Image and Text contributed by Hemant Suthar and family, Mumbai / Ahmedabad
This picture of my great grandfather Maganlal Mistry was taken in the 1920s and it is is one of the family’s most prized possessions – our connection to our roots. The photograph was taken to be sent to his brothers working in Ethiopia, Africa, and was hand colored with photo inks in 1937. It is interesting how the colouring is limited to his turban, we reckon it is because colouring of photographs was quite an expensive and sought after artistic skill at the time.
My ancestors belonged to a village called Samoda in the region of Sidhpur (now in Gujarat) and they were exceptionally skilled wood carvers, in-layers and carpenters. The early 20th century was a time when many men (and women) from the Indian Subcontinent went to Africa to find work and make their fortunes. At first, my great grandfather Maganlal’s two brothers followed suit. They travelled by boat to the shores of the African continent and they found work as carpenters in the north east region of Africa, the Ethiopian Empire called Abyssinia at the time. The money was good, and they invited my great grandfather to join them there. However, Maganlal chose to stay on at home and began working as a government contractor building schools. Soon his work extended to several villages nearby. Maganlal, my great grandfather was not educated but he had learnt to write his name for signing building contracts. In his later years, he was made a member of P.W.D. (Public Works Department) Sidhpur office, and worked on large building contracts.
What we know of this photograph is that Maganlal was in constant touch with his brothers and they sent him pictures they had taken in Africa. Inspired by those photographs, he went to a local photo studio and asked for his picture to be taken so he could send it to his brothers. What we see in his hand is a wooden ‘folding scale’ – an important tool of his trade that he insisted be captured in the photograph.
Then a young man, Maganlal got married to a beautiful woman named Heera ben. She was a skilled cook and would teach other women to cook. Together they had two sons and a daughter. As he rose in influence and wealth around the district, he was made a member of the Caste Naat, or Panchayat of the village (a five member local government system). Anyone who went abroad was declared an outcast and upon their return, they would have to appease the village by offering a feast to the Panchayat and extended family, ask for their forgiveness to be re-included in the cast. All community problems were solved by calling upon the Panchayat at night, on a suitable day to resolve disputes such as matrimonial and monetary conflicts, quarrels between brothers and decisions of re-including and out-casting of people returning from foreign lands. All the while they were entertained with breakfast, lunch, dinner and other comforts funded by the parties involved in the dispute.
Maganlal’s brothers in Ethiopia also did well. One of them, in fact, rose in the ranks to became a secretary to the King of Ethiopia, Haile Selassie and worked on the Ivory inlaying and carving of the royal throne for the king. It seems that at onset of the Second Italo Ethiopian War in 1935, Maganlal’s brothers however decided to return home for good to Sidhpur. We are told that they hid their earnings (gold coins) in their tools and mattresses. My great grandfather helped them resettle and get re included in village. Soon the brothers too found themselves a good repute and became influential heads of the community.
Maganlal was a visionary man and invested his earnings in gold, real estate, shares of textile mills and a life insurance. We are told that he was very curious person. He would seek and share all kinds of knowledge with his children and make toys for his grand children. His lifestyle however remained simple and was usually found worshiping in the morning and rest of the time he worked.
Image & Text contributed by Chirodeep Chaudhuri, Mumbai
Most family albums are unremarkable, but, nostalgia as we know, can be a tricky customer. As a photographer, and more so as an editor-of-photography, the exercise of going through a family album can be testing, and fraught with danger – too many pictures there which “could have been better”.
When I was growing up, our home too had several photo albums – the ones with black pages and deckle-edged black and white photos affixed with photo corners. One afternoon, in Calcutta (now Kolkata), my mother and I began organising the albums sticking back some photos that had come loose. There we were pouring over pictures of what could best be called a rather haphazardly maintained record of the last two generations of my family’s middle-class existence.
And then I found this picture that made me stop.
It was a picture of my father, my baba, Subir Chaudhuri aged 26, or 27. Studying that picture carefully, the crumpled white kurta-pyjama told me that it was perhaps shot early in the morning. There is also an unmistakable hint of sleep still hanging over the young man as he sits cross-legged, looking down towards a cat which is lazily rubbing itself against the front leg of an easy-chair.
The print had yellowed and was damaged; a ball-point pen gash (most likely done by a very young me) sits agonisingly in the centre of the frame. Each time, I have looked at this picture, since making the discovery; I have always wished I was the photographer. I remember thinking, my father was not a bad looking chap. My father had begun working at Philips (formally known as Koninklijke Philips N.V. / Royal Philips) in Calcutta in 1964 in the company’s Head Office and soon, in 1966, the Head Office shifted to Bombay and as part of that transition, he too moved to Bombay (now Mumbai). There is also a pamphlet my mother, Kanika, has kept safely, where you see him featured as a model for a Philips Double Beam Oscilloscope. Baba always gets embarrassed when I probe to ask him about that incident about how he came to model for that advertisement.
But he smiled when I showed him this picture with the cat. I expected memories to flood over him but there was no more than a trickle. He remembered that the picture was shot sometime around 1969-70 by his friend, Dipankar Basu or Dipankar Kaka as we kids called him. They were all bachelors then, young Bengali boys, who had found themselves together through coincidence far away from home, during the industrial boom, sharing a small 1-BHK flat in Navjivan Society in the eastern suburb of Chembur in Bombay. Initially, my father stayed in this flat alone as the lone tenant. Some months later Dipankar kaka was looking for accommodation and so moved in with my father. Dipankar was baba’s close friend, Soumitri Sen‘s friend. They were both textile people who had moved to the city as it was then the textile hub. Many of these men who lived with Baba, were not his friends ; they were people he came in contact with in Bombay.
Baba recalls “It was a Sunday morning. That cat used to sometimes come in from the balcony of our flat whenever the door was left open,” he told me. Though not much else of that ground floor house can be seen in this picture there are details of my life in that house – our home – outside the frame of the image which return to memory each time I see this picture. It’s the house I spent the first 18 years of my life. I remember that chair vaguely. Those floor tiles, strangely a particular chipped one I remember most vividly, maybe because so much time was spent on that living room floor drawing or else playing with friends during my summer vacations. As a photographer, I am bowled over by the beauty with which the languorous quality of a holiday morning has been recorded, quite inadvertently, by the photographer. “Dipankar had only an amateur’s interest in photography”, says Soumitri Sen or Shomu Kaka, who was also part of their group.
Picture making involves decision making…many small decisions made in quick succession. And so, I have often wondered what may have been going on in Dipankar Kaka’s head when he shot this picture. Firstly, I can’t understand what an amateur would be doing fiddling with a camera at home early in the morning. It’s such an unusual moment, a candid one in the middle of formal ones like birthdays, weddings and vacation-time group photos where everyone poses awkwardly. Was he just trying to take that last picture so he could develop his film? Or had he shot any others that morning? If he had, unfortunately, none are around. What were the aesthetic choices he might have been considering while framing the shot as he was peering over the ground-glass? Did he select this particular frame to be printed or was it the printer at the studio who chose it because it had the best exposure? There is another version of this picture – a square crop in which you see my father’s slippers placed neatly in front (my father has always been quite a dapper of a man who I can’t remember ever having seen bare feet) and so, I wondered what the full negative was like. I have tried to locate that negative from Dipankar Kaka’s daughter but we have been unsuccessful. I had never met Dipwanita, but this search brought us together, first on Facebook and then at a bookshop café in Pune.
There is much I am curious to know about the making of this picture but that is now impossible. Dipankar Kaka is no more.
Image and Text contributed by Bhavna Mehta, USA
This picture of my parents Umedrai & Hansa, was photographed around 1963 in the village of Pravaranagar (Maharashtra) where they lived for a few years. They were married only a few months. I’ve always wondered who took this picture, staged maybe after old Bollywood movie scenes of couples running around trees.
My father Umedrai was born as one of nine children to Harjivan Bhaichand Mehta and Kamala (originally Triveni) in the small town of Ahmednagar, Maharashtra India. My father’s family belonged to a tiny community of Gujarati merchants in Ahmednagar and my mother Hansa was born in Nakuru, Kenya to Nagardas and Vimla Bhuva.
Leaving Gujarat for Maharashtra as a young man, my paternal grandfather established ‘Harjivandas Bhaichand‘, a wholesale grocery store in Ahmednagar, that still provides for his great grand children more than a 100 years later. My maternal grandfather, on the other hand, had decided to make his way to Kenya as a young man and owned a textile & sewing shop called ‘Bhuva Store‘ in Nakuru with his brothers. The family travelled to and fro to India (Gujarat) often.
My parents had an arranged marriage. At the time of the arrangement, my father was working as a merchant ship’s electrical engineer in Bombay with the Great Eastern Shipping Company. Right before the wedding, he quit his job which used to otherwise keep him away for a month at a time. My mother completed her Bachelor of Arts from Dharmendrasinhji College in Rajkot, Gujarat. A cousin introduced the families and they met only once before each side said ‘Yes’!
I was born in neighbouring Shrirampur in the district of Ahmednagar. At that time, my father was an engineer at Pravaranagar Sugar Factory. Far away from her own family, my mother ran our home, made friends with the neighbours, walked to the temple, cooked, cleaned and embroidered. When my mother left on some visit, my father would cook his rice and dal in a pressure cooker before he left for work in the morning. Many trials awaited the couple in this picture in the future which they have decided to keep private. But here they seem carefree and happy and willing to be a bit silly.
Image and Text contributed by Pritpal Virdee, UK
This is a picture of my mother, Satwant Kaur Virdee photographed in Ludhiana, Punjab around the late 1960s.
She was born in Nurpur, near Lahore (now Pakistan) in 1929 and later moved to Kot Badal Khan, Jalandhar district (now India). It was one of the many journeys and migrations my mother would make in her lifetime; initially with her mother and father, Daya Singh, and then with my father Prem Singh Virdee after marriage, circa 1945.
She spent time at Nangal when Bhakra Dam was being constructed (my father was a mechanical engineer) then Phillaur, Ludhiana, Nakuru, Nairobi and finally Coventry, UK. Moving across three continents with her daughters in tow – a sewing machine too was always essential. This picture represents so much of the migration history that epitomises modern life, the Punjabi diaspora and our own personal family history.
Migration from the Doaba area of Punjab has been prolific and in our family, it started initially with my maternal grandfather. Doaba is now called the ‘NRI Hub of Punjab’ as a consequence of a significant percentage migration of the Doabias. By the 1960s, my father also ventured into East Africa, taking advantage of family and colonial linkages. He spent time working in Nakuru, Kenya and my mother spent time in Ludhiana; father would often bring “foreign” gifts for his daughters when he returned home. He would buy bicycles, radios and other modern consumables, including a camera for his girls. My mother told me he was quite progressive in his thinking and despite us being girls, he wanted us to have the latest gadgets.
Scanning the old family photograph album after my mother passed away in 2012, I came across this picture of my mother sitting in the verandah of our house in Ludhiana. She’s sitting there with an old sewing machine, a need and passion that would remain with her for the rest of her life. Having no formal education, she was nonetheless, astute and nimble with her fingers. Creating many wonderful pieces of art, many of which I have carefully treasured. From this handwheel sewing machine she advanced to the computerised Bernina, taking to it like pro, and I still have that Bernina.
The photo is also unusual because it’s not taken in a studio, the norm at the time. Most likely, it was my sister who took this photograph. In its messiness, it shows everyday life, yet it also captures the grace my mother had until the end of her life.
Image and Text contributed by Jayati Gupta, India
Indian textiles were a major part of the East India Company’s trade since the 17th century. Hundreds of thousands of people in India were involved in the textile trade, as spinners, weavers and dyers. By the early years of the 20th century too, textile and textile technology was controlled and promoted by the British and colonial masters. Indian textiles was a rapidly growing industry, especially since the demand for British cotton had slumped during the interwar period.
During the booming era of the East India Company, raw materials were sent back to Britain and the finished goods were re-exported and sold in the colonies at exorbitant prices. The production and consumptions of textiles was controlled with imbalanced equations between the producer and the consumer, the coloniser and the colonised. When Mahatma Gandhi’s activism to promote khadi (homespun thread and home-woven cloth) became a big part of resistance to imperial authority, cotton became an important symbol in Indian independence and the Swadeshi movement began to overrule all. The resistance took the form of boycotting foreign goods and textiles.
My father, Nirmal Chandra Ghosh (1911-1989), after his initial education in the Zilla School (district scool) in Hazaribagh, Jharkhand, (formerly part of Bihar), won a scholarship and decided to train as a textile technologist.
In 1930, he became a student of Victoria Jubilee Technical Institute (now Veermata Jeejabai Technical Institute/VJTI) in Matunga, Bombay (now Mumbai). He graduated in 1934 becoming that year’s recipient of the Dadabhai Nowrojee Gold Medal. His name appears on the Roll of Honour, a board that is maintained in the Institute. Those were heady days of the nationalist movement and my father was very far away from home living in a cosmopolitan city thriving with conversations on the movement. At the time, for such distances from Bombay to Jharkhand, a railway journey would take more than three days, letters reached after more than a week and telephone calls were unheard of.
My grand father Kshitish Chandra Ghosh, was employed as a Post Master in the Bihar Postal Service run by the State & British administrators. It was a transferable job and he had warned his children, a large family of four sons and five daughters, that any nationalist activity they indulged in could be interpreted as anti-government and lead to losing his job. He sternly indicated that any anti-government activity would have disastrous consequences for the family as he was then the sole earning member and hence they would have to be very cautious.
But my father, at the time a young man in Bombay, was inspired by the movement of resistance and found a way to express himself. In his final year (1933-34) one of the assignments that he had, was to design and weave a piece of cloth. Very ingeniously he wove several textile portraits of public and national figures, highly respected and feted by patriotic countrymen. He wove portraits of Raja Ram Mohan Roy, the Father of the Bengal Renaissance, of Rabindranath Tagore, Poet & Nobel prize winner and of Mahatma Gandhi, already an icon of Indian nationalism. One of those portraits woven of Raja Ram Mohan Roy by my father, as shown in the photograph, was framed many years later and still hangs in my sister’s Kolkata home. As a child, I remember the woven portrait of Gandhi hanging in my grandmother’s room in Hazaribagh. The other portraits may have been gifted by him to others and seem to be lost.
Luckily, this gesture expressing solidarity with the national movement went unrecorded and unnoticed by his sahib instructors. My father spoke of the act as an inspired passive resistance, and that it was a source of immense thrill and excitement when he was planning and executing the design. In volatile colonial times, it must have needed immense personal courage and extreme conviction to think and act in this manner.
My father was also an excellent amateur photographer. The image above was photographed and pasted by him in his album. The album also holds photographs from early to late 1930s from the time of his education in Bombay to when he lived in South India on his first and only job with A &F Harvey Limited, established in 1883 by two Scottish entrepreneurs. A & F Harvey Ltd., a british company, was incorporated as a private limited company in 1945 to manage textile and other companies in South India. It acted as the Management Agents of Madura Mills Co., Ltd., until December 1969. My father retired from his job in 1970.
Image and Text Contributed by Sunita Vishnu Kapse, Mumbai
We lived in Shivaji Park, Bombay in a house that our families had lived in for eight generations. My father‘s name was Tulsiram Pawar and my mother’s was Chandra Bai. My grand-mother who lived until the age of 101, used to work in the municipality as a road sweeper. My father also worked for the municipality of Shivaji Park, cleaning garbage. But he was an alcoholic, most of the times drunk and incapable of working. He would beat up my mother and abuse her all the time, but she gulped all the pain and began working instead of him. She is the one who earned and brought us all up. Her salary at the time was only Rs. 200 a month, so it was tough on her. Most men in the chawl were in similar jobs and were all drunks & wife beaters, exactly like my father. All the girls in the chawl were scared to get married anticipating the same future.
My family belonged to the Mahar Caste, considered untouchables and of low caste in India. But we all got saved when my parents adopted the beliefs preached by Babasaheb, Dr. B.R. Ambedkar. If it wasn’t for him, we would have been on the streets or dead, of hunger or indignity. My parents converted to Buddhism following Ambedkar’s encourgement and since then we have been restored our dignity.
We are four sisters and two brothers. I was born on November 13, 1963. In school I studied up to class 10 (sometimes as night classes). I used to love dancing, participated in school events and played everyone’s favourite sport at the time Kho Kho. Embroidery was another skill I learnt from the women in the Chawl. On Saturdays & Sundays we would finish the house-work faster so we could rush to watch Marathi movies in a quarter that had a B&W television.
In 1982, when I was 18 my parents got me married. The chosen husband was Vishnu Rama Kapse. He was 15 years older to me. When our parents asked us to marry, we just did, there was no argument or discussion over it. My mother said that they were a well to do family, and they eat a lot, and so I will be happy. Later I heard, that my husband too didn’t want to really get married, but others advised him that he needed a partner who could also contribute to earnings. The wedding was all paid-for by my mother. I think she must have spent Rs. 5000 on it. As was tradition for the In-Laws to do, my actual name Satyabhama was changed to Smita by my husband, but my mother-in-law couldn’t pronounce it so she began calling me Sunita, and now everyone calls me Sunita.
This photograph is from my wedding reception in a small hall in Bandra, Bombay. With us is my husband’s regular employer (since he was a child), Mrs. Ula and her family. They really loved us. Now they live in USA.
I am wearing a Blue saree and my husband wore a Grey suit. In Buddhism, during the actual ceremony we wear white, not red as is the norm of most Indian weddings. With our dharma guru as witness, we exchange garlands, listened to a short sermon and that was it, we were married. There were around 200 guests for our wedding. The gifts we received were currency notes of Rs. 2 or 5 in small packets. I got married into a very large family, with mother, sister, brother and cousin in laws.
My husband was a simple decent looking man. He respected, and loved me passionately. He never hit me or embarrassed me in-front of anyone. He used to say “If I disrespect you in-front of someone else, they won’t respect you”. That is the reason my children respect me too, because that is what they saw. My husband really loved me, showered me with attention, but I am aware that he was also afraid that I might leave him, because I was a good looking and to top it, 15 years younger. That is the reason he never wanted to live away from the large family because he felt it kept me in check. I always found it very amusing but in a way it imparted a lot of self-confidence. We were great partners & friends and would never do anything without consulting each other. My husband would keep me updated on current affairs of the world. When I couldn’t understand, he would explain everything patiently.
My husband’s family came from Ratangiri and his family owned a lot of agricultural land there. But once the Dam and new railway tracks began to be constructed, many new people came and grabbed most of our land and so many of us, also from near by villages, were left with almost nothing. We still have a legal case going on but I doubt anything will happen.
Like thousands of others, my husband at the time in the 1980s was working in the Textile Mill, breaking yarn. When the mill shut down (called the Great Bombay Textile Strike), he began working as a wall painter, or as daily labour (also for the family in the picture). The same year my eldest daughter Annapurana was born, but the earning was not enough for us, so I began working as a domestic maid. My first monthly salary was Rs. 75 with a Sitan Family here in Bandra, I have now worked for them for 32 years and I still work there. Then we had a second child Abhijeet, a son and a third another daughter, Priyanka. My husband and I worked very hard and educated all three of my kids. They went to government municipality schools, and then they went to college. Fortunately for us they are now married into good families.
I never chose to be a maid, but I did it because if I didn’t work we couldn’t earn. And with my experience, being a good and honest maid was the best I could do. My husband would not give me all the money he earned, because some of it was kept for his brothers and their families whom he supported largely. So I too saved, keeping money aside and buying gold as an investment without him knowing, but the amusing part was he knew all along. I always worked around the Bandra, as it was close to home. The Parsi family next to our home sold their land and in its place a mosque was built. But we all casts and religions lived along as good neighbors cordially, perhaps because we were Buddhists and non-violent. In-fact in times of conflict in Bombay, the muslims neighbours always came around to check if we are okay.
My normal routine everyday for years was getting up at 6 am, pack my husband’s and kids lunch tiffin, go do all my work and return by 2 pm to fill water that would only come in taps twice a day. I learned a lot by working as a maid, like cooking different Indian Cuisines from my employers and then I would try it all at home. My family loved my cooking. Even when my daughter got married, I had every feast cooked at home. I have been lucky that all my employers respected and taught me a lot. Looking at our employers helped us aspire for a better lifestyle. But one thing that makes me sad is how people spend on things much more than they need to. Wasting food is probably the biggest problem I see in so many households, the wealthier the families the more food is wasted. But people and women are also more independent and that is admirable, though I still get worried if my daughter doesn’t come home on time.
In 2006, my husband developed a heart problem and he began to keep unwell often. So I got a couple of more jobs and continued working as a maid cooking, cleaning, sweeping, and washing to earn enough to pay for his medical bills. Many employers too helped with the medical bills. But in 2012 his health worsened and he passed away. I now continue to work as a maid, because if I didn’t work I would go crazy. Because of my children, I am not struggling for money, but it is good for me, it makes me independent, I work in places I like to work, I am respected and I get to step out. But I really miss my husband a lot. He was my friend, my protector, my partner of life. I really feel alone and cry when I think of him, but I thank Buddha and Sai baba because of whom I have great children, siblings and their families.
Image and Text contributed by Suresh Mandan, California, USA
This is the picture of us in Class 12, who met for the Day of Orientation, at our Loyolla Hall School in Ahmedabad, Bombay State (now in Gujarat). I stand on the top, third from the left. Among the most popular of the teachers was our Sports teacher Brother Bou, (sitting first from the right). A very fierce teacher, the Ahmedabad Football Association now even runs a Tournament in his name called the Br. Bou Trophy.
I was not sure whether I will ever look at this picture again and that too after almost 54 years. But since I have I cannot help but remember all that thoughts that it triggers. It was photographed on January 24,1959, the day of our graduation from School life to the oncoming college life. Our School held an Orientation Class to help us to assess the new world which we would facing in the Life. The control of the school authorities would be gone, the regimentation of the Principal and the Teachers would be gone, a watch on our behaviour would be gone and we would be in an environment where there would be no restrictions to attend the class, to study or to play. We were to make our own decisions regarding what colleges we chose, the faculty we selected as well as the new relationships we formed with friends and girl friends. This was the theme of our Orientation.
Ahmedabad at the time was not a part of Gujarat, as the Gujarat state formed only in 1960. It was a District of Bombay State. Loyola Hall school was one of the two elite English medium Schools of those days; its mother branch St.Xavier’s High School, Mirzapur Road, Ahmedabad was established in 1935. It was run by the Society of Jesus and therefore we had some European Fathers as well as local teachers.
The school’s location was almost in the wilderness when it was partly shifted from its location on Mirzapur Road to its new location in Memnagar in Ahmedabad. The school building was the only building in an area of about two kms., with no paved roads and no connection to any public transport system. At the time there were no auto rickshaws or mini buses. To go to school there was either the school bus, some public transport, a bicycle or your own two legs.
We were from a lower middle class family, due to partition of India, which had brought very rough times on to so many people and bent us into an unconfident state of dependency. I lost my father when I was just four years old and my education was looked after my elder brother and my widowed mother whose only motto fortunately was “Self Reliance”. My elder brother could not study beyond matriculation because of our rough times and took a job in Ahmedabad so that our family could survive. It was far sightedness of my mother and my grandfather who got us, my younger brother and I into this prestigious school, which was the alma mater of the richest people of Ahmedabad, a prosperous city with about 80 booming textile mills.
I was in class 11 when we shifted to this school. I depended on my trusted bicycle or the city bus to get to school which was about 12 kms from my home. When I travelled by city bus, it was a horrendous journey. I had to change two buses on extremely warm summer days, and then walk three kms from the nearest bus stop to the school, through rough uneven fields and roads.
By the time I reached school I would be so hungry but with meagre pocket money I had to depend on my tiffin from home. Sometimes my rich friends took me to the School Canteen for a quick bite. I was part of the school Cricket team and hence had made some good friends. My experiences with the school were so, that I never felt devalued with or by wealthy school mates, as we see nowadays. The school never differentiated or tolerated discrimination between rich and poor.
I graduated from college and went on to become a police officer at the Intelligence Bureau in Ahmedabad, now in Gujarat. When I remember those days, while writing this from California, my gratitude and the credit for this post, goes to my uneducated but a visionary mother. And to my grandfather who came only once to my school, to my elder brother who could never come on Parents day or Annual Day because of his job and to my great teachers and friends. About 80% of friends in this picture have done well in life and almost 90% are alive today. This photograph has brought back such great memories, all over again.
Suresh Mandan is a financial Patron of the project.
Image and text contributed by Vaibhav Bhosle, Mumbai
At the time this photograph was taken, my mother was in her third year of her employment with the State Police of Maharashtra and was on an official trip to Agra. The purpose of this journey was to return an abducted girl, a native of Uttar Pradesh who was found and rescued by the police in Bombay (Mumbai).
After the girl was returned safely to her parents, my mother Meenakshi and a female colleague accompanied by a male senior staff had a few hours to spare before their train’s departure to Bombay. My mother wanted to visit the Agra Fort but her colleague wanted to see the Taj Mahal. Eventually she agreed to visit the Taj Mahal, where this picture was taken by a local photographer.
When my grandfather Yashwant, a farmer, suffered huge losses in his grocery business, he had no choice but to relocate to Bombay in search for a better job. My grandmother along with all the children moved to her maternal home and took up odd farm jobs to add to the sustenance. After many years of struggling, my grandfather eventually did find a job in Dalda company and could afford a princely sum of Rs 500 to buy an apartment in the suburbs of Bombay, only then he had his family to move to Bombay.
New to a big city, and with five children, my grandparents’ means were limited, so the family set up a Milk delivery service, in which all their children pitched in. My mother too enrolled herself in a Tailoring Institute in hope of finding a job ; and she also applied for Government employment. A few days later, she received a call from the employment agency informing her on an unconsidered avenue, recruitment for the Police Force.
My grandfather accompanied her to the recruitment center. But skeptical of the type of candidates he saw there, he was discouraged and asked her not to give the exam, yet my mother went ahead and also got selected for the Force. At the training camp, she was the only one with her own blanket.
An employment with the State Government was an achievement for the entire family. The nature of the job and the independence it brought with it shaped my mother’s personality. She was the first in the family to travel out of state or to even own a pair of Sunglasses.
While growing up, we would be fascinated by all the stories that she would tell us about her work. On the rare occasions that we were taken to the Police station, seated on the bench for 2 hours my sister and I would gather enough visuals and sounds to boast to our friends, including the Dal and Pao (Lentils & Bread) that was served to the inmates because it looked most delicious. For every mischief that my sister and I got into, my mother had a story equivalent to where mischief makers were eventually put in jail.
No doubt, it was a tough job for my mother. It comprised of long hours, which got longer on festivals. The night shifts sometimes begun by a knock on the door at 3 am in the morning, or the out of town trips which were conveyed hours before they begun.
This is a special photograph to me because it is the most glamorous image of my mom that I can recollect and it is as special to her as well because she thinks the same.
Image and text contributed by Umang Shah, Mumbai
This photograph was taken on the occasion of Gudi Padwa. Sitting left most is my Great Grandfather, Mr. Tulsidas K. Shah. He was born in Mangrol, Saurashtra, near Junagad district, Gujarat. He was brought up by his aunt when his parents passed away. As a teenager, he went to Bombay and started working as a peon in a cloth shop at Mangaldas market, near Princess street. He lived right above the shop. My Great grandfather was sharp & ambitious and he soon became a co-partner of the same shop. Their business was printing ‘Polka Dots‘ on cotton clothes. A style very much in demand world wide at the time. With increasing demands for textile exports during the World War II, their business boomed, they prospered and were hailed as the no. 1 in their business. We are told that his wife and children bought and wore new clothes everyday!
My grandfather tells me that his father were born with a ‘golden spoon’. However, after 2 years the downfall began. Now that the World War II had ended, they suffered huge losses in the business (It had earlier given a huge boost to the sagging textile industry of Gujarat and Maharashtra). His partners fled. But my great grandfather being an honest man, stayed on and paid all the debt by himself. But it wasn’t without problems; the strain had affected him mentally and he went back to Mangrol for some years.
In 1945, he returned to Bombay with his family and started working in the Ration shop of the Goregaon Gram Panchyat. At the time, Goregaon was not a part of Bombay, as it is now. His job was to put stamps on the Ration Cards. He was a very hardworking and principled man his whole life, adds my grandfather.