Image and Text contributed by Jenny Mallin, Berkshire, England.
“Rai, jeera, huldi..” she would whisper under her breath whilst counting the ingredients on her fingers. Cooking came naturally to my mother, but occasionally she would open the pantry door and out would come a huge ledger book (image link), whereupon she would leaf through the pages until she found the recipe she was looking for. With no title on the cover to distinguish it from the other cookbooks, the only distinctive thing I can recall is that each page was so delicate and fragile that it would snap like a popaddam (indian crisp made of gram flour) and therefore it was out of bounds for us children – this book was just too precious to lose.
When I did manage to get my hands on the book officially, this most unglamorous book with its ochre, faded pages bespattered with sauces and flavours revealed several recipes handwritten in copperplate script by my great, great, great grandmother Wilhelmina dating back to 1850. Turning the pages one could see the handwriting style change over time, and evidence of how over five generations, each one of my grandmothers passed the book on to their next generation, offering us a chance to have a glimpse into a fascinating time in history, “the days of the Raj”, when the Indian subcontinent was under British rule.
My family’s connection to India began six generations earlier in 1775, in Yorkshire, England. My great, great, great, great grandfather Benjamin Hardy, was born into a weaving family in Mirfield, a small but important industrial town with a population of 2000 people. The area was called the Heavy Woollen District of West Yorkshire.
In 1794, Britain declared war on France and a 19-year-old Benjamin Hardy enrolled as Private No. 77 with the newly formed 1st Battalion of the 84th Foot regiment of the British Army. One year later, Benjamin married Frances Sheard in Mirfield and he and his regiment dutifully sailed to the Cape of Good Hope (South Africa).
Sailing to the Indian coastline in 1798, Benjamin and his regiment would stay on in India for the next 25 years with postings in Madras, Bombay, Goa, Kathiawar, and Kutch. There were also detachments sent to the Island of Perim in the Red Sea, Aden and Mauritius where they participated in the capture of the island from the French.
Benjamin’s last posting was to be in Bangalore. His regiment had been stationed there for four years and it seems that he also decided to bring his wife Frances over from England, for in 1816 she bore him a son Joseph (my great, great, great grandfather in the image above). Three years later, Benjamin’s regiment was disbanded and asked to return home to England, but instead Benjamin chose to stay in India and was discharged from the British Army due to ill health. He was only 44 years old and suffering chronic rheumatism.
Benjamin, his wife Frances and young son Joseph, settled down to live the rest of their lives out in India. However, Benjamin passed away four years later, on December 23, 1823 and Frances and her son Joseph continued to live in Bangalore. Joseph became a schoolmaster by profession in Mysore, in 1833, when an English School was opened for the first time in Mysore. At the age of 28, Joseph married Wilhelmina Sausman, in St. Mark’s Church in Bangalore.
Wilhelmina was only sixteen when she got married. She was born in Vellore, Madras on September 12, 1829 and records suggest that she was Anglo-Portuguese because her mother’s name was Louisa Dias, a common Portuguese name used in the Portuguese colonies of Goa and the west coast of India.
This photograph of my great, great, great, grandparents, schoolmaster Joseph and his wife Wilhelmina was taken in the early 1860s (in their mid 30s/early 40s) by studio photographers Orr & Barton, who were based in South Parade, Bangalore. It is the oldest photograph in our family collection.
During their marriage, Wilhelmina gave birth to eight children, but as often was the case those days, only three survived. The others were lost as babies and infants to the widespread pandemic of cholera that had killed around 15 million people by the 1860s. Their three surviving daughters were named Ophelia, Florence and Topsy. Ophelia, their eldest child was born in 1855 and is my great, great grandmother.
Wilhelmina’s notes and my own research suggests that for any memsahib settling in India was an overwhelming, even exciting experience but also thwarted with difficulties. Aside from the unrelenting heat, the major problem was in the hiring of servants, and in finding a cook who would be willing to touch the different meats that wouldn’t conflict with their religious beliefs. A Muslim servant for instance, would not touch pork, nor serve wine, or remove dirty plates from the table or wash them. Hiring a Hindu was also not easy, as they would not handle beef, fish, poultry, eggs or alcohol and the very strict practitioners would also refrain from onions and garlic.
It’s quite possible that Wilhelmina, like hundreds of other European wives and brides followed Mrs. Isabella Beeton ‘s bestselling victorian guide, the Mrs Beeton’s Book of Household Management, as well as another publication that gave detailed instructions to European women on effective household management in India. She must have felt it good sense to write all her recipes in one book which could then be given to the cook to follow and perhaps even improve upon. Her Christmas cake recipe shown here, is also annotated by my grandmothers and cooks after.
Generations after, this ‘more than 150 year old’ recipe book now lies with me, and I ponder over it ever so often with great personal as well as academic interest.
The contributor of this image and narrative is researching Anglo-Indian recipe names & cooking terms, and would appreciate any leads on the subject. She is also due to publish a book on Wilhelmina “A Grandmother’s Legacy – a memoir of five generations who lived through the days of the Raj”.
Image and Text contributed by Jonathan Charles Cracknell, London, UK
Just as India was heading towards Independence in 1947, people were celebrating the End of the World War II and this picture was photographed at New years Eve in the real capital of British India, Calcutta (West Bengal). My maternal grandfather, Peter sits here with a fez on his head, and next to him is my grandmother Anna. She was of mixed heritage – of Kashmiri and German Jewish descent. Sitting next to her is my mother and her then boyfriend, a British soldier, on leave from his posting in Malaya (now Malaysia). It was earlier in the same year that the British Military Administration in Malaya had been replaced by its own, the Malayan union.
The hotel, then known as the Great Eastern Hotel where this image was taken is now called the Lalit Great Eastern Hotel. An extremely popular place, the colonial era hotel was originally established as a confectionary shop and then grew into a grand and plush hotel in the early 1840s, a time when Calcutta was the top seat of the East India Company. The hotel had a 100 rooms, and claimed to be second oldest of the British Empire and India’s first luxury hotel. It was also well known for its extravagant and delicious french cuisine, and served snacks and a whisky peg or two, similar to a drive-by service, to horse drawn carriages. Referred to as “the Jewel of the East” and the “Savoy of the East” in its heyday, Great Eastern Hotel hosted several notable persons visiting the city including I am told, Queen Elizabeth II, the well-known author Mark Twain & musician Dave Brubeck. The hotel’s repute and value declined later during the Naxalite Era of West Bengal and was only recently reopened, now as a heritage property, by its new owners in 2013.
My mother’s father was worked with the Railways in Lahore (now in Pakistan) to which they would return to face the horrors of Indo/Pak Partition. But for the time being that seemed a long way off. This was the “New” India everyone was celebrating, not the Victorian dream of the memsahibs. A new comprehension and understanding of Indian culture and the world, was in the making, and this time, it was to be without the tired old prejudices of yesteryear. It was a time of great optimism and home and even back home in the UK people imagined a new world of equality, which would be reflected in the British election soon to come, when Winston Churchill was defeated by a Labour majority.
My father Aubrey Cracknell, too was brought up in Lahore. His father Charles Edwin Cracknell was a soldier in the British Army. After the Boer War ended in the early 20th century, he was shipped out to the Indian subcontinent, to Rawalpindi (now Pakistan) on the North West Frontier. It was here that Charles, my grandfather, met and married my grandmother, several years younger to him, and they had a son, Aubrey, my father, in the Cantonments.
When my father was only eight years old, Charles, my grandfather was wounded on a train from Peshawar, the city of the Frontier (Pak-Afghan Border) to Jalalabad (eastern Afghanistan). Hit by an Afghan sniper and wounded in the lung, he was hospitalised in Rawalpindi but died of pneumonia and other complications. He is now buried in the British cemetery in Rawalpindi which lies neglected and all the graves have fallen to ruin. My Grandmother left the cantonments and moved to Lahore where my father grew up.
Image and Text contributed by Peter Curbishley, United Kingdom
This is an image of British soldiers, their wives and friends from 1/1st Kent Cyclists Battalion taken sometime between 1915 and 1919. They were at posted in Bangalore, Dalhousi, Deolali, Bombay, and then later at Lahore and Rawalpindi (now Pakistan). The sergeant sitting on the right is my grandfather A/S S.L Stonely. The image may have been photographed in Dalhousie before their posting to or from Rawalpindi. Dalhousie was a quaint hill station established in 1854 by the British Empire in India as a summer retreat for its troops and bureaucrats. Unfortunately, I do not know much about this image and I found it in a bunch of negatives sitting in an old box for years. Only recently I decided to get them digitised. It seems that several of these images were photographed by my grandfather, because the records show that Kent Cyclists Battalion had a Camera Club.
All I know is that my grandfather was a member of one of the Kent Cyclists Battalions which was formed before World War I. Upon being removed from regimental strength, in 1908, the Queen’s Own Regiment of cyclist soldiers was re-named as the Kent Cyclist Battalion, and at that time became the Army Troops attached to the Home Counties Division (Territorial Force). The military use of cycles had begun in the 1880’s when a number of the old volunteer battalions had set up Cyclist Sections, whose brief was to defend Great Britain in the advent of an invasion, being something akin to a part time rapid response unit. In 1915, the first units of the Army Cyclist Corps went to serve overseas, including India and were serving primarily in reconnaissance roles – as Dispatch Riders, engaged on traffic directing duties and also assisting in locating stragglers and wounded personnel on various battlefields.
The Battalion served very well, albeit for a very short while. The bicycle had not long ago been invented and originally was thought to be a good way to get soldiers to move around, but the cyclists often found themselves attempting to negotiate unfriendly terrain, and on numerous occasions were forced to abandon their heavy army issue bicycles. On rough terrains such as India’s they would get stuck in the mud and not much of use. With little future value, eventually, all Cyclists Battalions were disbanded in 1920. However, of all the various English, Scottish, and Welsh battalions that served during the Great War years, the 1st/1st Kent Cyclist Battalion was the sole battalion to be awarded battle honours. They were converted to infantry and used instead for foreign services in India.
Image & Text contributed by Alison Henderson Ghosh, U.K
This is an image of my great cousin Nellie Ghosh, great aunt Mabel Henderson and her husband Dr. Bharat Chandra Ghosh. Nellie was Mabel & Bharat’s daughter – and they lived somewhere in India and their house was called “Homelands”. The photograph of the house surrounded by Palm and Coconut trees suggests a coastal area. I have been researching the Ghosh family for years but haven’t yet found much information on the family after 1929.
I do know that Mabel’s father was a tea/general provisional merchant based in Edinburgh, U.K.– Mabel had three brothers, John, William and Daniel. William was a well known Scottish composer/musician and he wrote music for church organs and also recorded to vinyl, Daniel became a smuggler and was last heard of in the Caribbean. And there were three sisters; Kate & Bunty who both migrated to New Zealand, and Helen, my great grandmother, to Ireland – they were all very musically and artistically gifted. About Bharat’s family I found out that his father, Ishan Chandra Ghosh was a Professor of Mathematics and his mother’s name was Anorndomohi Ghosh – her maiden name was Sarkar.
I am unsure about how they met, but Bharat and Mabel were married in Scotland in 1905 in the district of St. Giles. Bharat qualified as a doctor in the Royal College of Surgeons of Edinburgh and at the time of their marriage they must have moved to India because he worked for the Punjab Medical Department, and then he subsequently joined the Indian Medical Services. According to the India papers in the National Library of Great Britain, Bharat was based in Ambala, Punjab as an Assistant Surgeon where he inoculated hundreds of people against the Plague in 1901-02. He was also a member of the India Medical Service at the Theatre of War in World War I.
His name appears in the quarterly Indian Army list from January 1918 to July 1922.
Date of Appointment: 6th October 1917
Rank : Temporary Lieutenant
Promotion: 6th October 1918 to Temporary Captain
I am on the lookout for leads on the Ghosh family whereabouts after 1929, and would be happy to hear from people who may know more.
Image & Text contributed by Jason Scott Tilly, United Kingdom
I will never be sure if my grandfather Bert Scott, would have wanted me or anyone else to find these negatives;
They were his secrets for all of his adult life. He had after all kept them very safe, hidden from the moment he left India.
Bert Scott, (lower right) was my grandfather, and he was born in Bangalore in 1915. He was educated at Bishop Cottons school and he joined the Times of India in 1936 as a press photographer, where he worked until the outbreak of World War II.
With trouble brewing during Indo-Pak Partition, he and his family fled and he left his whole life behind; his country of birth, India, his friends and home. Travelling with minimum luggage would have been conditional so he chose to take only the necessary in just a few metal trunks.
Inside one of those trunks were several photo albums and pocket-sized blue negative holders that I came across many years later in my grandparent’s cupboard in 2006, a few years after Bert, my grandfather passed away. The little blue pocket-books held as many memories as it did negatives, about 100 precious moments of reflected light captured on film of our family and of some places where they had lived, but inside one particular folded grease proof sleeve were four negatives that were cut up into single frames and they were of one particular young lady; of a Margurite Mumford, a beautiful young Anglo Indian girl.
I remember one Sunday when he was alive, sitting with his photograph albums on my lap, my grandmother looked at me and stated, in a tone which sounded somewhat incongrously jealous for a woman in her late seventies, “those books are just full of photographs of his ex-girlfriends!”. My grandpa who was sitting across us, either didn’t hear the remark or chose to ignore it – the Snooker on television providing a timely distraction.
After he passed away, I found an extraordinary number of photographs of Margurite. The photographs of her are always infused with a certain playfulness during day trips to the beach or picnics by the river. There is something so obviously personal and intimate about the images. Margurite clearly loved to play to the camera or to be more precise she loved playing up for the photographer, flirting with both the camera and the man whose eye followed her through the lens. The books did have many photographs of other beautiful young women of the Raj too, but the intimacy I saw in Margurite’s images proved to me that only she was actually a girlfriend of my grandpa before he met my grandmother.
As time wore on, I became more intrigued as to whom Margurite really was. I wondered why their romance had ended. I spent hours scouring the internet in the faint hope that I might be able to find someone from her family with whom I could share her beautiful photographs. With not a clue in sight, eventually my hope began to wane but I never stopped wondering about her.
Only recently while pouring over the pages of the albums for the nth time, I noticed a faded scribble “Margurite ‘Lovedale’” by a photograph. Intrigued as to what the word ‘Lovedale’ meant I returned once again to the internet and within seconds I was on to something. Lovedale is the nickname of the Lawrence Memorial Military School in the town of ‘Ooty’ in the Niligiri Hills. My great-grandfather, Algernon Edwin Scott, had a summer-house in Ooty and my grandpa would spend weekends with him whilst he was studying at St Josephs College in Kannur. Ooty would have been the place where he must have met Margurite!
Perhaps, college sweethearts; They kept their relationship going from their first meeting in the south Indian Hills of the Deccan Plateau to the humid coastal city of Bombay where my grandpa had begun working for the Times of India. I know from the amount of photographs that I have found, that the couple took days out to Juhu beach and the Hanging Gardens on Malabar hill along with trips out to the Ghats outside of Bombay. What was most obvious is how much Margurite meant to my grandpa because he kept the negatives separate from all of the others that he had saved. The memories held on film, of Margurite seem different to the rest, they seem more personal, more intimate.
I immediately contacted the school in Ooty. They in turn put me in touch with ex-pupils who although now in their late eighties and nineties were still in touch with one another. My search led me to a woman in America, Moira who very kindly informed me that she was still in touch with one of Margurite’s sisters, Gladys, who also lived in America. I was soon sharing these images with Gladys and she remembered my grandpa very well. She let me know that Margurite was still alive and living in New Zealand, but she was now ninety-six years of age and living in an old people’s home. Her memory had dimmed, but she was physically quite well. I was then put in touch with Alecia, Margurite’s daughter and I began sending them pictures of the young Margurite – images I presume they had never even imagined existed.
In my eagerness and excitement at re-uniting people with a ‘more than half -a-century-ago’ memory, I also sent a photograph of my grandpa. I was told Margurite’s poignantly hopeful reaction was simply, “Is Bertie here?”. My grandpa was indeed the love of her life. But her family had to leave India during Partition, she had then married an Irishman and moved to New Zealand.
It had been obvious to me all along, by the very nature of the photographs, that they were in love, that they both meant an awful lot to each other. Proof, if it were needed, of the indelible nature of first love.
Image and Text contributed by Sunita Kripalani, Goa
In 1947, after partition, when my grandfather Nanikram Goklani and his wife Khemi migrated to India, along with their extended family from Karachi, Pakistan, they settled in Pune, Maharashtra with their 9 children. My mother Mohini, second of seven sisters, was just 16 at that time. Grandpa got a job in the Income Tax department and although times were tough, my grandfather made sure all the children received excellent education.
My mother and her older sister Sheela went to Nowrosjee Wadia College and my grandfather managed to procure admission for some of the younger children in reputed schools such as Sardar Dastur Hoshang Boys’ High School, and St. Helena’s School for Girls. The children studied well, they were voracious readers, and led a simple life.
During the 1950s, the sisters were well versed in household skills, especially the art of stitching and embroidery. They fashioned their own clothes, copying designs from magazines and the displays in the shop windows of Main Street. At home however, they maintained decorum and modesty, but ever so often, Duru, my mother’s younger sister, would coax her to go with her to a photo studio on Main Street called The Art Gallery to get their photographs taken. Duru would pack all kinds of stuff for both of them: ties and beads, scarves and skirts, hats and belts, not to forget some make-up, and the two of them would mount their bicycles and head for the studio where they indulged their fantasies, using studio props and their own accessories.
In the picture my mother is wearing “Awara pants”, a style made famous after the well known actor, Raj Kapoor’s movie by the same name. She is also very nonchalantly holding a cigarette, albeit unlit, between her fingers! The photograph is totally incongruous with her personality, for copying Nargis, the star actress of the time, was more my mom’s style whereas my aunt Duru was bolder and more tomboyish.
I don’t know if my grandfather knew what was going on, or if he approved, but he was not the kind of father who would scold any of his children. If he didn’t like something, he simply wrote a few words on a piece of paper and slipped the little note under that child’s pillow, which was enough to bring the rebellious offspring back on track… but that’s another story.
After college, my mother got a job at the Department of Cooperation, Government of Maharashtra. It was her first and last job. She retired in 1985 as Assistant Registrar of Cooperative Societies, Bombay.
Image and Text Contributed by Wanda Naomi Rau, Mumbai
This was an image taken at my christening at the Sacred Heart Church in Santa Cruz, Bombay. My father had invited 100 people to celebrate that I, a girl was born 9 years after 2 boys. My brothers even got the day off school.
It was tradition in Goa to have at least one son carry the family name and another follow priesthood. My father Jose Luis Alvaro Remedios, from Saligao, Goa was to become a priest, since his older brother Hubert had moved to Bombay to pursue his Masters at St Xavier’s College. Hubert, unfortunately died of Typhoid around the 1940’s and my father had to leave the Seminary. However, The Seminary takes you through a tough academic route which covers both main stream subjects and theological studies. Perhaps his significant learning was that of Latin, which I regret I did not learn from my Father. However I think my love for history, academia and music is inextricably linked to my Father’s genes.
My father moved to Bombay to look for a job. He began working with Reserve Bank of India, and held the job for 38 odd years until he retired as the Asst. Financial Controller. He met my mum, Maria Aida Bertila Silveira from St. Mathias, Goa, through a formal proposal. My Mum was 30 years old and he was 35 when they got married. They lived in Byculla for the early years and then moved to the Reserve Bank Quarters in Santa Cruz. My Mum was a home maker and raised 2 boys and a girl, me.
My father’s best kept secret was that he was keenly interested in our own family’s past and actively pursued to construct a family tree for almost 25 years. His research was so thorough that it would have certainly gained him an M.Phil in Historical & Contextual Studies, even though everything is documented in a narrative fashion. He traced the history of our family to 1500s and found that we belonged to a community called the Goud Saraswat Brahmins; and had the family name ‘Shenoy’. It is between the 1500s-1700s that from ‘Shenoy’ the family changed its last name to ‘Tavara’ and from ‘Tavara’ they converted to Catholicism with the Portuguese last name Remedios during Portuguese India reign. My parents too were born during the Portuguese rule. Their generation and the generation that follows; of my relatives, all live in Goa, apart from the few who moved to Lisbon, Portugal. They speak impeccable Portuguese, and can be more Portuguese than Goan at times, which is amusing.
During a short posting to Delhi, my father decided to change our surname from Remedios to Rau because he was exasperated that everyone there called us either Ramdas, Ramdeo or Ramlal. He also felt that having an Indian last name would stand us in good stead in a Hindutva nation. So while I was born Wanda Noemia Remedios, he changed it to Wanda Naomi Rau. Naomi is the English name for Noemia; which is Portuguese.
Image and Text contributed by Smita Sajnani/Veena Sajnani, Bengaluru
The following text is the story my Bua, (father’s siser) Veena Sajnani narrated to me while flipping through her photo albums.
“I was a fashion model in the year 1970 and toured with the Femina group all over India doing fashion shows for textile firms and others. Our salary was Rs. 150/- per show and after 20 shows we would go home with a princely sum of Rs. 3000/-. We were only 10 models and we knew each other well, we travelled together and had a lot of fun.
One such day that year, when rehearsals for fashion shows had begun, I was told I was no longer required for the show. Very upset and being a newbie with all the hotshot models of Bombay, I presumed it was because I had made a mistake and therefore had been kicked out.
But no. Apparently the call for Miss India 1970 had been announced and I was selected to participate in the Beauty Pageant. Funny part was, I hadn’t even applied for it! I then found out that Meher Mistry and Persis Khambatta (the original Super Models of India) who were close friends, had filled in the Miss India application form for me because they felt I had a chance to win.
Once I accepted the fact that I was in the pageant, I ran home and told my sister to come shopping with me. On a limited budget, we bought a sari, an Emerald green chiffon with gold work and it looked lovely under the stage lights. Bombay, being the cinema city, had tailors stitching sari blouses within hours so while my sister and I shopped around, my blouse was ready.
Before the day of the pageant, we were asked to come to the Times of India office terrace (parent company of Femina) with a swim-suit and be photographed in it, because in those days, judges looked at pictures instead of the actual girls in swim-suits; and we were saved the embarrassment of coming out on stage in swim-suits. Instead, during the interval, the judges came backstage to check us out and since it was dark they had flashlights and our photos in their hands! Yes, it was very funny indeed. We all giggled through the ordeal but in retrospect it was better than walking out half naked under full lights- a very scary prospect to say the least.
Persis and Meher on the other hand, were walking for the fashion show on the contest day and were most enthusiastic about my winning. So much so that Persis decided to do some sleuthing to find out how I was faring with the judges. She was perceptive and sharp, so each time she went out on the ramp she would peek into the judges’ notes! She must have had X-Ray vision because she said she could see the ratings and it was number 6, my number! We all pooh-poohed but sure enough when the winner was announced it was indeed number 6! Me. Veena Sajnani.
Needless to say my two partners in crime were thrilled to bits. After all I had beaten Zeenat Aman (who later became a very famous movie star), whom I think they did not like very much. Whatever the case maybe, I was happy for them and for myself for joining the elite band of Miss Indias. And I will always remember them fondly for this adventure.”
After her stay at Miami for the Miss Universe pageant, my Bua continued with her modelling, then worked at Madura Coats, post which she found her true love – Theatre.
Image and text contributed by Vani Subramanian, New Delhi
He worked with the Indian Railways, and she raised her five children between Delhi and Shimla, learning Hindi and the ways of the ‘north’ as she went along. This photograph was probably taken fairly soon after they were married. Even my mum who is now 72 years old doesn’t remember them like this at all. So in a sense, they are both familiar and strangers as they appear in the picture. But I do remember the photograph framed and hanging on the wall in the house that they retired to in the village. A house they moved in to the day I was born: 22 Jan 1965.
My favourite part of the photograph is that Paati is wearing Mary Jane shoes and white socks with her nine yards saree. I never saw her in shoes in real life. As a matter of fact, I never saw my grandfather in a coat and tie, either. Though I am told that he wore a coat, tie, shoes and pants clipped with bicycle clips as he rode to work from Park Lane to the railway boards offices.
55 – Six generations of a British Family in India, one of whom was a Photographer for Times of India.
Image and Text contributed by Jason Scott Tilley, Birmingham UK
These are two photographs from My Grandfather Bert Scott’s family photographic archive. The photograph on the left, of my Great Great Grandparents Edwin and Emily Scott was taken on Christmas day in 1925 at 3, Campbell road, Richmond Town, Bangalore, our family’s house which was one of the old British Bungalows and has sadly like many of the rest, been demolished. On the old ground now stands St Philomenas hospital, right in the very heart of Bangalore.
On the right, are my great grandparents Algernon Edwin Scott and Desiree Leferve with my Grandfather, Bert Scott as a two or three year old boy, the image was taken in 1919 in Cannanore, Karnataka. (now Kannur and in the state of Kerala)
My family came to India in 1798 when James Scott Savory joined the East India Company as a writer of the Records of state. He was the second assistant under the Collector of Krisnagearry (Krishnagiri). Edwin Ebenezer (left image) is his great great grandson. From the church death records at St. Marks Cathedral in Bangalore it states that Edwin Ebenezer was the Assistant commisioner of Salt in South India.
Son of Algernon Edwin Scott and Desiree Marie Louise Josephene Leferve, (she was the daughter of a French professor of English from Pondicherry). Algernon Scott (Bert’s father) worked for the ‘Salt and Abkeri’ before he joined the army and went to Mesopatamia region from 1916-1919. After Algernon Scott left Mesopotamia he then went to the North West Frontier province until 1921 when he was discharged as Lieutenant. In 1925 he joined Burmah Oil company until 1933 he worked at Caltex until the out break of War.
My Grandfather Bert Scott, whom I fondly call ‘Grandpa’, was mainly brought up by his Grandparents, this must have been because his parents were away much of the time. He was educated at the famous ‘Eaton of the East’, Bishop Cottons school in Bangalore and then at St. Joseph’s college in Cannanore on the way up to Ooty in the Nilgiri’s. In 1936 he took a job as a press photographer at the Times of India Newspaper in Bombay where he worked until the out break of World War II. He initially joined up as a ‘Gunner’ but soon took the Job as Head photographer for the Indian Army during the second world war where he worked out of GHQ New Delhi (Now Parliament), His duties include photographing ceremonies and Japanese positions behind enemy lines in Burma.
My grandfather married his Bride, Doll Miles at the church of redemption in New Delhi and 1943 and my Mother Anne Scott was born later that year in Amritsar, Punjab, whilst he was away on active duty during the war. He was in position on 14th August 1947 to photograph the hand over of Power and watched as the Mountbattens left Vicregal lodge (now Rashtrapati Bhavan). During the troubles of partition, because my family were Anglo Indian, they fled from Delhi to Bombay, and then took a ship to the new country of Pakistan where in November of that same year they left for a new life in the United Kingdom.
For more images via Jason please click here
Image and text contributed by Sangeeta Bahuguna, Mumbai
This image was photographed way in 1953 in-front of our residence in Tehri Garhwal. Here he stands posing with a tiger he had shot and was taxidermically treated to be mounted in our house.
My father, Captain Prabhakar Raj Bahuguna was enlisted in the Indian Army in the EME unit (Electrical & Mechanical engineering). His job was to repair weapons, vehicles and military equipment. He was born into a family of Raj Guru Pundits (Non Vegetarian Brahmins) from the Tehri district in Uttar Pradesh (now Uttranchal), which was ruled by a Nepali ruler, Lt.Col. HH Sir Maharaja NARENDRA SHAH Sahib Bahadur.
My father like many others from the district, was an avid hunter of tigers and other animals. Along with some staff, he would sometimes be accompanied by my mother and us three siblings. None of us were really interested in hunting and would sometimes wear inappropriate gear like white lace dresses, so that it would annoy and therefore dissuade him from taking us along. But it didn’t. My mother’s reluctance perhaps stemmed from following too many instructions and the discipline of not making any sounds like a cough or a sneeze, which was sure to send the game running.
My father in his lifetime shot 13 tigers in all. But in 1971, when hunting for Game in India was officially banned, ironically, many avid hunters with a conscience or because of governmental pressure, turned ecologists and preservationists. My father, like any other good hunter would keep track of numbers of animals available for game. But when he was told of the depleting numbers of the tiger, he was horrified and immediately went to meet the official working for the Indian Forest Services and who was heading the conservation campaign ‘Project Tiger‘, a Mr. A.J Singh. He then decided to change himself and voluntarily become a conservationist as well. My father since then also always felt guilty for the death of the 13 tigers, so much so that when he turned 60 and his eye sight started failing him and he would say that the “tigers have taken their revenge” and he believed every word of it.
1971 was also the same year when my father served in the Kargil war. But in retrospect, he always said that ‘War is not good, and its consequences are horrible and irrevocable’. One particular sighting he repeatedly brought up was of a Gorkha soldier he saw on a mountain top who had just chopped up an enemy soldier into several pieces and under shock was then trying to put the pieces together to fix the body again. I think it left a deep impact on him.
My memory of our father is of a very interesting one, on one hand he was this hard core, royal blue, disciplined man, but on his alter side, he was a gentle father who would braid our hair, passionately spend days fixing things around the house and most amazingly he was also an artist. At the time of the Kargil war, since all army personnel letters were censored, we recieved many letters from him half of which were predictably blacked out. So he devised a clever method of communicating with us. His engineering background had helped him in skills to draw beautifully. So, he would send letters to us, drawn as comic strips, telling us jokes, stories, tales and about stuff that was happening around him. All drawings had speech bubbles, labelled precisely, along with phonetic sound effects (the funniest ones were fart sounds) and it would rock our imagination.
After serving in the army, my father retired to Mussoorie, and converted part of his property into a hotel. When he passed away in 1996 aged 83, a few years later my mother took it over and I think she runs it even better than him.
Image and text contributed by Charu Walikhanna, New Delhi
This was a hot day with a baking hot floor. I was in 4th yr of Sir JJ School of Applied Art. And the same campus housed disciplines of Fine Arts, Textiles and Interior Designing. This dance party was an event organised by JJ School of Architecture during their annual festival SAAWAN. The dance party in the image was not in our campus but in a hall in Colaba. I wonder if it still exists.
We used to then dance like mad, to songs of ABBA and other such English bands. There was no Punjabi rock or rap in those days and there were definitely no intoxicants or alcohol. Nor did anyone have bottles stashed away in their car like today in Delhi. Some people were into soft drugs though no one ever experimented openly and definitely not at college functions. We lived, ate and dreamed of Art & Design. Our heroes were Picasso, Salvador Dali and Charles Correa. We were so absorbed in our passions, that failure or success was not the ultimate goal. A well known joke was that if one failed at JJ and was yet successful, it may be better because Charles Correa, one of India’s most famous architect was JJ drop-out too. In those days, film stars like Parveen Babi flocked to our college to hear J Krishnamurti’s lectures on Philosophy, on campus under the huge banyan tree while the sun set and the crows cawed.
I was a boarder in Bombay. JJ did not have a girls hostel so we girls stayed at a government hostel called the Women Students Hostel. The Hostel was started by the Government of Maharashtra in 1952, to accommodate undergraduate girl students of colleges affiliated to the University of Mumbai. The hostel was renamed to Savitridevi Phule Mahila Chhatralaya to honour the memory of – Savitridevi Phule, a pioneer in the education of women. The hostel is situated at the beautiful location of Marine Drive facing the Arabian Sea. I have an aunt who stayed in the same hostel in the 50s and said they were served by waiters in turbans, though by our time it only had bare-feet locals in striped underpants. The dining hall was the only place men were allowed and only as waiters.
Image and text contributed by Sandhya Mehta
Image and text contributed by Yashoda Joshi.
My Grandmother Vatsala Bhimsen Joshi (nee Mudholkar) was a very beautiful person. She was born in 1928 and was the fifth child of the family. She had 3 elder sisters, an older brother, four younger sisters and 2 younger brothers. She was a great singer as well, and appreciated and encouraged lot of young musicians. She inculcated the love of music and life in all her children, grandchildren, brothers, sisters and nephews/nieces. A very enthusiastic and strong woman she loved travelling. Collecting and wearing beautiful sarees was her passion. She was married to Padmashree awarded, Indian Classical Vocalist Pandit Bhimsen Joshi and had three children.
This photograph of the Mudholkar Family is taken in Pune with her parents Shrikrishna and Saraswati, grandmother Laksmi and brothers and sisters. Two of her younger sisters were not born yet.
Image and Text contributed by Mitul Patel, Texas
This picture was taken at a fair in Surat, Gujrat. It was supposed to be only a close family photograph, however, some of our family friends’ and their families joined in and this picture was clicked. I remember it used to be one of the only places where families, who couldn’t afford a camera could get a picture taken. Most of these people you see in the Photograph, all of whom are of the last name ‘Patel’, migrated to USA and New Zealand, including my family. I was around three or four years old in the picture (top left, as a baby). Almost all of the Patels in the picture now own and run businesses like Pizza Parlours, Liquor Stores, Motels, Hotels or work in the IT industry. My parents and I too live in Rockdale, Texas, USA and run a hotel called Rockdale Inn.
Image and text contributed by Usha Bhandarkar
Shanta Bhandarkar, my Mother in Law, turned 100 on February 25, 2010. On the occasion of her birthday our family gifted her an album with a collection of these old photographs, one of which is this as a baby. Shanta Bhandarkar doesn’t have very good short term memory, but her long term memory is sharp. She remembers details like her mother’s Christmas Pudding and the cakes that they used to bake. She studied at Sommerville, Oxford , UK and has travelled the world extensively.
Image and Text Contribution by Pavitra and Usha Rao
This picture was taken with my father’s friend Mr.Hagwane and his family. The most unusual thing was that Mr. Hagwane did not speak a word of English and my father did not know a word of Marathi. They perhaps communicated in broken hindi. Mr Hagwane ran a Jeenus(grocery) shop. And that is how dad got to know him. I was around four years old. Our family is on the right side of the picture, and Mr. Hagwane’s on the left with his one daughter and two sons.