Image & Narrative contributed by Jason Scott Tilly, United Kingdom
I will never be sure if my grandfather Bert Scott, would have wanted me or anyone else to find these negatives; They were his secrets for all of his adult life. He had after all kept them very safe, hidden from the moment he left India.
Bert Scott, (lower right) was my grandfather, and he was born in Bangalore in 1915. He was educated at Bishop Cottons school and he joined the Times of India in 1936 as a press photographer, where he worked until the outbreak of World War II.
With trouble brewing during Indo-Pak Partition, he and his family fled and he left his whole life behind; his country of birth, India, his friends and home. Travelling with minimum luggage would have been conditional so he chose to take only the necessary in just a few metal trunks.
Inside one of those trunks were several photo albums and pocket-sized blue negative holders that I came across many years later in my grandparent’s cupboard in 2006, a few years after Bert, my grandfather passed away. The little blue pocket-books held as many memories as it did negatives, about 100 precious moments of reflected light captured on film of our family and of some places where they had lived, but inside one particular folded grease proof sleeve were four negatives that were cut up into single frames and they were of one particular young lady; of a Margurite Mumford, a beautiful young Anglo Indian girl.
I remember one Sunday when he was alive, sitting with his photograph albums on my lap, my grandmother looked at me and stated, in a tone which sounded somewhat incongrously jealous for a woman in her late seventies, “those books are just full of photographs of his ex-girlfriends!”. My grandpa who was sitting across us, either didn’t hear the remark or chose to ignore it – the Snooker on television providing a timely distraction.
After he passed away, I found an extraordinary number of photographs of Margurite. The photographs of her are always infused with a certain playfulness during day trips to the beach or picnics by the river. There is something so obviously personal and intimate about the images. Margurite clearly loved to play to the camera or to be more precise she loved playing up for the photographer, flirting with both the camera and the man whose eye followed her through the lens. The books did have many photographs of other beautiful young women of the Raj too, but the intimacy I saw in Margurite’s images proved to me that only she was actually a girlfriend of my grandpa before he met my grandmother.
As time wore on, I became more intrigued as to whom Margurite really was. I wondered why their romance had ended. I spent hours scouring the internet in the faint hope that I might be able to find someone from her family with whom I could share her beautiful photographs. With not a clue in sight, eventually my hope began to wane but I never stopped wondering about her.
Only recently while pouring over the pages of the albums for the nth time, I noticed a faded scribble “Margurite ‘Lovedale’” by a photograph. Intrigued as to what the word ‘Lovedale’ meant I returned once again to the internet and within seconds I was on to something. Lovedale is the nickname of the Lawrence Memorial Military School in the town of ‘Ooty’ in the Niligiri Hills. My great-grandfather, Algernon Edwin Scott, had a summer-house in Ooty and my grandpa would spend weekends with him whilst he was studying at St Josephs College in Kannur. Ooty would have been the place where he must have met Margurite!
Perhaps, college sweethearts; They kept their relationship going from their first meeting in the south Indian Hills of the Deccan Plateau to the humid coastal city of Bombay where my grandpa had begun working for the Times of India. I know from the amount of photographs that I have found, that the couple took days out to Juhu beach and the Hanging Gardens on Malabar hill along with trips out to the Ghats outside of Bombay. What was most obvious is how much Margurite meant to my grandpa because he kept the negatives separate from all of the others that he had saved. The memories held on film, of Margurite seem different to the rest, they seem more personal, more intimate.
I immediately contacted the school in Ooty. They in turn put me in touch with ex-pupils who although now in their late eighties and nineties were still in touch with one another. My search led me to a woman in America, Moira who very kindly informed me that she was still in touch with one of Margurite’s sisters, Gladys, who also lived in America. I was soon sharing these images with Gladys and she remembered my grandpa very well. She let me know that Margurite was still alive and living in New Zealand, but she was now ninety-six years of age and living in an old people’s home. Her memory had dimmed, but she was physically quite well. I was then put in touch with Alecia, Margurite’s daughter and I began sending them pictures of the young Margurite – images I presume they had never even imagined existed.
In my eagerness and excitement at re-uniting people with a ‘more than half -a-century-ago’ memory, I also sent a photograph of my grandpa. I was told Margurite’s poignantly hopeful reaction was simply, “Is Bertie here?”. My grandpa was indeed the love of her life. But her family had to leave India during Partition, she had then married an Irishman and moved to New Zealand.
It had been obvious to me all along, by the very nature of the photographs, that they were in love, that they both meant an awful lot to each other. Proof, if it were needed, of the indelible nature of first love.
BECOME A PATRON : Work on Indian Memory Project takes time, money and hard work to produce. But it is necessary work because parallel views on our histories matter. If you like the project, admire it, and benefit from its knowledge, please consider awarding us an honorarium to make the future of this project robust and assured. You can support Indian Memory Project for as little as Rs. 500 or more