre, Wealth, Wilson and Xavier’s | 2 Comments »

My father, T. P Pathak with my grandmother, Hira Pathak. Mirzapur, Uttar Pradesh. 1956
Image and Text contributed by Paritosh Pathak.
In this image my father was 6 years old and my grandmother was 34.
My grandmother was a educated woman who had attended high school and could read and write. A rarity in rural Uttar Pradesh’s heartland. She was assertive, fashionable and a strong woman. Notice the large nose ring (Nath) in fashion at the time. She home schooled my father for a while. My father excelled at academics and joined the UP, State Civil Services. He retired recently after his last posting as Commissioner of Jhansi division in UP. He always credited his success to the education he received at home from my grandmother.
My grandfather & his brother were orphans and raised themselves. He was married late in life to my grandmother and his brother never got married.
My grandparents had two children, the older one pictured above is my father. My grandmother is now 95 and suffers from many age related ailments. She cannot recall the picture occasion, most likely it was a village fair where the picture was developed on old plate based cameras in Mirzapur, UP.
Sep 06, 2011 | Categories: 1950s, Civil Services, Education, Fashion Accessories, Indian Clothes, Jewellery, Mirzapur, Photographic Techniques, Relationships, Sarees, Town Fairs, Uttar Pradesh, Women, Women Empowerment, Women's Clothes | Tags: 1950s, Civil Services, Commissioner, Education, Fashion & Trends, Fashion Accessories, Grandmother, Hira Pathak, Home Schooling, Indian Clothes, Jewellery, Jhansi, Literate, Marriage, Mirzapur, Nath, Nathani, North india, North Indian, Old Plate Camera, Orphans, Paritosh Pathak, Pathak, Photographic Techniques, Relationships, Sarees, State Civil Services, Studio Portraits, Town Fairs, Uttar Pradesh, village fair, Women Empowerment | 2 Comments »

My Paati and Thatha, Lokanayaki and RR Hariharan. My mother's parents from Ravanasamudram, Thirunelveli District, Tamil Nadu. Circa 1920.
Image and text contributed by Vani Subramanian, New Delhi
He worked with the Indian Railways, and she raised her five children between Delhi and Shimla, learning Hindi and the ways of the ‘north’ as she went along. This photograph was probably taken fairly soon after they were married. Even my mum who is now 72 years old doesn’t remember them like this at all. So in a sense, they are both familiar and strangers as they appear in the picture. But I do remember the photograph framed and hanging on the wall in the house that they retired to in the village. A house they moved in to the day I was born: 22 Jan 1965.
My favourite part of the photograph is that Paati is wearing Mary Jane shoes and white socks with her nine yards saree. I never saw her in shoes in real life. As a matter of fact, I never saw my grandfather in a coat and tie, either. Though I am told that he wore a coat, tie, shoes and pants clipped with bicycle clips as he rode to work from Park Lane to the railway boards offices.
Jul 16, 2011 | Categories: 1920s, 1960s, Bicycle, Brahmin, Delhi, Furniture, Government Jobs, Hair Styles, Himachal Pradesh, House Wife, India, Indian Clothes, Jewellery, Men, Men's Clothes, Pre-Independence, Props, Railways, Sarees, Shoes, Simla, Studio Backdrops, Studio Portraits, Tamil Nadu, Tamilian, Western Clothes, Western Clothes, Women, Women's Clothes | Tags: 1920s, 1960s, 1965, Bicycle, Brahmin, Couple, Delhi, Fashion & Trends, Furniture, Government Jobs, Grandparents, Hair Styles, Himachal Pradesh, House Wife, Housewife, Indian Railways, Jewellery, Mary Jane Shoes, Men's Clothes, Nine Yard Saree, Patti, Pre Independence, Props, Railways, Ravansamudram, retire, Sarees, Shoes, Simla, Studio Backdrops, Studio Portraits, Tamil Nadu, Tamilian, Thatha, Thirunalveli District, Traditional Attire, Vani Subramanian, Village, western attire, White Socks | 2 Comments »

My mother Shalini (middle, bottom) and her six sisters Kusum, Madhavi, Suman, Aruna & Nalini. Agra, Uttar Pradesh. 1961-1971
Image and Text contribution by Anusha Yadav, Mumbai
This is a collective image of my mother and her sisters, photographed holding their degrees with pride, between 1961-1971, as it was the custom at the time for women to be photographed to prove that they were educated. Some of these images were also then used as matrimonial pictures. All the sisters (Left to right) Kusum, Madhavi, Suman, Aruna, Shalini and Nalini were born between 1935 – 1946 and brought up in Raja Mandi, Agra in Uttar Pradesh. There were also four brothers, the eldest of which is Rajendra Yadav, one of the foremost Hindi writers of the country. My grandfather Mishri Lal, was a very well respected Doctor, with a signature white horse which he rode when out on rounds, and my grandmother, Tara, his second wife hailed from Maharashtra with a royal lineage.
My eldest aunt Kusum (left most), passed away in 1967 under mysterious circumstances, some say it was suicide and some that it was food poisoning, and my youngest aunt Nalini, found courage to elope from home to marry, her neighbor in old Delhi, the love of her life at the time, a Punjabi gentleman. A move which was considered extremely scandalous for an highly respected intellectual but a conservative Yadav family. The rest led quieter lives, doing what was prescribed at the time for ‘good’ Indian women to do.
Quite amazingly all sisters were highly educated, triple degree holders, in Bachelors, Masters and Commercial Diplomas in Science, History, Economics, Dance, Arts, Painting and Teaching and each one was formally trained in Tailoring, Embroidery, Shooting, First Aid, Swimming, Horse-riding, Music, Dance, Crafts and Cooking in Delhi, Kota, Mathura and Agra. It still baffles me that, not one sought pro-actively to form careers of their own, and my aunt Madhavi (middle, top) says it was due to the protective brothers, who didn’t think it was appropriate for single women to work before marriage.
Only Aruna Masi (left bottom) and my mother Shalini did continue to work after their marriages. Aruna, with a Masters in History, moved to Oregon, USA after her marriage and still works (out of choice) as a Chartered Accountant and my mother is now retired, but only worked because she had to, after the death of my father.
All sisters still get along, well, more or less, however as all conservative families go, when ambitions in women lie unfulfilled, it channelizes that frustration in different aspects of their lives for years to come, with consequences that are both good and bad. Marriage did offer them security, but the desire to do something with their lives aside from being great home-makers still causes angst.
Having said that, as kids, my sisters, my cousins and I learnt a lot, from each and every one of these women. They were all feisty, fiercely talented and ensured that we received at least some of their knowledge from the time we could walk. We were encouraged to read, Hindi Literature and English, we were trained in classical and folk music & dances, embroidery, painting and cooking – first at home and then some of us were sent to schools to further that knowledge, even if it were private lessons. I do realise, that cultural knowledge like that is now hard to come by, and our own children by virtue of being 21st century products, will never fully have a grasp on such enriching guidance, however domestic it may seem. For which I will forever be grateful.
Apr 07, 2011 | Categories: 1930s, 1940s, 1960s, 1970s, Accountant, Agra, Bachelor of, Degrees, Education, Elopement, Graduation, Graduation Gowns, Hobby Classes, House Wife, Indian Clothes, Inter Caste, Love & Romance, Maharashtra, Masters, Music, Art, Dance & Culture, Professional Training, Royality, Sarees, Studio Portraits, Suicide, Uttar Pradesh, Women, Women Empowerment, Women's Clothes, Writer, Yadav | Tags: 1930s, 1940s, 1960s, 1970s, Accountant, Agra, Art & Culture, Aunt, Aunts, Bachelor of, Career, Chartered Accountant, Degree, Degrees, Diploma, Doctor, Domestic life, Education, Elope, Elopement, Employment, Food Poisoning, graduation, Graduation Gowns, Grandfather, Hindi, Hobby Classes, Horse, House Wife, Inter-caste, Jaipur, Kathak, Literature, Love & Romance, Maharashtra, Marriage, Masters, Matrimonial Portraits, Music, North india, Oregon, Portrait, Professional Training, Rajendra Yadav, Royalty, Sarees, Second Marriage, Single Women, Sisters, Studio Portraits, Suicide, USA, Uttar Pradesh, Women Empowerment, Women's Clothes, Writer, Yadav | 3 Comments »

My aunt Rashmi and mother Soma, at the annual town fair of Etawah, Uttar Pradesh, 1977
Image and Text contributed by Juhi Pande, Mumbai
This particular photograph was taken in Etawah, Uttar Pradesh in 1977. My mother (right) had finished her graduation and was teaching in a school. My masi, the bike rider, (mother’s sister) was in her 12th standard. They lived in Etawah, a town by the river Yamuna, with their father, Dr. Krishna Kumar, a Chief Medical Officer.
My maternal grandmother, also Dr. Krishna Kumar (yes, they shared the same name) at that time was incharge of the Dufferin Hospital in Raibarreily and they had all come on holiday to Etawah. There used to be a local mela (fair) every year, which the entire city would attend, because that’s what you do when you’re in Etawah. There were food stalls and rides and balloon & air gun shooting galleries. And then there was this photostudio where one could take dashing, avant-garde photographs. So, of course Soma & Rashmi climbed aboard this cardboard bike and posed. I can almost hear Rashmi’s laughter once the picture was developed. I feel you cannot entirely be pretty unless you are a bit silly.
My mother and my masi were born four years apart. But that’s just a technicality. Soulmates is a very vanilla word when it comes to them. Born to doctors, Soma and Rashmi lead a very nomadic life till their twenties. Moving from one city to another every couple of years meant that they mostly had each other for constant company. Growing up from little girls to stunning young women I feel that they started to think alike yet maintained such different personalities that it was remarkable. I genuinely believe that they can read each others minds and I know they have a certain ‘look’ for their children, which not only freezes our blood but also paralyses our bones. I feel I love Dhruv, my brother, just like Soma Loves Rashmi. And I know it’s genetic. My masi Rashmi, now lives in Germany and my mother in Mumbai.
This is one of my most favorite pictures. Ever. For everything that it says and for every thing that I long to have over-heard.
Feb 01, 2011 | Categories: 1970s, Doctor, Fashion Accessories, Friendships, Hair Styles, Migration, Motorcycle, Props, Rivers, Studio Backdrops, Studio Portraits, Town Fairs, Uttar Pradesh, Western Clothes, Women, Women Empowerment, Women's Clothes, Yamuna | Tags: 1970s, Air Gun, Annual Town Fair, Bell Bottoms, Chief Medical Officer, Dhruv Pande, Doctor, Doctors, Etawah, Fair, Fashion & Trends, Fashion Accessories, Friendships, Germany, graduation, Hair Styles, Haircut, Juhi Pande, Krishna Kumar Pande, Mela, Migration, Motorbike, Motorcycle, Moving, Nomadic, Nomadic Life, Photo Studio, Props, Raibarreily, Rashmi, Rivers, Sisters, Soma Pande, Studio Backdrop, Studio Backdrops, Studio Portraits, Teacher, Town Fairs, Uttar Pradesh, Women Empowerment, Women's Clothes, Yamuna | 6 Comments »

My paternal grandfather, Manjerikandy Ramchandran, Cannanore, Kerala. 1927
Image and text contributed by Sheetal Sudhir, Mumbai
This picture of my grandfather Manjerikandy Ramchandran was taken when he was 16, just before he set sail for Dar-es-salaam for the first time. He came back to India 5 years later and won the All India Heavyweight Wrestling and Weightlifting championship beating several champions including the Sri Lankan heavyweight wrestling champion in 1937.
His son Sudhir Ramchandran is my father who was born in British Tanganyika and retains his British Citizenship until this day. My grandfather was also responsible for building gymnasiums in Cannanore (Kannur) and in Tanzania. There are several tales of how he used to be called to handle African robbers, who existed in plenty those days. His happiest life was in Dar-es-salaam.
After he retired in 1968, he moved back to Cannanore, India to build a house but passed away the same year of cancer. My dad believes that I have adopted his no-nonsense approach to life and loyalty to friends.
Oct 19, 2010 | Categories: 1920s, 1960s, Accolades & Awards, Achievements, Body Building & Fitness, Business-man / Business-woman, Champion, Dar es Salaam, Future icons from the Past, Kannur, Kerala, Men, Men's Clothes, Migration, Professional Training, Ship, Sports, Studio Portraits, Tanzania, Wrestler | Tags: 1920s, 1960s, Accolades & Awards, Achievements, Africa, All India, Body Building & Fitness, British Citizenship, Business-man / Business-woman, Cancer, Cannanore, Champion, Commonwealth, Dar-es-salaam, Eight pack, Gymnasium, heavyweight, Kannur, Kerala, Manjerikandy Ramchandran, Men's Clothes, Migration, Pre Independence, Professional Training, Robbers, Sheetal Sudhir, Ship, Sports, Sri Lanka, Studio Portraits, Sudhir Ramachandran, Tanganyka, Tanzania, Wrestler, Wrestling | 2 Comments »

My Father, Amin Chand. Delhi. 1958
Image and text contributed by Arun Kumar Nangla, London/New Delhi
This picture was taken in a studio in Sarojini Nagar, Delhi in 1958 for official employee records of the Union Public Service Commission (UPSC). Their office used to be at India Gate.
My grandfathers and great-grandfathers were all farmers and land owners from an area near the Bhakra-Nangal Dam, Hoshiarpur in Punjab. (hence my last name). In 1956, my father became the first person to dare leave his village & family profession. He travelled to Delhi in search of change and a respectable government job. He was 21 years old then and 12th Pass. He was abreast in reading and writing in Urdu, as Urdu was in those days the official state language of Punjab, and Punjabi per-say was only spoken at home. Much later into his life in Delhi, he learnt how to speak, read and write in Hindi and a bit of English.
People often ask me the reason for ‘Kumar’ in my name. As far as I know, People including my parents in those times were very influenced by successful film Stars like Dilip Kumar and Manoj Kumar, and therefore a ‘Kumar’ was added to my name too. It offered a semblance of success and its use was highly popular and trendy. Many of the people you may know with the middle or last name “Kumar”, were named so because of the very same reason.
Sep 11, 2010 | Categories: 1950s, Delhi, Mustache, Name Change, Punjab, Punjabi, Punjabi, Urdu | Tags: 1950s, Agriculture & Farming, Arun Nangla, Bhakra Nangal Dam, Delhi, Dilip Kumar, Employee Records, Farmers, Film Stars, Government Service, Hoshiarpur, India Gate, Kumar, Land owners, Last Name, Manoj Kumar, Middle Name, Migration, Mustache, Name Change, Nangla, Official Language, Punjab, Punjabi, Sarojini Nagar, Studio Portraits, Union Public Service Commission, UPSC, Urdu | 1 Comment »

My Grandfather (sitting, left) Narasinhbhai Patel with family.. Anand, Kheda District, Gujarat. Circa 1940
Image and text contributed by Sandhya Mehta
My maternal grandfather, Narasinhbhai was a revolutionary man. Records of British India describe him as ‘most dangerous man in Bombay Presidency ‘. He was exiled from British India for writing proscribed books. Though the
Maharaja of Baroda clandestinely supported him. After completing his exile term in Germany and East Africa,
C.F. Andrews persuaded him to join
Ravindranath Tagore in
Shantiniketan . He taught German there for a short time and then returned to his native town Kheda to support
Gandhiji’s Salt
Satyagraha . He became a leader in Kheda district. to mobilise Satyagraha. Standing behind him, first from left is his grandson Dr. Shantibhai Patel who also actively participated in the freedom struggle and later became a successful scientist . Narsinhbhai’s daughter, Shanta Patel (my mother), sits, first from right with my father G.P.Patel, standing behind her. My father, G.P Patel supported Narasinhbhai’s views, work and philosophy. They all were followers of Gandhiji.
Jul 19, 2010 | Categories: 1940s, 1947 India Pakistan Partition, Beliefs & Causes, British Reign, East Africa, Exile, Freedom Fighters, Gandhian, German, Germany, Gujarati, Indian Clothes, Indian Clothes, Indian Politics, Men, Men's Clothes, Pre-Independence, Props, Publications, Sarees, Satyagraha, Scientist, Shantiniketan, Studio Portraits, Western Clothes, Western Clothes, Women, Women's Clothes, Writer | Tags: 1940s, 1947 India Pakistan Partition, Anand, Beliefs & Causes, Bombay Presidency, British India, British Reign, C.F Andrews, Dr. Shantibhai Patel, East Africa, Exile, Family Portrait, Freedom Fighters, Gandhi, Gandhian, German, Germany, Gujarati, Indian Politics, Kheda District, Linguistics, Maharaja of Baroda, Mahatama Gandhi, Mehta, Narasinhbhai Patel, Patel, Props, Publications, Rabindra Nath Tagore, Sarees, Satyagraha, Satyagriha, Scientist, Shantiniketan, Studio Portraits, Writer | Leave A Comment »

Kamala Brahmachari, my paternal aunt, Allahabad, Uttar Pradesh 1937
Image and Text contributed by Mallika Ganguly.
Kamala was my father’s older sister. She grew up in Allahabad and Calcutta, married Dr. S.L Brahmachari, a psycho analyst and later moved to the UK, USA and Canada. She was an extremely elegant and sophisticated woman. A wonderful raconteur, she was worldy, well travelled and witty. She died in 2010 shortly after her 96th birthday .
May 07, 2010 | Categories: 1930s, Bengali, Migration, Pre-Independence, Psycho Analyst, Travel, Uttar Pradesh, Women, Women Empowerment | Tags: 1930s, Allahabad, Bengali, Brahamchari, Calcutta, Ganguly, Migration, Portrait, Pre Independence, Psycho Analyst, Studio Portraits, Travel, Uttar Pradesh, Well travelled | 3 Comments »

The Patel Family, Surat, Gujarat. 1978
Image and Text contributed by Mitul Patel, Texas
This picture was taken at a fair in Surat, Gujrat. It was supposed to be only a close family photograph, however, some of our family friends’ and their families joined in and this picture was clicked. I remember it used to be one of the only places where families, who couldn’t afford a camera could get a picture taken. Most of these people you see in the Photograph, all of whom are of the last name ‘Patel’, migrated to USA and New Zealand, including my family. I was around three or four years old in the picture (top left, as a baby). Almost all of the Patels in the picture now own and run businesses like Pizza Parlours, Liquor Stores, Motels, Hotels or work in the IT industry. My parents and I too live in Rockdale, Texas, USA and run a hotel called Rockdale Inn.
May 07, 2010 | Categories: 1970s, Gujarati, Hair Styles, Hotel, Indian Clothes, Indian Clothes, Men, Men's Clothes, Migration, Photographic Techniques, Props, Sarees, Shoes, Shopkeeper, Surat, Town Fairs, Western Clothes, Western Clothes, Women, Women's Clothes | Tags: 1970s, Fair, Family, Gujarati, Gujrat, Gujrati, Hair Styles, Hotel, Mela, Migration, Motel, New Zealand, Patel, Photographic Techniques, Props, Rockdale, Rockdale Inn, Sarees, Shoes, Shopkeeper, Studio Portraits, Surat, Texas, Town Fairs, USA | Leave A Comment »

My mother Chandan Patel (middle), with her friends, one of whom is Manixi Bhakta (right), Calcutta, West Bengal. 1970
Image and Text contributed by Mitul Patel, Texas
This picture was taken on a school trip to Calcutta in 1970. My mother Chandan Patel’s best friend Manixi (right) suffered cancer and passed away in Memphis a few years ago. My father, mother and I now live in Rockdale, Texas. We now run and own a hotel, Best Western – Rockdale Inn. My mother is the Vice President, my father, Jawahar Patel is the CEO, and I am Director of Operations.
May 07, 2010 | Categories: 1970s, Art Direction, Business-man / Business-woman, Calcutta, Cancer, Education, Gujarati, Hair Styles, Hotel, Picnics & Feasts, Schools, West Bengal, Women, Women in Uniform | Tags: 1970s, Art Direction, Business-man / Business-woman, Calcutta, Cancer, Education, Friendships, Gujarati, Gujrati, Hair Styles, Hotel, Patel, Picnics & Feasts, School Trip, Schools, Studio Portraits, Surat, Texas, West Bengal, Women in Uniform | Leave A Comment »

My mother Anupa Nathaniel (right) with her closest friend Shalini Gupta, Delhi, Circa 1962
Image and Text contributed by Anisha Jacob Sachdev, New Delhi.
This picture with my mother Anupa Jacob (nee Nathaniel) and her closest friend Shalini was taken when they were in school at Convent of Jesus & Mary in Delhi. They would have been around 15 years old. My mother was a Rajasthani, from the small town of Nasirabad near Ajmer. Her father was orphaned when a plague hit the village, he and many others were then adopted by the British. Everyone adopted was converted to Christianity and given the last name ‘Nathaniel’. From Nathu Singh, my grandfather became Fazal Masih Nathaniel. He went on to become the Head of the English Language Department at Mayo College, Ajmer.
My mother married my father Philip Jacob, in 1968. He is a Syrian Christian - whom she met while she was studying at school around the age of 15, he was studying at St. Columba’s School.
One of the most interesting parts of my mother’s life was that Shalini, some other friends and she, formed the first ever Delhi University‘s Girl Rock Band called “Mad Hatter” in their 1st year of college at Miranda House. My mother was the lead guitarist and singer. Because of that status, when the Beatles performed, albeit privately in Delhi in 1966, the Mad Hatters were given front seats priority.
My mother had four kids. She was also a piano teacher, and her youngest child and my youngest sister Arunima is autistic but an ace piano player and has performed Beethoven Music pieces with complete accuracy.
My mother suffered a cardiac arrest in 1982, and passed away in 1986. Shalini Gupta, my mother’s friend in the photograph (left) is now a psychologist in London.
Apr 30, 2010 | Categories: 1960s, Achievements, Adoption, Ajmer, Autism, British Reign, Christianity, College, College Fests, Concerts, Convent of Jesus & Mary, Conversion of Faith, Delhi, Delhi University, Friendships, Hair Styles, Heart Attack, Hindu, Indian Clothes, Inter Caste, Love & Romance, Mayo College, Miranda House, Music, Art, Dance & Culture, Musician, Name Change, Plague, Psycho Analyst, Rajasthan, Rajasthani, Rock Bands, Salwar Kurta, Shoes, Singer, St. Columba's School, Studio Portraits, Syrian Christian, Teacher, Western Music, Women Empowerment, Women's Clothes | Tags: 1960s, Achievements, Adoption, Ajmer, Art & Culture, Autism, British, British Reign, Christianity, CJM, College, College Fests, Concerts, Convent of Jesus & Mary, Conversion of Faith, Delhi, Delhi University, Education, Friendships, Hair Styles, Heart Attack, Hinduism, Inter-caste, London, Love & Romance, Mad Hatter, Mayo College, Miranda House, Music, Musician, Name Change, Nathaniel, Piano, Plague, Psycho Analyst, Psychologist, Rajasthan, Rajasthani, Rock Band, Rock Bands, Salwar Kurta, Shalini Gupta, Shoes, Singer, St. Columba’s School, Studio Portraits, Syrian Christian, Teacher, The Beatles, Western Music, Women Empowerment | 11 Comments »

Shanta Bhandarkar, with her husband Dr. S.S. Bhandarkar, soon after they were married. Bombay, Maharashtra.1935
Image and text contributed by Usha Bhandarkar
Shanta Bhandarkar, my Mother in Law, turned 100 on February 25, 2010. On the occasion of her birthday our family gifted her an album with a collection of these old photographs. See her here as a baby.
Apr 08, 2010 | Categories: 1930s, Bombay, Doctor, Furniture, Hair Styles, Indian Clothes, Inter Caste, Inter Race, Maharashtra, Maharashtrian, Men, Men's Clothes, Mixed, Mixed Marriages, Pre-Independence, Props, Sarees, Studio Portraits, Western Clothes, Women, Women's Clothes | Tags: 1930s, Bhandarkar, Bombay, Couple, Doctor, Furniture, Hair Styles, Inter Race, Inter-caste, Maharashtra, Maharashtrian, Men, Men's Clothes, Mixed, Mixed Marriages, Pre Independence, Props, Sarees, Saris, Studio Portraits | Leave A Comment »

Shanta Bhandarkar as a baby with her English Mother Louisa Bishop, and father Dr. Vasudev Sukhtankar (with turban) and her uncle. Bombay, Maharashtra. 1910
Image and text contributed by Usha Bhandarkar
Shanta Bhandarkar, my Mother in Law, turned 100 on February 25, 2010. On the occasion of her birthday our family gifted her an album with a collection of these old photographs, one of which is this as a baby. Shanta Bhandarkar doesn’t have very good short term memory, but her long term memory is sharp. She remembers details like her mother’s Christmas Pudding and the cakes that they used to bake. She studied at Sommerville, Oxford , UK and has travelled the world extensively.
Apr 08, 2010 | Categories: 1910s, Alive at 100, Bombay, Christmas Pudding, Education, English, Furniture, Hair Styles, Head Gear, Indian Clothes, Inter Race, Maharashtra, Maharashtrian, Men, Men's Clothes, Migration, Mixed, Oxford University, Pre-Independence, Props, Shoes, Studio Portraits, United Kingdom, Western Clothes, Western Clothes, Women, Women's Clothes | Tags: 1900s, 1910s, Alive at 100, Bhandarkar, Bombay, Brahmo Samaji, British, Cake, Christmas Pudding, Education, England, English, English Parent, Family Portrait, Furniture, Hair Styles, Head Gear, Inter Race, Long Life, Maharashtra, Maharashtrian, Migration, Mixed, Oxford University, Pre Independence, Props, Shoes, Studio Portraits, United Kingdom | 4 Comments »

The Rao and Hagwane family, neighbours and friends, Pune, Maharashtra. 1962
Image and Text Contribution by Pavitra and Usha Rao
This picture was taken with my father’s friend Mr.Hagwane and his family. The most unusual thing was that Mr. Hagwane did not speak a word of English and my father did not know a word of Marathi. They perhaps communicated in broken hindi. Mr Hagwane ran a Jeenus(grocery) shop. And that is how dad got to know him. I was around four years old. Our family is on the right side of the picture, and Mr. Hagwane’s on the left with his one daughter and two sons.
Apr 01, 2010 | Categories: 1960s, English, Fashion Accessories, Friendships, Hair Styles, Head Gear, Indian Clothes, Maharashtra, Maharashtrian, Men, Men's Clothes, Pune, Sarees, Shoes, Shopkeeper, Western Clothes, Western Clothes, Women, Women's Clothes | Tags: 1960s, English, Family Portrait, Fashion Accessories, Friendships, Grocer, Grocery, Hair Styles, Head Gear, Maharashtra, Maharashtrian, Marathi, Pune, Sarees, Shoes, Shopkeeper, Studio Portraits | 1 Comment »

My Grandparents Rohini and Thejappa Palan. Bombay, Maharashtra. 1941
Image and Text Contributed By Manorath Palan, Mumbai
My Grandparents Rohini and Thejappa Palan. in a few days after their wedding in 1941.
More Images of Rohini here
Mar 16, 2010 | Categories: 1940s, Bombay, Fashion Accessories, Hair Styles, Indian Clothes, Jewellery, Maharashtra, Men's Clothes, Pre-Independence, Sarees, Western Clothes, Women's Clothes | Tags: 1940s, Bombay, Bombay Studio, Couple, Fashion Accessories, Hair Styles, Jewellery, Maharashtra, Pre Independence, Sarees, Sari, Studio Portraits, Tulu | 2 Comments »

My grandmother, Rohini Thejappa Palan (nee Talwar), Bombay, Maharashtra. Circa 1939
Image contributed by Manorath Palan, Grandson of Mrs Rohini Thejappa Palan (above).
My Grandmother Rohini Palan studied at the Raja Ram Mohan High School at Girgaum. This picture was taken at a studio there. It is probably the same picture as the one I hear my Great-grandfather had shown of his daughter (my grandmother), to prospective grooms and fix her alliance, right after she returned from school.
She lived a healthy and active life without any illness or old age related disorder. She passed away peacefully at the age of 88 in 2006.
Mar 16, 2010 | Categories: 1930s, Courting & Proposals, Hair Styles, Indian Clothes, Jewellery, Maharashtra, Matrimonial Portraits, Pre-Independence, Raja Ram Mohan High School, Sarees, Women, Women's Clothes | Tags: 1930s, Arranged Marriage, Bombay, Bombay Studio, Courting & Proposals, Hair Styles, Healthy, Indian Clothes, Jewellery, Maharashtra, Matchmaking, Matrimonial Portraits, Pre Independence, Raja Ram Mohan High School, Sarees, Studio Portraits, Wedding | 2 Comments »