Image and Narrative points contributed by Joy Bimal Roy, Mumbai
This is an photograph of my mother Manobina Roy (left) and her identical twin sister Debalina Mazumdar (right) (nee SenRoy) taken in the c.1940 in Calcutta (now Kolkata). It is most likely that the image was photographed by my father, the acclaimed film-maker, Bimal Roy. My mother and her twin sister were born in 1919, merely 15/20 minutes apart. However, Debalina, came first, a few minutes before midnight on November 26, and my mother a few minutes after, on November 27. Hence, while they were twins they had two dates of births. At home they were fondly called Lina di and Bina di.
In mid 18th century, my maternal family, the Sen-Roys, migrated on boat up the Ganges, from Banda, Jessore district (now in Bangladesh) to the princely state of Benaras (now Varanasi). Our family is unsure why they moved to the north; perhaps the elders, like millions of others, wished to spend their last days at the pilgrimage in Benaras; nonetheless the region became their home for four generations. At the time, Benaras was under the rule of Kashi Naresh [King of Kashi (Ancient name of Beneras)] whose capital fort was situated in a beautiful city, right across the river, in Ramnagar. For generations, the royal family had been patrons of knowledge – later donating land for several educational institutions including the Benaras Hindu University.
Fortunately for our family, in addition to ensuring good education for his six sons, my maternal great-grandfather also became the tutor to the king’s son, the young prince of Benaras, Yuvraj Prabhu Narayan Singh. By the time the prince became the next king, the kingdom was absorbed into the British Empire’s United Provinces of Agra and Oudh (U.P.A.O). My grandfather, Binod Behari Sen Roy, one of the six brothers, completed his Masters degree and began teaching at the Nanak Chand Trust (later Nanak Chand Anglo Sanskrit College) in Meerut. He was fluent in Persian, Sanskrit, Urdu, English & Bengali and was deeply interested in culture, arts and photography. He even became a member of the Royal Photographic Society of Britain.
In 1913, on the behest of the king, my grandfather Binod was asked to tutor the King’s son, Yuvraj Aditya Narayan Singh, and help start Meston High School, (named after U.P.A.O’s Lieutenant-Governor, Sir James Meston), in Ramnagar. The school, now a college, has been renamed Prabhu Narayan Government Inter College, and is one of the oldest colleges of Northern India. My grandfather served as the head master of the school- he was paid a good salary and was given a large home surrounded with nature – with hundreds of trees, plants, flowering gardens, and domestic animals.
After their marriage, my grandparents had three daughters, Anusuya, the eldest, and then in 1919, Debalina and Manobina the identical twins. My grandfather was a progressive man and wished for his daughters to be well educated, however Anusuya got married at the age 13, to a science student training under C.V Raman, so my grandfather focused his attention on the twins. He would take them to attend durbars, cultural programs, encouraged them to be curious and engage with nature, music, as well as academics. Once he even once took them to see a Mujra (courtesan performance) and I am told my grandmother was seriously upset. The king’s children also became friends and every Ramlila (Ramnagar’s original and most famous event of the year) the girls were sent the royal elephant for a ride. On another occasion the king gifted them a tiger cub, that eventually had to be returned. The life they led as children, my mother would tell us, was indeed nothing short of a fairy tale. It was a very happy childhood.
On their 12th birthday, my grandfather gifted the twins a Brownie (camera) each, on the condition that they learn to process film and make prints – and built them a makeshift dark room. So began a fascinating life-long zeal with photography that both sisters engaged with for the rest of their lives. They photographed nature, landscapes, people and even each other. As young adults, they became members of the United Provinces Postal Portfolio Circle, a group created by the Photographic Society of India where members would exchange photographic prints through post that would get exhibited in a salon in another city.
In 1936, after my mother (Ma), Manobina, got married to my father, Bimal Roy, and they moved to Calcutta. She was 17 and he was 27. My father at the time was working as a photographer, soon as a cinematographer and eventually as history notes, went on to become one of the most well-known film makers of the subcontinent. My aunt, Debalina pursued a Master’s degree in Calcutta and like my mother, she too continued to practice photography. Seven years later, she too got married and had children.
The first photographs under both sisters’ names were published in a 1937 journal, Shochitro Bharat. In 1940, of the 81 photographs displayed at the Allahabad Salon (now Prayagraj), Debalina and Manobina’s photographs were of most interest. They sent competition entries and won prizes. While they engaged with photography, many a times in each other’s company, they knew that even photographing the same subject would have different results with two different point of views.
Through the course of the sisters’ lives, photography was not a professional engagement, yet it was a serious discourse. While my father was out working on films, my mother held the domestic fort, had four children, ensured we were all well cared for, and continued photographing, but mostly within the extended family – documenting our childhood, travels, events and family members. Known as the ‘lucky’ photographer, a matrimonial photograph of a girl taken by her would supposedly and immediately get marriage offers. She loved photographing people more than anything else. Nonetheless there were some opportunities that I am sure cheered her privately. While my father, I personally feel, did not encourage my mother’s craft enough, but acknowledging their serious interest, would now and then offer both the sisters information and material to read on camera, lenses, and film rolls. Debalina’s husband on the other hand was not that interested in photography, but she too found herself often composing pictures with enthusiastic members of her family-in-law.
In 1951, a series in the The Illustrated Weekly of India “Twenty-five Portraits of Rabindranath Tagore” included a portrait of him photographed by Ma at Jagannath Puri. The same year our family moved to Bombay and Ma would photograph portraits and lives of friends, family, streets of international cities, our own country’s rural and tribal lives. She even photographed portraits of Jawaharlal Nehru, Vijay Lakshmi Pandit and V. K. Krishna Menon among others. Nehru, I am told, considered it to be one of his favourite portraits.
In 1959, Ma found an opportunity to publish her work again with The Illustrated Weekly of India when she traveled to Moscow with my father, who was on a film jury for the 1st Moscow International Film Festival. She was asked to take photographs and write about her visit. After that she began writing a column for Femina on her musings about the world. She wrote well and would write often, if not for someone else, then for herself, or for us. Now when I think back everything my mother ever told us was always a wonderful story told with great relish. Her beautiful stories about her life or others, her sensitive approach to life still resonates with us. Debalina too received opportunities to publish her work in some journals including the The Illustrated Weekly of India. Many a times, the sisters would meet in different cities, and with children in tow, photographed street after street with great gusto. In London, they even photographed the suffragettes. Debalina eventually went on to serve the Photography Association of Bengal as Chairperson for three years.
The twin sisters are considered to be two of the earliest and pioneering women photographers of the Indian Subcontinent, even if neither of them became professionals. In interviews, they both individually mused that they had led very happy and exciting lives, yet in another time they could been professional photojournalists.
My mother, Manobina, continued photographing well into her late 70s until her health began to give way and she passed away in 2001 after a prolonged illness at the age of 82. At home in Mumbai, she spent the last few weeks with her sister with whom she had shared considerable time, in the womb, in life and in creative expression. Ma has left us a legacy in form of an incredible body of photographic works, as well as written literature. My aunt Debalina, who passed away ten years later in 2012 at 92, has also left behind her own legacy, an amazing body of work that now lies as an estate with the Centre for Studies in Social Sciences, Kolkata.
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Nov 27, 2018 | Categories: 1800s, 1910s, 1920s, 1930s, 1940s, 1950s, Accolades & Awards, Agra, Architecture, Bangladesh, Bengali, Bengali, Boat, Bollywood, Calcutta, Celebrations, Cinematographer, Clubs, Cotton, Cultural Attire, Director/Producer, Dressed for an Occasion, Education, Elite, English, English Medium, Femina, First of a kind, Founders, Future icons from the Past, Ganges, Glamour, Government Jobs, Hair Styles, Hand-written, Hindi, Hinduism, Hindustani Classical, Holidays, House Wife, Indian Film Industry, Indian Film Industry, Indian Music, Indian Politics, Jewellery, Landscape, Late Marriage, Letters, Literacy, Literary, London, Love & Romance, Masters, Matrimonial Portraits, Medal, Meerut, Meston High School, Migration, Most Popular, Movies, Photo Collection, Photo Studio, Photographer, Photographic Techniques, Photography, Photography, Picnic, Poet/Writer, Politician, Pre-1947 Indian Regions & States, Pre-Independence, Previous, Ramnagar, Regional Cinema, Royality, Sanskrit, Sarees, Scholar, Scientist, Shikar (Game Hunt), Siblings, Soviet Union (USSR), Studio Portraits, Teacher, The Illustated Weekly of India, Theatre, Tigers, Town Fairs, Travel, Twins, Twins, United Kingdom, United Provinces of Agra & Oudh, Urdu, Uttar Pradesh, Varanasi, Weddings, West Bengal, Widow, Women Empowerment, Zamindar | Tags: 1919, 1940s, 1951, 1959, 1st Moscow International Film Festival, 2001, 2012, Allahabad, archive, banaras, Banda, Bangladesh, Benaras, Benaras Hindu University, Bengali, Bimal Roy, Binod Behari Sen Roy, Boat, Bollywood, Bombay, British Empire, Brownie, Brownie camera, C.V. Raman, Centre for Studies in Social Sciences, Chairperson, Cinema, Courtesan, CV Raman, Dark Room, Debalina Mazumdar, Durbar, Education, English, Exhibition, Femina, Film Maker, Ganges, Gold, Identical Twins, Illustrated Weekly of India, Jagannath Temple, Jawaharlal Nehru, Jessore, Jewellery, Joy Bimal Roy, Jury, Kashi Naresh, Kolkata, Linguist, London, Manobina Roy, Matrimonial Portraits, Meerut, Meston High School, Moscow, Mujra, Mumbai, Nanak Chand Anglo Sanskrit College, Nanak Chand Trust, Persian, Photographic Society of India, Photography, Photography Association of Bengal, photojournalists, pilgrimage, Prabhu Narayan Singh, Puri, Rabindranath Tagore, Ramleela, Ramlila, Ramnagar, Royal Photographic Society of Britain, Salon, Sanskrit, SenRoys, Shochitro Bharat, Sir James Meston, Soviet Union, Suffragettes, Teacher, The Illustated Weekly of India, Tutor, twins, United Province, United Provinces of Agra and Oudh, United Provinces Postal Portfolio Circle, Urdu, USSR, V. K. Krishna Menon, Varanasi, Vijay Lakshmi Pandit | 2 Comments »
Image and Text contributed by Nupur Nanal, Pune
My maternal great grandfather, Mr. Bhaskar Gangadhar Athalye owned a dairy farm in Borivali, Bombay (now Mumbai), and lived in a rented home in Shivaji Park with his wife and eight children. The dairy farm came to an abrupt halt when his entire cattle died due to a disease. (This information is unverified but he supposedly helped draft the plan for the now well known Aarey Milk Co-operative). Around 1940, with communal tensions abound, the family travelled to Baroda, Gujarat to attend a wedding and since Baroda was relatively safe from the communal turmoil and violence, he decided to extend the stay and keep his family there and look for some work. But a job interview in Delhi didn’t go as planned because of a conflict in political beliefs.
It seems that my great grandfather decided to go on travelling and visited various parts of the country. He even wrote letters to the family regularly, for a year. No one really knows what happened after because, in what was to be the ‘last letter’, in 1943, he suddenly announced a shocking decision to the family that he was no longer going to return and that he had decided to follow a spiritual path. Signed as his sanyasi (monk) name, Swami Bhaskarananda Paramhansa, there was no further correspondence with the family. I am told, in 1953, a family friend spotted him at the mass Hindu pilgrimage, Kumbh Mela in Allahabad, UP and called out to him by his family name Raja. He discovered that my great grandfather was by now a monk of great renown. The friend informed his son who then travelled to Allahabad to meet with him but the son returned alone. My mother says she did ask her grandmother (his wife) once, “Aren’t you upset with him?”, she replied, “This is my path, That is his.”
In my quest to research my great grandfather, I discovered several things incredible things about him, that I never known before. He travelled the country promoting a new spiritual movement of inter-religious co-operation known as ‘UNISM’. Unism is a philosophy which emphasizes unity among all things and human beings, a concept found in every religion. However, Unism is patently anti-religious (not anti-religion). A follower of Unism may follow tenets of religions, but the central tenet is that Unists have absolutely no emotional ties, exclusive adherence and preference to any specific religion.
For a while, it seems he even lived in Kashmir and that he wrote a small book that I found in the Jammu Archives & Library, ‘The Kashmir Cauldron’. The book, it turns out is beholden by many as ‘one the most revered works on Kashmir’. It offers a detailed analysis of the political situation in Kashmir at the time and also sheds light on the correspondence and ties my great grandfather shared with various politicians and scholars, including Jawaharlal Nehru. I found a scanned copy for myself from the University of Wisconsin, USA and the book, if I may say so, is quite well written, and unbiased towards any religion and an overall well rounded academic analysis.
How he supported himself monetarily, I am not sure. But he had come to be quite renowned and I assume that people must have helped him with his expenses. For instance, when people from all backgrounds and classes began visiting him, at his lone hilltop shelter in Kalkaji (in Delhi) and many people including politicians volunteered to add little bits and pieces to the shelter that eventually and somehow became a Lord Shiva temple. The temple still exists and has a shrine in his honour, buried under dust and dry leaves.
For years, my mother would often mention some black & white photographs of her grandfather with monks and nuns from around the world that I hunted for but never found. I assumed that photographs were probably lost. However, I cannot explain the co-incidence of discovering them with an extended family member who found them right after I formally began researching my great grandfather. Several of the photographs are of his travels in South East Asia. But I know for a fact that he travelled to various parts of Europe, USA, and South America too. The Singapore Free Press newspaper of 1961 I have a clipping of, writes of his visit to their country, his faith and beliefs about Unism, and his upcoming plans to meet other spiritual leaders around the world including the Pope. The article also mentions that he founded a ‘World Fraternity of Monks’ and that he presided over a ‘USSR Cultural Festival’ in 1956. My great grandfather’s comment in the article above states, “ If I were to seek a career I would have been a soldier. In the real sense I wear a ‘Khaki uniform, I love discipline and I love service of mankind to the point of laying down life for a cause”. Known as Swami Bhaskarananda Paramhansa, my great grandfather passed away in 1975 due to old age.
This story of my great grandfather sounds all too extraordinary, but I have attempted to verify every aspect of it. For the last two years I have been researching him for a documentary film, and I hope that someone may recognise this radio interviewer at a radio station (it could be anywhere around the world) and if there is anyone who might know more about my great grandfather. I would be happy to learn about it all.
Mar 16, 2018 | Categories: 1940s, 1950s, Abandonment, Achievements, Arranged Marriage, Author, Beliefs & Causes, Bombay, Conversion of Faith, Cotton, Founders, Freedom Fighters, Future icons from the Past, Gujarat, Hindu Muslim, Indian Politics, Interiors, Kashmir, Landmarks, Letters, Maharashtrian, Men's Clothes, Missionaries, Monk, Newspapers, Noteworthy Journeys, Philanthropy, Philosopher, Pilgrimage, Pre-1947 Indian Regions & States, Previous, Priesthood, Religion, Research, Riots, Shiva, Singapore, Single Parent, Specialised Clothing, Writer | Tags: 1940, 1943, Aarey milk Co-operative, Allahabad, Baroda, Bhaskar Gangadhar Athalye, Communal tension, Delhi, Gujarat, Jammu, Jammu archives and library, Jawaharlal Nehru, Kalkaji, Kashmir, Kumbh Mela, Letter, Lord Shiva, Marathi, Monk, Mumbai, Nupur Nanal, Pune, Radio Station, Sanyasi, Singapore Free Press, Swami Bhaskarananda Paramhansa, Temple, The Kashmir Cauldron, UNISM, unist, University of Wisconsin, World Fraternity of Monks | Leave A Comment »
Image and Text contributed by Rekha Rao, Hyderabad
This is a photograph of my paternal grandmother Manorama Rao when she graduated and topped English Honours with the Grigg Memorial gold medal at the University level. My grandmother was born into a Saraswat Konkani Brahmin family in Madras (now Chennai) in 1917. She was the eldest of three daughters in a progressive family that encouraged education and goals. Her mother (my great grandmother) Kamala Devi Tombat was a progressive lady with immense willpower.
My great grandfather, Kamala Devi’s husband, Anand Rao Tombat had hired a British tutor to teach her English after their marriage and encouraged her to learn music. After her husband’s passing in 1944, Kamala went on to do a Visharad in Hindi (equivalent to a Bachelor’s degree), became a Hindi Pandit (Brahmin Scholar) and then a Professor of Hindi and Sanskrit at Queen Mary’s College, Madras, one of the first three colleges for women in the country. She wrote and composed devotional songs and even published a book with them, named Shri Gurugeet Bhajanmala priced at a mere Rs 1 in those days. She and her daughters regularly sang on All India Radio too.
Not only does my grandmother Manorama bear an uncanny physical resemblance to her mother, but the musical, literary talent and zest for life have been passed on as well. After schooling at CSI Ewart School and Presidency Training School, Madras, in 1937, my grandmother Manorama joined Queen Mary’s College where she topped the entire Madras Presidency in English and was awarded the Krupabai Satthianadhan Gold Medal for proficiency in the English language. She then joined the BA Honours (English Language) and Literature course at Presidency College, Madras while her sister Sushila opted for Botany. Both commuted each day by tram between home, and college, that had a beautiful and sprawling campus overlooking Marina Beach, and my grandmother tells me that she was very fond of looking out at the expansive waters of the Bay of Bengal from her classroom window. She also recounts that there were less than 10 students in English Honours, and that they had papers right from Old English (Beowulf) to Middle English (Chaucer), the Romantics to Shakespeare. She also narrates that many of her professors were educated at Oxford and Cambridge.
In 1939, VK Narasimhan from The Indian Express (later Editor-in-Chief) was looking for superior English language and writing skills. My grandmother fit the bill perfectly. Eager to put her education to use and supplement the home income, my grandmother joined the newspaper. She gathered news items, wrote literary reviews and edited articles. That same year, she was introduced to a young England-returned barrister by name Udiavar Narayana Rao. Perhaps he was drawn to her for her good looks, her outgoing and sociable nature and above all, her intellectual capabilities and following a few months of courtship, the two married on 23 May, 1940. The wedding took place as per Hindu rites at Munagala House which eventually gave way to Hotel Ashoka in 1974.
My grandfather, Udiavar Narayana Rao was born in 1910 into a well educated and accomplished Goud Saraswat Konkani Brahmin family. During his years at college, he was also a member of the University Training Corps, a precursor to the modern-day NCC (National Cadet Corps). Subsequently, he became a Bar-at-Law from London’s Middle Temple, and returned to India in 1936, where he joined as an advocate at the High Court of Madras. To this day, my grandmother talks of my grandfather with awe and deep respect for his character and achievements. He was a man of few words, and respected for his upright character in both personal and professional circles.
My grandfather died prematurely at age 54 in 1965, while still in service of the Karnataka Government. After my parents married in 1970, and my father got his first job in Hyderabad, the family moved to Hyderabad. In 1969, when my grandmother was around 52 years old, she traveled overseas for the first time to the US to see her daughter Geetha. But before landing on the shores of America, the adventurous middle-aged soul broke journey in Europe, where, for about 10 days, she visited places like Rome, Paris and London, taking in all the sights, sounds and scenes of life there. Coming from a country that is still dealing with the issue of educating the girl child, my grandmother was definitely way ahead of her time.
This month on October 8, 2017, my grandmother, Manorama became a centenarian, celebrating her 100th birthday amidst family, friends and her many admirers. She is still one of the most organized persons I know and has meticulously maintained family pictures and documents. She labels them at the back and keeps them safely in her cupboard. She also saw the potential in me to be a writer and encouraged me to be one. Today, we’re four generations living under one roof, and are happy and proud to have her as the matriarch of the family.
Oct 23, 2017 | Categories: 1800s, 1910s, 1940s, 1960s, Accolades & Awards, Achievements, Administration, Arranged Marriage, Bachelor of, Barrister, Beach, Brahmin, Chennai, Chennai, Civil Services, College, College Fests, Cotton, Courting & Proposals, Doctor, Dressed for an Occasion, Education, English, English Medium, Future icons from the Past, Goud Saraswat Brahmin, Graduation, Graduation Gowns, Hindi, Hotel, Hyderabad, Indian Express, Journalism, Law, Literacy, London, Matriarchy, Medal, Musician, NCC, Poet/Writer, Pre-Independence, Presidency College, Calcutta, Previous, Priesthood, Saraswat Konkani Brahmin, Scholar, Scholarships & Grants, Singer, State of Madras, Tamil Nadu, Teacher, Travel, United Kingdom, University Training Corps, Widow, Women, Women Empowerment | Tags: 1917, 1939, All India Radio, Book, Calcutta, Centenarian, Chennai, CSI Ewart School, Goud Saraswat Konkani Brahmin, Grigg Memorial gold medal, High Court, Hotel Ashoka, Hyderabad, Kamala Devi Tombat, Krupabai Satthianadhan, Madras, Madras Presidency, Marina Beach, Munagala House, National Cadet Corps, NCC, Presidency College, Calcutta, Presidency Training School, Professor, Queen Mary's College, Rekha Rao, Saraswat Konkani Brahmin, Shri Gurugeet Bhajanmala, The Indian Express, Udiavar Narayana Rao, University Training Corps, Visharad, VK Narasimhan | Leave A Comment »
Image and text contributed by Professor. Aloke Kumar, University of Calcutta/ IIM/ ISRO
My father, Nirmal Chandra Kumar, born in Calcutta, Bengal in 1917, and was the eldest of seven children. After graduating from school at Mitra Institute, he went on to study at Bangabasi College. My grandfather was a trader and the family had a large Departmental Store at Shyambazar Crossing and a home at 52, Mohan Bagan Lane. My father grew up to be an avid reader, hungry for knowledge and to make a living, he worked several odd jobs and tried his hand at writing, which in his own words he said he failed miserably at.
In the early 1940s, after my father got his own place in Calcutta, he met an illiterate Muslim bookseller by the name of Yakub and began helping him read and organize his books. Yakub encouraged my father to trade in books; a venture that was not going to particularly help in making a living, yet in 1945, my inspired father opened a book-shop in his house, called Kumars and began collecting rare books and documents. He combined his pursuit with a broader interest to serve the society around him. In 1950, my grandparents also arranged for my father to be married to my mother Karuna, a school teacher from Adra, (Bengal and Bihar border) and my father continued working on his collection.
Kumars, my father’s book-shop, if it could be called so, spread over several rooms in his residence, around divans and reading chairs, and looked more like a personal library in a living room. In the 1940s, rare book collections were in a dismal, class-bound rut. The famous rare book-shop Cambray was already fading, Thacker & Spink, another well known bookshop was alive, but there were hardly any rare books. With a growing collection of rarities at my father’s book shop, it soon became was a hub for book lovers and a meeting point for people from all walks of life, ranging from iconoclastic artists to conservative writers.
With books on art, travel, ornithology, botany, history, literature, mountaineering, religion and Indology as its strengths, Kumars soon became the place to go. At the shop, my father could be found wearing a white collared half sleeved shirt, and a Lungi, (stitched or unstitched cloth worn around the waist) or a Dhoti and Kurta with pump shoes. We can’t even imagine somebody wearing an attire like that and smoking a pipe or a Davidus Cigar sitting in a library surrounded by books now.
My father had several agents buying books for him at auctions and establishments abroad such as Foyles, Bernard Quaritch and Sotheby’s. One of his many enthusiastic collections included the then unheralded works of British Painters, uncle and nephew, Thomas Daniell and William Daniell. He bought an elephantine Folio of 144 Views of their works from Sotheby’s, and had it sent to Calcutta. On the way it got damaged that resulted in a bitter battle with the shipping company, MacKinnon McKenzie records of which can be found in Calcutta High Court. Much of the folio is now entrusted in care of the museum The Victoria Memorial.
When Satyajit Ray, the filmmaker, began his research on the Indian Rebellion of 1857 for his film Shatranj ki Khilari (The Chess Player), he depended on my father for information on the subject. Kumar not only provided him with all the relevant books, but also went out of his way to bid for a rare scrap book on the 1857 Mutiny, at a London Auction that contained paper clippings and notes on the event, and later he also provided him with many antique props for his sets. Ray it seems did not forget this gesture and paid my father his biggest personal tribute. He based one of his characters in his well known Feluda series on Kumar – the character Sidhujata (Sidhu Uncle), a man with vast encyclopedic knowledge on several subjects.
Kumars became the haunt of an unlikely mixture of luminaries such as – Radha Prasad Gupta, the Anglophile & PR Head of Tata Steel, writer Mulk Raj Anand. Nirmalendu Chowdhury, the folk singer, Santi.P.Chowdhury, documentary film maker, Asok Mitra, the father of Indian Census, Subho Tagore, the founder of Cubism in India, Jean Riboud, the French billionaire industrialist and writer Peter Fleming. Ella Maillart, the traveller and photographer wrote, ‘to visit Kumar’s, was like pilgrimage. You spend the whole day browsing through books, chatting with Kumar on different subjects, meeting the Calcutta intelligentsia and enjoying the Bengali hospitality with the best of food and savories….all seamlessly interwoven.’
If rare works and books of painter William Hogarth, writers Colonel Sleeman, George V Higgins, James Hamilton, the unknown Bishop Heber, Scottish writer O’Malley, African Missionary Traveler David Livingston and Sir Richard Burton were easily available in Calcutta to the literary landscape, it was in no small part due to my father, Kumar’s efforts. My father also convinced several people including Satyajit Ray to bid for rare works and if Lahari, the then Superintendent of Calcutta Zoo has been able to leave behind the rare collection of Himalayan Birds, books on Ornithology and Wild-life to the collection of The Zoological Gardens, it is again because of my father. Kumar introduced several artist works to Calcutta; mainly the Flemish artist, Francois Balthazar Solvyns, whose works constitutes the first ‘ethnographic survey’ of India or more precisely of Bengal.
As the 1960s moved into the 1970s, Kumars was a resource for international researchers, but my father was not able to cope as much of its collection had now begun to fade away. His health had deteriorated and much of it was due to a domestic crisis of two of his children becoming members of the Naxalbari Movement (Revolutionary Communist Party). With a pipe smoking habit, conversations in mono-syllables and interrogative questions, he began to resemble the eccentric film director Alfred Hitchcock. Soon he became a recluse and his once dazzling library dimmed.
For 30 years, he had presided over a vast rarest of rare collections in his own bookshop, Kumars, a pre-eminent institution. He was the first in the subcontinent to publish a catalogue of books in his collection. He even formalized the literary scene by initiating regular readings in the bookshop, an innovation at the time. By the end of the 1975, the rare book trade became thoroughly commercialized; books began to be torn for their prints and sold separately. My father did not want to be a part of this and lost out.
Nirmal Chandra Kumar died in 1976 of a cerebral stroke, aged 60 and this year, in 2017, is his centenary. He was a genuine antiquarian and possibly the greatest influence on a generation of artists, filmmaker, writers, musicians, activists, teachers and travellers – perhaps more than any art critic or editor of his time. With his death, the literary world lost an extremely generous and unselfish man who gave of his vast knowledge and delighted in the achievements of those he had influenced so profoundly.
Aug 17, 2017 | Categories: 1940s, 1950s, 1960s, 1970s, Accolades & Awards, Achievements, Antiquarian, Architecture, Arranged Marriage, Author, Bangabasi College, Beliefs & Causes, Bengali, Bihar & Orrisa - Old Bengal, Books, Business-man / Business-woman, Cerebral Stroke, Clubs, Cotton, Cultural Attire, Director/Producer, East Bengal, English, English Medium, Entrepreneur, Extra Curricular, First of a kind, Food & Drink, Future icons from the Past, Hindi, House of their dreams, Indian Clothes, Indian Film Industry, Interiors, Literacy, London, Markets, Men's Clothes, Movies, Music, Art, Dance & Culture, Naxalbari Movement, Personal Collections, Photo Collection, Photo Studio, Photographer, Photographic Techniques, Previous, Rags to Riches, Shoes, Shopkeeper, Stations & Junctions, Studio Portraits, Trader, United Kingdom, Urdu, Western Clothes | 1 Comment »
Image & Text contributed by Myra Khanna / Rachana Yadav, Gurgaon
This is the probably the only photograph we have of my maternal great grandfather Sukhsampat Rai Bhandari or as we refer to him Nana Sahib. Born in 1891, Sukhsampat Rai Bhandari was the eldest of four brothers. He was brought up in Bhanpura, a district in the Central Provinces of the subcontinent (now Madhya Pradesh, India). I never did get a chance to meet him, but stories my mother and grandmother tell me about him make me feel that would have been an honour to know him.
While there is some documentation that mentions our ancestor Rao Raghunath Singh Bhandari as the acting King of Jodhpur from 1713-1724, I am not sure how it all turned out because in our family’s current memory we had humble beginnings from a village called Jaitaran (Jodhpur District). The family then migrated to their maternal land Bhanpura where Nana Sahib was born. After his birth and as tradition was, his umbilical cord was cut and buried in the soil of our family home’s courtyard and a tree was planted. The house still stands in Bhanpura today, and in it’s courtyard so does a grand tree.
In 1904, at the age of 12, Nana Sahib was married off to 13-year-old, Roop Kavar, my great grandmother. Nana Sahib was not interested in the family business and ran away to Jodhpur to complete his education. He excelled at Marathi, Hindi and English languages and self-published his first works by translating Ralph Waldo Trine’s In tune with the Infinite in Hindi. He then went on to serve as editor to several newspapers & publications in Bombay (now Mumbai), Delhi, Patna, Ajmer and Indore. Through the course of his youth, he befriended and worked with several influential writers, poets, politicians, activists and royal families from all over the subcontinent. Deeply inspired and curious about world revolutions, cultures, literature & affairs he became a well-reputed writer and author. Two of his early books Bharat aur Angrez (India & the British) and Sansar ki krantiyan (World Revolutions) won him huge accolades and appreciation around the country.
Nanasahib was a follower of Mahatma Gandhi and a fierce congressman. My mother remembers him always wearing khadi (hand-spun cloth). In the early 1910s as an assistant editor at Sadharm Pracharak, a weekly newspaper in Delhi, his articles featured Gandhi’s civil rights movement in South Africa and his words spread far and wide. Funds to support Gandhi’s cause flowed in and the newspaper was instrumental in raising Rs. 60,000 to be sent to Gandhi. In 1920, he helped establish the Congress party in Indore, Nagpur and Jaipur. Most evenings at home would come alive with debates, discussions and heated arguments between the greatest of minds of that time.
In the 1920s, he was invited to set up and co-edit an independent Hindi Marathi Weekly Malhari Martand by the Royal family of Holkars in Indore. While serving as an editor he wrote two books on the History of Indian States commissioned by Maharaja Tukaji Rao Holkar III that won him appreciation and monetary awards from several Royal Families around the country.
One of Nana Sahib’s several great accomplishments was that he was the first to have translated and compiled two 10 volume dictionaries – English to Hindi and English to Marathi; The dictionaries went on to be used as the blueprint for other regional language dictionaries that are used until today, and was used as a reference by authors such as Rabindra Nath Tagore. The dictionaries are considered to be one of the greatest achievements in Indian Literature. After the dictionaries he embarked on researching, writing and compiling the first Hindi books on around 30 academic subjects, with contributed material from international and national scholars. These books too won huge publicity and accolades around the subcontinent and were even used as reference by UNESCO in their reports.
Indore state is where Nana sahib earned countrywide respect, but also lost his fortune. My mother tells me that Nana Sahib was an extremely honest and liberal man and his views on religion, marriage, education and relationships were very modern for his time. But his honesty and high standards also made him gullible, resulting in huge losses of wealth. Amongst the many stories I’ve heard, the one I’d wish to ask him about is the time he seems to have contradicted his own belief system.
In 1925, the Bawla Murder Case (aka The Malabar Hill murder case) created a massive stir in the country. A love triangle comprising the Maharaja Tukojirao Holkar III of Indore, his most beloved courtesan Mumtaz Begum and a wealthy businessman Abdul Kadir Bawla, ended up in a royal conspiracy to kidnap the courtesan and murder the businessman by men from the Holkar house. Everyone knew that the king had given the orders and it was a great opportunity for the British to take control of Indore state. With pressures of possible dethronement, the King sought the help of Nana Sahib whose word was held in high regard politically & publicly. Knowing well that the king was indeed guilty, Nana Sahib nonetheless mediated the king’s appeal to political parties and the public. Eventually, his word paid off and the only consequence was a voluntary abdication of the throne to the King’s son Yashwant Rao Holkar II.
One would wonder why a man, so self-righteous and honest would help a man who conspired to kill. My mother and I conjecture that perhaps Nana Sahib was obligated to the Holkar family for its patronage, and returned the favour by protecting the King. As a reward, the Holkars opened up their treasury to Nana Sahib. Overnight, my great grandfather became wealthier than he had ever imagined. Ironically, he got carried away with wrong advice and bad investments, and again overnight he was back to his humble beginnings; only now with additional debts.
While Nana Sahib was still extremely popular and respected, losing money and the debt caused him some embarrassment and he decided to leave Indore and move to Ajmer with his family – his wife and five children – two sons and three daughters. Their home was open to anyone who wanted to learn and study and he would spend a lot of time educating children from the neighborhood. His youngest daughter, Mannu Bhandari (my maternal grandmother) went on to become one of the greatest Hindi authors of our times and his other daughter Sushila Bhandari established India’s first preschool “Bal Nilaya” in the country, in Lake Gardens, Calcutta (now Kolkata).
My Nana Sahib, Sukhsampat Rai Bhandari died of throat cancer at the age of 72 and spare a few copies scattered within the family, and in some libraries around the world, all of his literary works are either lost or were donated and bought by several publications. I am told he had a huge trunk in which he kept all of his works-in-progress and insisted on carrying it with him everywhere, including in his last days to the hospital. It seems that his last works-in-progress was translating the volumes of Encyclopedia Britannica into Hindi.
Aug 17, 2016 | Categories: 1910s, 1920s, 1950s, Abduction, Activist, Agriculture & Farming, Ajmer, Apartheid, Assassinations & Attempts, Author, Bhanpura, Bombay, Books, Business-man / Business-woman, Calcutta, Cancer, Civil Rights Movement, Committees & Senates, Crime and Illegal, Delhi, Division of States, English, English Medium, First of a kind, Founders, Freedom Fighters, Future icons from the Past, Gandhian, Hindi, Indian Politics, Indore, Investments, Jaipur, Jodhpur, Journalism, Khadi, Literacy, Literary, Love & Romance, Maharaja of Holkar, Marathi, Men, Migration, Murder, Nagpur, Newspapers, Philosopher, Poet, Poet/Writer, Politician, Pre-1947 Indian Regions & States, Pre-Independence, Previous, Publications, Rags to Riches, Rajasthani, Research, Rituals & Ceremonies, Royality, Scholar, Self Published, South Africa, Travel, World War I, Writer, Yadav | Tags: 1891, 1910s, 1920s, 1925, Abdul Kadir Bawla, Bal Nilaya, Bawla, Bhanpura, Case, Central Province, Civil Rights, Congress Party, Conspiracy, Courtesan, Dictionary, Encyclopedia Britannica, Holkar, In tune with the Infinite, Kidnap, Madhya Pradesh, Maharaja Tukaji Rao Holkar III, Mahatma Gandhi, Malhari Martand, Mannu Bhandari, Mumtaz Begum, murder, Myra Khanna, Newspaper, Patliputra, Preschool, Rabindra Nath Tagore, Rachana Yadav, Ralph Waldo Trine, Rao Raghunath Singh Bhandari, Royalty, Sadharm Pracharak, Shri Venkateshwara Samachar, South Africa, Sukhsampat Rai Bhandari, Translation, UNESCO, Yashwant Rao Holkar II | Leave A Comment »
Image and text contributed by Samant Sahu, Mumbai
This picture was taken at the Meena Bazaar Photo studio in Kesinga (Orissa) and it has my grandparents Jagajiban and Kanak Sahu with their fourth son Shwetabahan.
My grandfather Jagajiban was from Bagad Kesinga, Kalahandi district in Orissa (now Odisha) and was the eldest in the Sahu family followed by four younger sisters and a brother. Even as a 10th standard high school dropout he somehow managed to get a job as a government teacher and taught mathematics and science to primary school students. He got married at the age of 20 to my grandmother, Kanak. As a young boy, Jagajiban was interested in serving society and was a renowned name in his village Bagad for his contributions towards the development of his fellow villagers.
In 1967, he happened to meet with an Ayurveda physician in the near-by forest. The physician was looking for a herb to prepare a medicine and after few minutes of interaction, Jagajiban discovered that he had written Rasayana Kalpadruma, an ayurvedic book that proposed the ultimate solution for youthfulness. Jagajiban returned home impressed and influenced by the science of Ayurveda. So much so that in 1968 he convinced his wife that he must leave with the physician to Berhempur to learn the art and science of Ayurveda practices. Over time he garnered an in-depth knowledge about Ayurveda and herbs that could cure some of the most dangerous and infectious diseases. In 1971, he returned to his village and began practicing in his village, offering ayurvedic treatments for free. He was famous for treating people with snake & scorpion bites and was believed to cure people just by chanting mantras.
One of the foremost contributions to the country by Jagajiban was when India was in the midst of the Sino-Indian war in 1962. The papers were abound with news that the government of India had spent much of its money on war and was in deep crisis. Jagajiban decided to do something about it and marched across Kalahandi district to create awareness among the villagers. He asked for their help to save the country resulting in contributions in gold and money from farmers and villagers. He also donated much of his own personal wealth. When the government chose to honour his contributions, he denied it – saying that it was only his duty.
The people of Bagad have now established a botanical garden named the Tengra Garden that is used for research in Ayurveda and is managed by Jagajiban’s son, my father. My grandfather Jagajiban Sahu passed away on February 4, 2016.
Jul 25, 2016 | Categories: 1960s, 1962 Sino Indian War, 1970s, Arranged Marriage, Arrivals & Departures, Beliefs & Causes, Cultural Attire, Dressed for an Occasion, Education, First of a kind, Hair Styles, Health, India, Indian Clothes, Jewellery, Newspapers, Orissa, Photo Studio, Physician, Previous, Prints & Stitches, Props, Studio Backdrops, Studio Portraits, Teacher, Textiles, Town Fairs, Voluntary Service | Tags: 1962, 1967, 1976, Ayurveda, Backdrop, Bagad Kesinga, Cure, Family, Hair Style, Indo-Chinese War, Jagajiban Sahu, Jewellery, Kalahandi, Meena Bazaar Photo studio, Mumbai, Odisha, Orissa, Photo Studio, physician, Rasayana Kalpadruma, Sino-India war, Taj Mahal, Tengra Garden, Textiles, Traditional Attire, Treatment, Youth | 1 Comment »
Image and Text contributed by Raju Kosraju, India
My father Dr. Reddiah Kosaraju was a Scientist with a PhD degree in Marine Biology from University of Liverpool (1950s). He was a happy go lucky man, a wonderful person to know, and was generous to the core. Over the years, he helped quite a number of Indian students with no monetary support, by sponsoring their education. He was a good swimmer as well as an outstanding chess player and won the Open All England Chess Championship in 1958.
After a MSc degree from Agra University (standing second) in 1955 with ‘Fish and Fisheries’ as a special subject, he became a Research Assistant in SERI in Dehradun, and then worked as a lecturer in Zoology in Andhra Christian College, Guntur. Thereafter he went to study in Liverpool, England on his own, and completed a PhD degree in record time of only a year and half. He discovered new breeding grounds of edible bivalves (marine mollusks) in U.K and his works on ‘Parasitic copepods of Bivalves’ were featured in several reputed foreign journals. He then returned to India and joined as Pool Officer in Annamalai University.
In 1960, after a posting as a Zoologist in Shillong, he was transferred to Southern Regional Station, ZSI (Zoological Survery of India), Madras (now Chennai), as officer-in-charge. During this tenure, he added several specimens of birds and mammals, and laid the foundation for a scientific museum at the Station. In view of his expertise on corals and coral reefs of India, he also fulfilled a special task of locating corals of medicinal importance around the Andaman & Nicobar Islands, in 1977. In the Andamans, he spent considerable time with the local aboriginal tribes, the Onges.
The Onges were semi-nomadic and were dependent on hunting and gathering for food. Till 1998, the nomadic hunter-gatherers hardly had any contact with the outside world. My father first became friends with the Ongee tribal chief of Little Andaman Islands by exchanging his cigarettes and tin food, for coconut water. But there was also danger around.
A grounded freight ship from Hong Kong on the North Sentinel Island reef had reported small black naked men carrying spears and arrows, and building boats on the beach. They were suspected to be cannibals from Neatorama, the Forbidden Island. No one knows what language they spoke or what they called themselves – they had never allowed anyone to get close enough to find out. The outside world calls them the “Sentineli” or the “Sentinelese” after the island.
Apparently, once when a National Geographic film crew lingered too long in 1975, a Sentinelese warrior shot the director in the thigh with a bow and arrow, and then stood there on the beach laughing at his accomplishment. My father lived amidst dangerous situations but did not make excuses and never raised objections, he ended up doing a brilliant job
Time went on and so did several other postings and promotions, and soon it became clear that my father was overworked. He passed away suddenly on January 30, 1988. Even as an authority on corals and coral reef development, much of his expertise, discoveries and observations on Corals remained untapped and died along with him. At my age, my father had already lived in three countries, travelled the world, and had innumerable adventures – without a guidebook. My dream in life is to make my father proud of the man I become.
Feb 12, 2016 | Categories: 1950s, 1970s, Adventure, Agra College, Andhra Christian College, Andhra Pradesh, Animals & Birds, Annamalai University, Beach, Champion, Chess, Coconut Water, Degrees, Exteriors, Fish, Future icons from the Past, Liverpool, London, Men, Ph.d., Photo Collection, Previous, Publications, Scientist, Tribal, Union Territory of Andaman & Nicobar, United Kingdom, University of Liverpool | Tags: 1950s, 1970s, 1977, Agra, Agra College, Agra University, Andhra Christian College, Annamalai University, Biologist, Birds, Bivalvia, Champion, Chess, Coral, Coral Reefs, Film Crew, Fish, Fisheries, Freight, Guntur, Hyderabad, Little Andaman, Liverpool, Mammals, Marine, Marine Biology, Medicine, Mollusk, National Geographic, Neatorama, Ongee, Onges, Science, Scientist, Sentinelese, Sentineli, Ship, the Forbidden Island, Tribes, Union Territory of Andaman & Nicobar, University of Liverpool, Zoologist, Zoology | Leave A Comment »
Image & Text contributed by Rohit Kulkarni, Pune
This is a photograph of my grandmother, Jaya Phatak. It was taken at a film studio in London in 1972.
My grandmother was born in the Phatak family in Pune, Maharashtra in 1926. Her father Duttatre Phatak worked with the British Indian Railways, and was also the manager of a record label ‘Orion‘ that no longer exists. I am told he was instrumental in the first ever recording of Ustad Abdul Karim Khan, a well-known Hindustani Classical Singer and appointed musician to two royal courts in Baroda, and Mysore. Duttatre died when my grandmother was very young and over time her life turned out to be very different for many of the women of her era. She was very interested in sports and also represented the State at the Kabaddi Nationals in 1964.
She was very young in 1942, when she became involved in India’s Independence movement in Pune. She was jailed along with other 6-7 of her mates and sent to Yerwada Jail for disrupting and distributing Anti-British leaflets at a British military gathering at Nowrosjee Wadia College grounds. At the jail, she discovered many more imprisoned freedom fighters across castes and classes. They were detained and went through a one-month trial, and offered either Bail or an arrest for a month in jail. The family didn’t have much money so there was no bail forthcoming. Despite an arrest for only a month, my grandmother says that they were still not released and instead were kept for another 11 months, because British law stated that it did not need to justify or give reasons to detain anyone. She notes that in prison, despite the fact that everyone was fighting for the same cause, a section of the higher caste would not share their meals with other castes. There was unsaid segregation along caste lines and at that time, castle lines were not questioned very much.
My grandmother was married twice. After divorcing her first husband which was unheard of at the time, she met and married my grandfather Vishwanath Modak, a journalist, who ran a daily political /social commentary column in the Marathi newspaper Prabhat and they fell in love. My grandfather used to call my grandmother “the man amongst the women”. She was fiery, opinionated and an atheist. My mother is the only child they had and jokes that her birth was an experiment that was never to repeated again.
My grandmother Jaya found a good job at the Department of Education and was sent to England in 1972, to study and receive a Diploma in Production for Films – for education specifically. This picture is from that time when she was studying there. She also established a charitable trust called Kishor Mitra (“friend of the young”) where she produced short films on simple science – for instance how a Thermos or bread is made and helped publish Marathi books for making learning fun. Inspired by Sesame Street, the well known American Television series for children, she developed and produced puppet shows that were made into educational films. It was her first and last job until retirement. My grandmother Jaya continues to be a trustee of Kishor Mitra and lives in Pune with her granddaughter.
Aug 24, 2015 | Categories: 1940s, 1970s, Accolades & Awards, Brahmin, Caste, Caste System, Cotton, Degrees, Director/Producer, Divorce, Freedom Fighters, Government Jobs, Imprisonment, Indian Film Industry, Journalism, Kabbadi, London, Love & Romance, Maharashtrian, Marathi, Military, Newspapers, Personal Collections, Prabhat, Previous, Pune, Sarees, Single Parent, United Kingdom, Women, Women Empowerment | Tags: 1970s, 1972, Atheism, Books, British Indian Railways, Caste System, Department of Education, Divorce, Duttatre Phatak, Film Making, Film Production, freedom fighter, Hindustani Classical, Jaya Phatak, Journalist, Kabaddi, Kishor Mitra, London, Love, Love Marriage, Marriage, Nowrosjee Wadia College, Orion, Prabhat, Publishing, Pune, Rohit Kulkarni, Royal Court, Sports, Ustad Abdul Karim Khan, Vishwanath Modak, Yerwada Jail | 1 Comment »
Image and Text contributed by Jaya Bachchan, Mumbai
This photograph of my parents Taroon Coomar Bhaduri and Indira Bhaduri is by far one of my most favourite images of all, and while I have asked myself the reason so very many times, I am still not sure why. I had looked at and thought about it so often, that a few years ago my mother simply gave it to me as a gift.
I think this photograph was taken right after their marriage. My mother whom I call Ma was 14 and my father, Baba was 20. One of the most striking parts of this photograph is Ma’s black Georgette saree. I have wondered about that too. Georgette & Chiffons were expensive materials, meant only for the rich. We came from a middle-class income family, and affording Georgette would have been out of the question. But I think Baba had a role to play in that; he was very broad- minded and seemed to have kept in touch with the latest elegant fashions of the time. It must have made him very happy seeing a visionary image of himself and his family, even if the opportunities were far and few.
I also remember another story within the family- when he went to Calcutta (now Kolkata) to buy his sister’s wedding trousseau and insisted that his sister get married in a beautiful white saree. The family was aghast. Hindu women never got married in white, but red. The outcry against tradition was met with no avail, and it was to be his will or nothing. The family later complied and my aunt did get married in a beautiful white Banarsi Saree.
Baba’s family came from Krishnanagar, West Bengal and Ma’s from Danapur, Bihar. I always found it fascinating that he would spell his middle name ‘Kumar’ as ‘Coomar’; perhaps he was armed with the knowledge that he set himself apart with that spelling, which was unheard of and a rather individualistic attitude for the time. Baba’s jobs and associations had us move quite a few times within North India – to Jabalpur, Nagpur, and later Bhopal. In Nagpur, he became Chief Reporter of the Nagpur Times and remained in that position for several years. He eventually received a great offer from The Statesman and relocated as its correspondent to Bhopal in the mid-1960s.
The 60s were also the time when Dacoits (bandits) were a menace in Chambal (confluence of three states Uttar Pradesh, Madhya Pradesh and Rajasthan) and one of the biggest urban legends of India. As a fiery and resourceful correspondent, Baba’s influence and mannerisms won the confidence of all dacoits in Chambal, with whom he lived for some time documenting their lives and deeds. In the late 60s, he authored a Bengali travelogue/semi-fictional novel based on his experiences titled “Abhishapath Chambal,” (also titled Abar Abhishapta Chambal) which was later translated into English as “Chambal: the Valley of Terror”. The Book and Baba were both an overnight success.
We are three sisters, Rita, Neeta and I, Jaya. I am the eldest. Baba was our best friend; our confidante, our mentor and he understood us very well. He was deeply interested in educating & empowering all his daughters and encouraged all three of us to make our lives more worthwhile, interesting and different from others. He wrote several books, he was a phenomenal journalist & writer and in time his intellect and visionary opinions won him great respect, many friends, and acquaintances in esteemed intellectual and political circles.
Baba’s quest to create great work, his individualistic and unique attitude most certainly had an impact on my own personality. When I was around 13, I remember my sisters and I returned home after watching a popular, run-of-the-mill formula based film and told him about it. He got extremely upset and snapped, “Why do you watch such trash?!”. That remark left an impression on me, and later perhaps even led me to make informed choices in the films I worked on as a female actor.
Around the same time as his remark, Satyajit Ray, the well-known filmmaker was looking for a supporting lead in his film Mahanagar, and offered the role to me. I was only a teenager and unsure whether acting was what I really wanted to do. The recent Sino-India war (Indo-China) of 1962 had changed the landscape of our country yet again and life felt a bit unsettled. Baba’s response to my reluctance was, “This opportunity might never come again.” After some consideration, I decided to try for the part and got it. Baba was very proud of me. When I was due for further education, he agreed to let me study at the Film & Television Institute of India (FTII) in Pune and the rest as most know is history.
When Baba passed away in 1996, I lost my best friend, and a big part of myself. Needless to say, I am proud to be the daughter of an incredible man who left an impactful legacy to the field of journalism, penmanship and his family. He made me who I am. He was and still is, by all means, my hero.
Apr 23, 2015 | Categories: 1940s, 1960s, 1962 Sino Indian War, Accolades & Awards, Acting, Actor, Author, Bengali, Bollywood, Bombay, Books, Calcutta, Chambal, Chiffon, Education, English Medium, Fashion & Trends, First of a kind, Future icons from the Past, Georgette, Hair Styles, Hindu, Indian Clothes, Indian Film Industry, Journalism, Literacy, Movie Theatre, Nagpur, Nagpur Times, Photo Collection, Photo Studio, Pre-Independence, Previous, Regional Cinema, Relocation, Sarees, Studio Portraits, The Statesman, Wedding Trousseau, Weddings, West Bengal, Western Clothes, Women Empowerment, Writer | Tags: 1940s, 1960s, Abhishapath Chambal, Abhishapta Chambal, Author, Banarsi, Bandits, Bhopal, Bihar, Book, Calcutta, Chief Reporter, Chiffons, Couple, Dacoits, Danapur, Film & Television Institute of India, FTII, Georgette, Indira Bhaduri, Indo-China war, Jabalpur, Jaya Bachchan, Journalist, Kolkata, Krishnanagar, Mahanagar, nagpur, Nagpur Times, Portrait, Saree, Sari, Satyajit Ray, Sino-India war, Sisters, Taroon Coomar, The Statesman, Theatre, Wedding Trousseau, West Bengal, western Clothes, Women Empowerment | 5 Comments »
Image and Text contributed by Sudhir Gurtoo, Pune
My father Prof. Dukhharan Nath Gurtoo was born in 1917 and came from a Kashmiri Pandit Family. They lived in Jodhpur, Rajasthan. His father was an Economist and always encouraged everyone in the family to study more. After completing his own education my father began to teach at the University of Lucknow in the late 1930s. He then studied at the London School of Economics (LSE) in 1945 had a chance to witness the World War while studying in Europe. A few years later, in 1952, he was awarded the Fulbright Scholarship to study at the The University of Princeton, New Jersey as a Research scholar.
His certificate from LSE, in my possession, has no Seal on it because it was issued at the time when World War II had broken out and some formalities were left for later. The footnote on the Certificate reads “If this certificate is returned to the University after the War it will be replaced by a Certificate under the Seal of the University”. I wonder if I do try now, will they honor it?
At LSE, my father, whom we called Dad, completed his Bachelor of Science (Economics) at the London School and was advised by his mentors to try for PhD at the very prestigious Princeton University in USA. He got through and began to pursue his Phd in International Trade. Princeton was a very exciting place at the time, and several great scholars and scientists of the time like Albert Einstein, lived as scholars and researchers on campus.
My Dad from a very young age, was very particular about healthy habits and was very fond of walking. He believed that an early morning walk is a blessing for the whole day and the easiest way to ensure a healthy mind in an able body. Another person who believed that same was Albert Einstein. Einstein’s daily routine began with a leisurely walk from his house, at 115 Mercer Street, to his office at the institute and Dad would now-and-then bump into him early in the morning while walking the beautiful Princeton campus. He remembered that over short conversations they shared a robust sense of wit and humour. This image was probably photographed by one of Dad’s colleagues who would also be on his walks. Dad used to say that this was perhaps one of the last photographs where Albert Einstein was seen smiling and healthy because he passed away in April of 1955, a few months after this photograph was taken.
My father had taken a tough call to go to USA for pursuing further Studies. He was married now and had to convince my mother Kiran on how keen he was to receive a Phd from The Princeton University and so my mother agreed to stay back with her in-laws in India. Dad would regularly write letters to her. Since communication at the time was mainly letters sent through US Mail, they would arrive only a few weeks later. My mother would reply back and await his next response. Besides the letter content, she says, she “would look forward to the beautiful stamps pasted on the cover”, and would lovingly collect all of them.
My father got the opportunity to interact and study under several well known scholars during his studies. In London his mentor was the well known economist Harold Laski and at Princeton it was Jacob Viner, one of the most inspiring economists of the time in USA. I still possess a letter written on 27 August 1952 by his Professor and mentor Jacob Viner. According to Dad he was considered to be a tough man and prospective students were terrified to be under him. In the letter, Prof. Viner had made an exception, as a special case, to let father join his courses a little later than scheduled, as the journey on the Ship meandering its way from India would take around 4-6 weeks to reach.
After completing his research and now a Phd Doctor, my father returned to India and joined the American embassy in New Delhi. But he didn’t take to work very well and decided to return to the noble profession of Teaching. He was offered a role in the formation of Birla Arts college (now BITS Pilani) and set up the Social Sciences and Studies wing.
Interestingly, while studying at XLRI, Jamshedpur in 1986, I chanced upon a book in the Library – India’s Balance of Payments, 1920-1960 and was pleasantly surprised to see the Authors name- “Professor D N Gurtoo”. I had no idea that my father had written a book that I learnt later, was considered an important reference for Economists, even today. The book, I found out still sells at a price of $17 at Amazon. I am not sure what happened to the Royalties of the book because I don’t think my father or I ever heard from its Publisher S. Chand on the matter.
Aug 04, 2014 | Categories: 1940s, Arranged Marriage, Bachelor of, Books, Brahmin, Certificates, Civil Services, College, Delhi, Founders, Future icons from the Past, Graduation, India, Kashmiri Pandits, Letter Writing, Letters, Literary, London, London School of Economics, Lucknow, Nobel Laureate, Noteworthy Journeys, Ph.d., Previous, Princeton University, Publications, Rajasthan, Research, Scientist, Ship, Teacher, United Kingdom, United States of America, University of Lucknow, Western Clothes, Western Clothes, World War II | Tags: 1920-1960, American embassy, Bachelor of Science, Birla Arts college, BITS Pilani, Economics, economist, Fulbright Scholarship, Harold Laski, India’s Balance of Payments, Jacob Viner, Jamshedpur, Jodhpur, Kashmiri Pandit, London School of Economics, LSE, Princeton University, Prof. Dukhharan Nath Gurtoo, Rajasthan, Social sciences, Sudhir Gurtoo, University of Lucknow, World War II, XLRI | 2 Comments »
Image contributed by Rukmini Varma, Text by Manu Pillai
In a time when the Indian Subcontinent was still a land of splendid Maharajahs and fabulous courts, Rukmini Varma was born in 1940 into one of its most early royal houses, with an unbroken dynastic lineage of over 1200 years.
Titled Her Highness Bharani Tirunal Rukmini Bayi Tampuran, Fourth Princess of Travancore, her early life was an idyllic fairytale, with all the enchanting auras and ceremonies surrounding a royal princess. Her grandmother, the Maharani Setu Lakshmi Bayi (1895-1985) was the revered matriarch of the house, who had ruled the State of Travancore and its five million people with much distinction in the 1920s. The entire family lived in her hallowed shadows. Rukmini was her eldest and favourite grandchild, and in a dynasty that traced its bloodline through female gene, her birth was of significant importance for matters of succession to the Gaddi (Throne) of Travancore.
Growing up in Satelmond Palace in Trivandrum, art came naturally to Rukmini. Her great grandfather, Raja Ravi Varma, was a master and celebrated painter, known as the Father of Modern Art in India. Some of his most fabulous works adorned the palace walls of Rukmini’s home. Her grandmother, the Maharani, was a patron of many local artists whose works ranging from portraits & landscapes to murals & dramatic scenes from the great epics, were a constant inspiration. But what impressed Rukmini’s attention the most were the hardbound, tastefully produced annual catalogues of all the major art galleries across Europe that her grandmother had collected. The works of great baroque masters like Rembrandt, Rubens, and Caravaggio fascinated her, and as a child she began to experiment with colour.
Observing her growing interest in art, Rukmini’s uncle gifted her with her first full set of brushes and paints on her sixth birthday, ordered specially from Bombay. Her grandmother too, noticing her general inclination towards the arts, appointed dance and music instructors, and in the years to come Rukmini would master forms such as the Bharatanatyam, Mohiniattam, Kathak, and more. With an appreciation of India’s cultural heritage as well as an interest in history, mythology, religion, architecture, she would reveal herself in her works in the years to come.
By the eve of India’s independence from the British Empire in 1947, things began to change in the royal household. Rukmini’s parents began to spend much of their time away from the palace, in the hill resorts of Kotagiri, Coonoor, and Kodaikanal. They also chose to enroll their children in public schools instead of having a train of tutors following them around. The slow lifestyle of the palace was replaced by an instilled regular routine focused on academic achievements instead of art. In 1949, the State of Travancore vanished from the map forever when it was merged with Independent India, and the royal family retired from active public life. The liveried servants, royal guards, and all the ritualistic ceremonies of palace life slowly faded away. Rukmini’s parents and her grandmother, the Maharani, moved to Bangalore. Satelmond Palace and the old world it represented became a mere memory.
For the next two decades painting took a backseat for Rukmini as school and college became more of a priority, followed by a marriage and children- all by the time she was 21 years old. But Rukmini kept her artistic interests alive, and recalls how she would try to recreate scenes from Greek mythology, painting Venus, Aphrodite, Paris, and other characters. Her classmates and friends were quick to ask for these pictures, encouraging her to paint more. Rukmini also excelled in science and despite her father insisting she focus on academics, her grandmother, the Maharani, advised her regularly, to aim towards perfection in her paintings. The encouragement helped- Rukmini chose art and not science.
By the 1960s Rukmini successfully dabbled in a variety of artistic spheres, a time she considers her ‘most creative phase.’ Around the same time Rukmini had also become an excellent dancer. Training under the renowned U.S. Krishna Rao, Chandrabhaga Devi and Uma Rama Rao, she gave several exclusive performances, including for charities. Film directors like Raj Kapoor began to approach her for acting roles, as did people with modelling offers, on account of her exceptional good looks. A then-prominent magazine, Mysindia, for instance, referred to her in 1968 as ‘an Ajanta painting come to life’. Magazine covers, including Femina and The Illustated Weekly of India, began to feature her regularly and she became the toast of Bangalore society.
In 1965 she started her own dance school in Bangalore in the halls of Travancore House, her family home on Richmond Road, which became an instant success. Still the orthodox social pressures and judgement on a ‘princess from a royal family dancing’, resulted in a premature termination of this phase of her career and to the greatest regret of her gurus. The Maharani, for whom Rukmini often performed in private, helped her move on by suggesting an alternative – Painting.
Rukmini returned to painting, an arena where it was felt society judgments were less pressing. Fortunately, soon enough she began to enjoy it actively and took it up with a renewed vigour. By 1970 she had completed her first series of oil paintings, which were exhibited in Bangalore to positive reviews. Her second exhibition in 1973 was opened by Governor Mohanlal Sukhadia of Karnataka State. 34 of the 39 paintings displayed were sold in a matter of days. Her third series in 1974 was inaugurated by the then President of India, V.V. Giri, at the Lalit Kala Academy in Delhi. Rukmini’s art began to bring her serious recognition in India’s art circles (including from Svetoslav Roerich, with whom Rukmini later sat on the Advisory Board of the Chitrakala Parishad in Karnataka).
In 1976, upon the invitation of BK Nehru and Natwar Singh, Rukmini embarked on her first major international exhibition at India House in London, which was opened by Lord Mountbatten, the last Viceroy of India. Impressed by her skill and ability he asked her if she would paint a portrait of him in traditional Indian attire, wearing a turban and an achkan. They also became friends briefly, with Mountbatten inviting her to fox hunting and picnicking with him on his country estate. The commission of the portrait, however, could not be completed owing to Lord Mountbatten’s tragic assassination in 1979, just before he was due to visit India with Prince Charles and provide Rukmini with three promised sittings.
Subsequent exhibitions followed in Bonn, Cologne, and Neuenahr in Germany, along with invitations from Paris, Zurich, Madrid, and Rome. Queries for her work began to come in from collectors in Europe, America, Singapore, and the Middle East. In 1981 she had another highly successful exhibition in Bombay at the Jehangir Art Gallery and at The Taj Art Gallery winning her the appreciation of M.F. Hussain. The exhibition was a sensation and caused a ‘stampede’ because it included her ‘Flesh and Gems’ series, which had voluptuous female nudes in mythological settings, not meant to trigger ‘erotic fantasies’ but a celebration of the human, particularly female, form and experience.
Throughout her career Rukmini was always compared with her renowned ancestor, Raja Ravi Varma, but, while she followed his concepts of depicting scenes from the epics, there was a substantial difference: Ravi Varma’s women were always luxuriously draped. Rukmini, on the other hand, had no qualms about painting them nude. It was a courageous move for the times and drew in a lot of criticism too from people like Swami Chinmayananda, who commented that Rukmini ought not to have painted nudes based on the epics, which had some religious value and could give offence.
Despite objections, including from within family circles, through the 1980s, Rukmini experimented with nudes. Disillusioned by this prudish conservatism in art, years later she said: ‘I got fed up with all these restrictions. You couldn’t express yourself in the way you wanted. I am certain even Ravi Varma wanted to paint flesh as flesh is, without restrictions…’ Rukmini was going through a phase of rebellion. Interestingly, this corresponded with the time when her commercial success was at its peak, and artists and collectors alike would regularly show up to meet her at Travancore House. Her ‘Pratiksha’ series which included many nudes, was quietly sold into private collections in India and abroad, and was not exhibited anywhere so as not to provoke orthodoxy.
Tragedy struck in 1988 her youngest son, Ranjit, died in an accident at the age of 20. Rukmini, devastated by the event for the next several years did not pick up the brush. She moved out of her grand old house into a private flat to escape attention from the stream of visitors and the media. A separation from her husband too followed. In the mid-90s Rukmini picked up the brush to paint with a portrait of Ranjit (one of the few portraits she has done). Another one followed but she was unable to complete either of them. To the genuine satisfaction of her collectors and well-wishers, however, she slowly began to do other paintings as well. Her lifestyle remained reclusive, though, and she turned down all invitations to exhibit her latest works and did not receive visitors.
Over the last eighteen years until now, Rukmini has been painting in Bangalore, with a dedicated group of private collectors following the progress of her work. She continues to avoid visitors for most part along with requests from the press, even as her work, although much reduced in volume, remains singular in style and excellence. And even today, at the age of 73, she remains a singularly beautiful woman, with such a remarkable past, with so many stories and anecdotes from around the world, that perhaps one needs to dedicate an entire book to recording her life.
Aug 22, 2013 | Categories: 1800s, 1960s, 1970s, Accolades & Awards, Achievements, Artist, Bangalore, Beauty Icons, British Reign, Charity, Classical, Concerts, Dressed for an Occasion, Economic Status, Elite, English Medium, First of a kind, Future icons from the Past, India, Indian Dance, Indian Music, Kannur, Karnataka, Kerala, London, Matriarchy, Mourning, Music, Art, Dance & Culture, Palace, Personal Collections, Pre-1947 Indian Regions & States, Previous, Psychological & Emotional Trauma, Richmond Town, Royality, Sarees, Shikar (Game Hunt), Silk, The Illustated Weekly of India, United Kingdom, Women Empowerment, Women's Clothes | Tags: 1947, 1970s, assassination, Bharatanatyam, BK Nehru, Chandrabhaga Devi, Chitrakala Parishad, Coonoor, Father of Modern Art, female nudes, Flesh and Gems, fox hunting, Governor Mohanlal Sukhadia, Greek mythology, Independence, India House, Jehangir Art Gallery, Kathak, Kodaikanal, Kotagiri, Lalit Kala Academy, London, Lord Mountbatten, M.F. Hussain, Maharani Setu Lakshmi Bayi, Manu Pillai, Matriarchy, Mohiniattam, Mysindia, Natwar Singh, Painter, Pratiksha, President of India, Princess, private collectors, Raj Kapoor, Raja Ravi Varma, Rukmini Varma, Satelmond Palace, Swami Chinmayananda, The Illustated Weekly of India, The Taj Art Gallery, Travancore, Trivandrum, U.S. Krishna Rao, UK, Uma Rama Rao, V.V Giri | 1 Comment »
Image and Text contributed by Sir Mohinder Dhillon, Kenya
The following text is a summarised and edited version of excerpts from an unpublished Autobiography of the contributor.
Looking back over the 80 years, I wonder how, as a simple village boy from Punjab who never even finished school, did I end up in Africa, dodging bullets to make a living from shooting hundreds of kilometres of film in some of the world’s most dangerous regions.
I come from the proud martial family of the Sikhs. I do not know the exact date of my birth, although my passport says 25 October 1931, Baburpur, Punjab. At the time, births were not registered, and parents habitually exaggerated the ages of their children in order to get them into school early and so have their own hands free during the day. Baburpur, formerly called Retla (the place of sand), was renamed after Mughal Emperor Babur who had reportedly camped near our village for a few weeks.
My father, Tek Singh-
My father, Tek Singh, was the first person in our village to get an education. He was an adventurous man, and in 1918 at the age of 17, he responded with enthusiasm to the recruiting posters for workers on the Uganda Railway in British East Africa. Believing that there was safety in numbers, he was joined by friends and former classmates from nearby villages and the determined young men collectively took up the challenge of seeking a better life abroad.
This grandiose project of Uganda Railways would change the lives of the tens of thousands of Indians who left home for a new life in an unknown land, most of them never to return. The so-called Lunatic Line laid between 1896 and 1901 from Mombasa into the interior of then-British East Africa to Lake Victoria and subsequently extended into what is now Uganda, opened up the East African hinterland to the outside world. The founding of towns, and their later development into cities, would go on to transform the economies of the region.
When Tek Singh announced his decision to go to East Africa, it upset my grandparents immensely. Their only son was going to ‘darkest Africa’, the prevalent view of Africa at the time (still the perception of many people today). The money for my father’s first train ticket to Bombay, and for the dhow that would carry him from there to Mombasa, was borrowed from a moneylender in the village at a steep interest rate.
For the young Tek Singh leaving the village was more than just an adventure. A great deal rested on how he would fare in distant East Africa. Back at home in India, his family would be depending on him for remittances. He also had young wife to think of. His marriage had taken place six years earlier, when Tek was just 11, and his betrothed, Kartar Kaur, was nine years old.
The railway journey from Babarpur to Bombay took two days and one night. And then it took another two days to find the Uganda Railway’s recruiting agent. His shopping list for the journey – then the cheapest way of crossing the Indian Ocean – included a charcoal stove, two bags of charcoal, all the rations needed for the journey, a sleeping mat, blankets, washing powder, bath soap, tea leaves, and fresh water.
Tek Singh – or Bau Ji, as he was fondly called at home – arrived in Mombasa with almost no money in his pockets. He found refuge at a nearby Sikh temple (Gurudwara), where he slept on the veranda braving the ravenous mosquitoes, exactly like how the thousands freshly arrived on the coast spent their first few nights. After a week, Bau Ji was provided a bachelor accommodation by the Uganda Railways. Later, he and two other young Sikhs shared a small railway house that had the luxury of a tiny garden. The trio of bachelors remained life-long friends.
Bau Ji had promptly written home, informing his parents of his safe arrival. The mail though travelled first by sea, and then by rail and horse-drawn carriage and by foot, and took as long as 12 weeks to arrive. By then, his parents had feared the worst. His wife, Kartar Kaur, for her part, was obliged to don widow’s attire (the customary white dress), and was forbidden to use cosmetics. She complied for form’s sake but Kartar refused to believe that her husband was not alive. Amid the uncertainty of my father’s absence, my grandfather Natha Singh lived long enough to hear that his son had indeed reached East Africa safely, but the suspense evidently proved too much for his health. When Bau Ji’s letter finally arrived, the family was overjoyed and distributed sweets to everybody, but my grandfather died shortly after that.
Bau Ji found himself working for a soon-to-be expanded colonial rail (and shipping) network, one that would come to be known, first as Kenya & Uganda Railways and Harbours, and then eventually (in 1948) as the East African Railways and Harbours Corporation. Almost 30 years would elapse before he felt he was ready to bring the rest of his family over to Kenya. Through the 30 years, Bau Ji had to be content with getting to see his family during periods of extended overseas leave. He was entitled, once in every five years, a ‘six month home leave’ in India. All but one of the rest of us seven siblings were conceived during successive home-leave visits from our father. My youngest brother Balbir was born in Kenya. Bau Ji was able to save money for the education of all six of his sons, including me. Later, Bau Ji sent money to build a primary school in our home village.
Although the India Bau Ji had left behind was riven by class divisions, the world to which he now belonged bore even sharper lines of demarcation. The less educated Sikhs, those who were good with their hands, became mechanics, masons and carpenters. Only well-educated Sikhs could expect to land responsible office jobs. Most of the Railway accountants and clerks were Goans, who also ran the catering department. The people from Goa, who had lived under Portuguese rule for more than 500 years, did not mix much with other Indians. They classified themselves as Portuguese. And they already had their own sports club, known as the Railway Goan Institute. There were very few Gujarati-speaking Indians working on the Railway. Some Sikhs left the Railways to venture into business, but it was rare.
Bau Ji, for his part, had very little time for any kind of life beyond the Railway. He would walk the 10 kms to work from his Railway quarters. He and his two friends Kishen Mangat and Basant Bindra were encouraged by the British Administration to form a Sikh hockey team so a hockey field and a modest clubhouse were duly built. It went on to become the Railway Asian Institute Sports Club. After work, he would walk back home, have his tea, then change into his running-shorts and pick up his Indian-made hockey stick to hone his hockey playing skills.
Our lives in Baburpur –
I spent my early childhood in much the same way as my father. We never travelled outside our district in Punjab. There were no road or rail connections nearby. The Television was yet to be invented and I did not even know that radios existed. I first saw a camera when we all travelled to Ludhiana in 1947 to have our passport pictures taken. The camera was one of those contraptions with a black shroud underneath which the photographer’s head would momentarily disappear. There were no newspapers or magazines from which to learn about the world outside Babarpur. While in India, I had never heard of Mahatma Gandhi. Not until 1948, when I was in Kenya, would I hear about Gandhi for the first time – and that was only because he had just been assassinated.
Some of my friends are shocked when I tell them that my main hobby in the village was cock-fighting. I was the proud owner of a champion white cockerel named Raja, or ‘king’. Raja was fed on almonds and garlic, which made him a formidable fighter. We couldn’t afford the luxury of eating almonds. But for Raja, I would settle for nothing less. Before Raja went into battle, I would fit needle-sharp steel caps over his fighting-spurs – the talons on the inner side of a cock’s leg. In their natural state, a cock’s spurs are sharp enough. But kitted out in steel spikes, Raja could strike deep into an opponent’s belly, killing that poor bird almost instantly. Talking about this makes me wonder how I could have been so cruel. Back then, however, as a 12-year-old, I got a great kick out of all this. Raja slept next to my bed, I was so proud of him. My other passion was kite-flying. Together, brother Joginder and I won the championship for both of our last two years in the village.
Leaving India –
Things began to change for us in April 1947 the announcement of our impending departure had come in a letter from Bau Ji, received in September 1946. Leaving for Africa just weeks before India got its independence did at least spare us the carnage of Partition. When we left, India was still a peaceful place. Yet, within just a few months of our departure, some two million Indians were to lose their lives.
The first time I stepped on to a train was in 1947, at the age of 16, when we were leaving India. It was in the same year that I first travelled by bus. This was a time when, for the first time ever, Indian national election campaigns were canvassing the villages. The year 1947 was thus a significant one in my life. Until then, I had passed my entire childhood without ever having seen either a car or a motorcycle. I saw a flush toilet for the first time only after we travelled to a nearby town to be immunised against smallpox and to receive our yellow-fever vaccinations.
First, we travelled by ox-cart to Malaudh, the small town nearest to Babarpur where I had been going to school. With Partition looming, electioneering was under way in earnest, new buses were being used to mobilise political support among rural populations. From Malaudh, we took a bus to Ludhiana. This was only the second bus I had ever travelled in..From there, we boarded the train for Bombay.
In Bombay, we found a cheap hotel, where – in order to cut costs – the whole family shared one large room, with the males in one corner and the women in another. In the floor of the room there were holes through which, peeping down, we could see parts of the room beneath. Like all Indian travellers in those days, we carried all our own bedding in a sturdy canvas roll, complete with thick leather straps, a leather handle and a special pillow compartment. The bustle of Bombay – the first big city I had ever seen – was overwhelming. On reaching a street, I’d just stand there, transfixed, sometimes for at least three minutes, not daring to cross if there were a car approaching, even from afar. Bombay was simply awe-inspiring.
In India, there were – even then – bribe agents or ‘facilitators’ everywhere to smooth your passage through the formalities of customs and immigration and to find suitable accommodation for you. At the Bombay seaport, a bribe had to be paid for every service that was rendered. We even had to bribe someone in order to establish who else needed to be bribed. Our bribe agent then made sure that we bribed all the right officials.
The ship, named the Khandala, was dirty and worn. Originally a coal carrier, it had been converted to service as a passenger liner. The journey took 14 days. We docked briefly at two ports along the way, Porbunder in Gujarat and Mahe in the Seychelles. Then one day we saw the lighthouse of Mombasa. A tugboat came out to meet us and escorted our ship through a narrow bay into the port. The Africa I arrived in was green and lush. Palm trees swayed in the breeze against a clear blue sky. What a marked contrast this was to the flat and dusty Punjab we had left behind.
As we approached the shore, I knew I had come to a wondrous land. There were large engineering cranes at work in the harbour. The first human beings who caught my eye on the shore – two white men wearing shorts and a white woman in a loose skirt – were doing something curious. They were swinging sticks up and down. Later I found out it was golf. There were Africans, Arabs, Swahilis and even a few Indians and Europeans. We were astonished by how cheerful and laid-back everybody seemed to be. Most of the people we had seen on the streets of Bombay, by contrast, had looked tense and miserable, as they rushed about from place to place.
After Babarpur, our modest Railway house in Nairobi had the look of a palace. Gurdev, my elder brother soon found a job as a Railway fireman. For two years, he fed coal into the burners of the steam-engines and he would come home with soot all over his face and on his overalls. After a two-year apprenticeship, he became a locomotive driver.
In India, we had been punished for everything in school – for poor grades, for failing to complete our homework, for showing up a few minutes late, even for laughing aloud in class. For a village boy used to squatting on a coarse jute mat on a hard, uneven cement floor, this was a luxurious learning environment. Most of the teachers in Nairobi were surprisingly lenient, moreover, they did not punish for failure, or for lagging behind, but only for behaving badly in class.
Outside of school, life was filled with excitement. We drank sticky soda pop and we begged for turns to ride the bicycles of our friends. I played billiards, snooker and skittles at the Railway Club. At school, we played hockey and table-tennis. Indeed, we became such dab hands at table-tennis that my brother Manjeet and I went on, in 1954 and again in 1955, to contest the final of the Kenya National Table Tennis Championship. I won the first encounter, but Manjeet took the second.
Bau Ji was himself an avid sportsman. His love of hockey in particular was to infect my younger brother, Joginder (Jindi), who went on to be selected as part of the national hockey team that represented Kenya at the 1956 Olympics in Melbourne, Australia.
Joginder was sent to the prestigious St Thomas’s Teaching Hospital in London, where he eventually qualified as a doctor. Having then just represented Kenya at the Olympics, Joginder had easily found a place at the teaching hospital. Inderjeet went back to India, to a boarding college in Ludhiana, as Bau Ji could not afford to send him to a school in England. Later, upon returning to Kenya, Inderjeet became a popular radio and TV personality with the Kenya Broadcasting Corporation, and was for a while a heartthrob among the teenage set in Nairobi. Manjeet initially took up a job in Nairobi as a clerk in the Kenya Ministry of Works, before going into business. While at school, he received a shield from Queen Elizabeth’s sister, Princess Margaret. He was also awarded the Lord Mountbatten Boy Scouts’ Belt. All five of my brothers passed their ‘O’ level examinations. I was the sole exception, failing the exam.
A career in images –
One day Bau Ji gave me a basic, second-hand Box Brownie camera. Bought at a stock-clearance sale, it had cost him 25 shillings – the equivalent, then, of about US$ 3.50. This was the ‘poor man’s Rolleiflex’, with a fixed speed and fixed aperture. Neither he nor I knew it at the time, but this simple gift marked the beginning of a 60-year-long career in photography.
In the 1950s, in a prestigious international photographic magazine, I came across a photo essay by the Indian photographer, I.S Johar. His were pictures taken with a Box Brownie of landscapes featuring dramatic skies. Of course, all Johar’s images were in black-and-white, as colour film had yet to appear. His images, though, were a revelation to me. Taking my cue from Johar, I started using a yellow filter for all my outdoor pictures, and an orange one at times, for special effects.
My first photographs were of the Indian hockey team’s first to visit Kenya, early in 1948. In the team was the maestro Dhyan Chand, winner of three Olympic gold medals. Other great players I remember from that team were K S Babu, Manna Singh, the barefooted Peerumal and the South Indian Raju, as well as the two Anglo-Indians, R S Gentle and Claudius. For players with such an awesome reputation, all were astonishingly unassuming and gracious. None so much as batted an eyelid on being ambushed by me before a match with requests for their portraits. “Dhyan Chand,” I’d say, “Just stand there a minute, would you?” And the great man would duly oblige.
I could not afford to take my film off to a photographic studio for processing, so I learned to process film myself, in a small, makeshift dark room that I improvised in the windowless storeroom at our Railways house. I purchased developer powder and other chemicals from a studio in town. From that studio, I also borrowed a thin handbook, published I think by Britain’s Royal Photographic Society, entitled Photography Made Easy for Learners, which had detailed instructions on how to set up a home-processing lab.
I did not have an enlarger, so the photographs I produced were tiny, measuring just 2.25 by 3.25 inches. With no electric drum-dryer either, I would dry the wet pictures by slapping them on to the window panes in the kitchen, after washing down the glass with Lifebuoy soap. “Mohindri, that’s expensive soap,’ my mother or my sister would chide me. There was some friction, in that kitchen, between the cooks in the family and me, over my encroaching photographic activities. “A kitchen,” I was roundly informed, “is for cooking in – not for making pictures.”
My new-found joy at having discovered the wonders of photography did little to calm the guilt feelings that by now were haunting me. Here I was, a grown man of 20 without a job, still sponging off his parents at home. Having flunked my ‘O’ Level exams, I was beginning to feel anxious I might never find a meaningful job.
So one morning I plucked up enough courage to respond to one of the newspaper advertisements. The vacancy in question was for ‘a junior accounts clerk in an established pharmacy practice’. To my surprise, I received a notification that I was to come in for an interview. At the appointed time, I was shown into the office of the proprietor, an elderly Jewish woman called Edith Haller. I had heard of Ms. Haller, as she also owned one of the photographic studios in the town. Indeed, in those days most retail chemists operated a photographic service as well –where customers could hand in their exposed film and later collect the developed prints.
My formal interview with Ms Haller was mercifully brief. In short, my candidacy for the post of accounts clerk at the pharmacy was rejected almost at once. “What we need is a qualified bookkeeper,” Ms Haller explained. I was not unduly surprised but this time my frustration got the better of me and I nearly broke down in tears. In the doorway, as I was leaving Ms Haller’s office, I spun around suddenly. “Halle Studio,” I blurted out. “What about Halle Studio? Isn’t there something I can do there?” I told her about the little dark room I had established at home. I offered to bring in and to show her some of my photographs. I pleaded with Ms. Haller to be given a chance. She must have been utterly taken aback by my torrent of broken English, by my gangly appearance, by my ill-fitting, lop-sided turban. This was the first time I had ever addressed a white person at any length.
Ms Haller’s eyes lit up while I was talking. There and then, once I had said my piece, she told me she would put me on one month’s probation, starting immediately. From the moment I reported for duty, I was determined to show I was both capable and eager to learn. That job meant everything to me. My trainer Peter Howlett, although he did not say so, left me in no doubt that my brown skin might present a bit of a problem. Ms. Haller nevertheless confirmed me in my post at the end of the month-long probation period, for which I was paid 150 shillings (the equivalent, then, of about US$ 21). She also raised my monthly salary to 250 shillings (roughly US$ 35). I was mightily relieved and grateful; for now, at last, I had a proper job.
At the time, Kenya’s only daily newspaper, the East African Standard, did not have any staff photographers of its own. Instead, the paper relied on photographers hired from Halle Studio for its pictures of all events. Peter Howlett, the man who had been given the responsibility of training me – was Halle’s principal photographer and handled most of the commissions.
One line of work that kept Halle Studio very busy was photographing babies at their parents’ homes. Peter specialised in taking informal portraits of the babies using a single flash and it was my job to hold the flash unit. The unit was a very large, heavy box, separate from but wired up to the camera. I had to lug this box around, directing the flash at different angles so as to avoid casting an ugly shadow while Peter clicked away. Peter and I made a very successful team. We got many requests from proud young parents, while also going from door to door around some of the more affluent Nairobi suburbs, promoting our ‘Home Photography’. The response we received was generally enthusiastic, and before long we had an extensive customer base – and an impressive album of sample baby pictures.
We were also hired to take pictures of horse races, dog shows and other social events. As a colonial newspaper, the East African Standard – which commissioned most of these photographs – catered exclusively to the tastes of Kenya’s ruling British elite. One day, while Peter was away on holiday, the newspaper’s social editor, Lesley Clay, rang the Studio, requesting the services of a photographer. I took the call and offered to stand in for Peter. Ms Clay readily agreed to take a chance on me. “In a worst-case scenario,” she added, encouragingly, “we can probably do without a picture.” It turned out that Lesley wanted me to cover a horse show.
Ms. Clay was delighted with my photographs. Even I, when I processed and developed the pictures, was pleasantly surprised by how well they came out. This time the picture taken by Rolleiflex camera, and a 8×10 inch size was a magical thrill. This was the beginning of a long relationship with the Standard newspaper. Two dynamic white women – Ms. Haller and Ms. Clay – were thus responsible for both of the early breakthroughs in my career as a professional photographer.
With Lesley I attended countless society functions at which she would introduce her paper’s turbaned Sikh photographer to individual party guests. All were white, of course, and many would simply turn away on being introduced to me, shunning my presence.
The newspaper work kept me busy for years, until eventually the Standard employed a staff photographer, John Parry from England. In those days, the paper paid us peanuts for our photographs. The going rate was just five ten shillings (the equivalent at the time of about $ 1.20 60 US cents) per column-inch.
When the British declared a State of Emergency in Kenya in 1952, the Mau Mau struggle became the big news story. We took photographs of the brutal ‘screening’ of Africans in the streets; of detainees in the Manyani Camp; of British troops and supplies arriving at the Eastleigh Airport. I was not mature enough then to take in fully what was going on around me, even though this period was one of the most politically charged in the country’s history. The awakening of my political consciousness would come later, when I took photographs of the Hola Camp Massacre in 1959. It was when the real horrors of this conflict start to hit me.
Halle Studio –
In 1954, Ms. Halle fell ill, and her brother Arthur Haller, who was then the Government Maize Controller, persuaded me to buy the business from her. He even went so far as to find me a partner, in the person of Oded Katzler, a wholesaler of cardboard packaging. Katzler raised all the capital – amounting to the then formidable sum of 20,000 shillings. At first, Oded remained a sleeping partner in the business, but after 10 months I was able to buy him out. Upon acquiring Halle Studio, I immediately relocated the company to a rented first-floor office suite in central Nairobi. This was in Nairobi House, the historic building then located on the corner of Delamere Avenue and Government Road (now Kenyatta Avenue and Moi Avenue). The work was exciting, and although it did not pay well I was happy enough at the time, as I had developed a taste for photo journalism and news reporting. As time went by, my professional photographic assignments started taking me further afield. Increasingly, I was called upon to cover safaris and expeditions in remote parts of the country.
One evening in May 1958, my father – after coming home from work as usual – told me that he had some “wonderful news” for me. “Mohinder,” he said, “you are getting married.” Just like that.
Amarjeet Kaur Sandhu, known throughout her life as Ambi , was born in Kisumu, on the Kenyan shores of Lake Victoria, on September 20, 1940. She was educated at Kisumu Girls School, although, like me, she did not progress beyond ‘O’ Level. Bau Ji, for his part, was pleased to learn that Ambi had played tennis at school – at a time when Sikh girls were, for the first time, being allowed to play sports – was a strong point in her favour.
After our marriage, Ambi was not only conversant with all the studio’s day-to-day functions; she was also taking most of the passport, driver’s licence and ID photographs herself. This left me free to take on newspaper assignments at a moment’s notice. The result was that business at the studio picked up dramatically.
In those pre-Independence days, our bread-and-butter income came from a deal we had with the British Army to take ID photographs of its soldiers serving in Kenya, many of them then trying to suppress the Mau Mau uprising. On at least six days every month, whole lorry-loads of British soldiers would be dropped off to have their pictures taken. Sometimes, the queue would extend down the stairs on to the ground floor of Nairobi House and out into the street. Ambi would sometimes take pictures of more than 300 British soldiers in a single day.
Ambi loved working at the studio. She loved the busy days especially, when streams of people would walk in to have their pictures taken or to collect their prints. She made friends with other tenants in the building, whom she spoilt with her home-made samosas, earning her the nickname ‘Samosa Lady’. The work set Ambi apart from former school friends of hers, some of whom were now also newly married and living in Nairobi, but who – as housewives, most of them – had only limited interaction with the wider Nairobi public. Ambi never criticised her married former school friends openly, but she did, in private, after meeting up with them at weekends, “I am far too busy,” she used to say, “for all this idle chatter” finding the closed world of their incessant society gossip exasperating.
With Ambi at the studio, I could devote myself almost exclusively to news photography, initially for the East African Standard, and then – increasingly – for UPI and other international press agencies as well. Come 1959, I was spending less and less of my time in the studio, as assignments would call on me to leave Nairobi to cover events elsewhere in Kenya and throughout East Africa. When, in 1960, I began covering events across the whole of Africa, I would be away for lengthy periods, leaving Ambi to ‘hold the fort’ at Halle Studio. Having acquired a passion for photo-journalism, I had become ambitious. So, in 1959, I wrote to Planet News Photos (subsequently taken over by United Press International, UPI) asking if this international agency might consider taking my pictures. The reply I received was surprisingly short and to the point: ‘Yes, Please’ – just the two words; no further explanation required; no demands; no doubts even over whether I could deliver photographs of the desired standard. This stunning breakthrough would prove the making of my company Africapix Media Limited.
Mohinder Dhillon (Founder and CEO of Africapix Media Ltd.) was the first photo and TV journalist to capture the plight of Iranian Kurds behind Khomeini’s lines. His first pictures shocked the world generating a lot for sympathy of Kurdish sufferance. He was knighted by the Order of Saint Mary of Zion during a ceremony at the Royal Artillery Headquarters in Woolwich, U.K. on November 12th 2005. “The honors were conferred upon those who had made significant contribution to the society.
His films of Ethiopian famine finally moved the world into action resulting in one of the biggest famine relief operations in history. Relief planes from dozens of countries descended on little dirt air strips of Ethiopian countryside round the clock as if they were Heathrow or JFK airports. The very first pictures of the terrible Ethiopian famine was the combined effort of Mohinder Dhillon and Michael Buerk of BBC TV to gain entry into tightly controlled military ruled Ethiopia in 1984 opening the door for rest of the media and rest of the world.
May 21, 2013 | Categories: 1910s, 1947 India Bangladesh Partition, 1960s, Accolades & Awards, Achievements, Adventure, Apartheid, Arranged Marriage, Boat, Books, British Reign, Bus, Child Marriage, Cock Fowl, Commerce, East Africa, Education, English, Ethnicity, First of a kind, Food & Drink, Friendships, Future icons from the Past, Halle Studio, Hockey, House of their dreams, Kite flying, Knighthood, Men's Clothes, Migration, Most Popular, Noteworthy Journeys, Photo Studio, Photographer, Photography, Pre-Independence, Previous, Punjabi, Punjabi, Punjabi, Racism, Rags to Riches, Railways, Relocation, Ship, Sikhism, Smallpox, Urdu, Vehicles & Transportation, Violence, Wartime Separation, Western Clothes, Widower, Women Empowerment | Tags: 1960s, Africapix Media Limited, Babarpur, BBC, Bombay to Africa, Bribery, British East Africa, Brownie Box, Dhyan Chand, East Africa, Edith Haller, Ethiopia, Famine, Halle Studio, Hockey, Hola Camp Massacre, ID photographs, Immunisation, Indian hockey team, Indian national election campaigns, Iranian Kurds, Kenya, Kenya Broadcasting Corporation, Kenya National Table Tennis Championship, Khandala, Kite Flying, Knighthood, Manyani Camp, Mau Mau, Michael Buerk, Mombasa, Nairobi, Olympic gold medals, Olympics, Punjab, Rolleiflex camera, Royal Photographic Society, Sam Dhillon, Ship, Sir Mohinder Dhillon, Small pox, Uganda Railway, yellow Fever | 10 Comments »
Image & Text contributed by Alison Henderson Ghosh, U.K
This is an image of my great cousin Nellie Ghosh, great aunt Mabel Henderson and her husband Dr. Bharat Chandra Ghosh. Nellie was Mabel & Bharat’s daughter – and they lived somewhere in India and their house was called “Homelands”. The photograph of the house surrounded by Palm and Coconut trees suggests a coastal area. I have been researching the Ghosh family for years but haven’t yet found much information on the family after 1929.
I do know that Mabel’s father was a tea/general provisional merchant based in Edinburgh, U.K.– Mabel had three brothers, John, William and Daniel. William was a well known Scottish composer/musician and he wrote music for church organs and also recorded to vinyl, Daniel became a smuggler and was last heard of in the Caribbean. And there were three sisters; Kate & Bunty who both migrated to New Zealand, and Helen, my great grandmother, to Ireland – they were all very musically and artistically gifted. About Bharat’s family I found out that his father, Ishan Chandra Ghosh was a Professor of Mathematics and his mother’s name was Anorndomohi Ghosh – her maiden name was Sarkar.
I am unsure about how they met, but Bharat and Mabel were married in Scotland in 1905 in the district of St. Giles. Bharat qualified as a doctor in the Royal College of Surgeons of Edinburgh and at the time of their marriage they must have moved to India because he worked for the Punjab Medical Department, and then he subsequently joined the Indian Medical Services. According to the India papers in the National Library of Great Britain, Bharat was based in Ambala, Punjab as an Assistant Surgeon where he inoculated hundreds of people against the Plague in 1901-02. He was also a member of the India Medical Service at the Theatre of War in World War I.
His name appears in the quarterly Indian Army list from January 1918 to July 1922.
Date of Appointment: 6th October 1917
Rank : Temporary Lieutenant
Promotion: 6th October 1918 to Temporary Captain
I am on the lookout for leads on the Ghosh family whereabouts after 1929, and would be happy to hear from people who may know more.
Mar 22, 2013 | Categories: 1920s, Anglo Indian, Architecture, Bengali, Bungalow, Disease & Illnesses, Doctor, Documents, Education, English, Ethnicity, Exteriors, Fashion & Trends, Hair Styles, Head Gear, House of their dreams, India, Inter Race, Kashmir, Landmarks, Lifestyles, Men's Clothes, Migration, Mixed, Mixed Marriages, Music, Art, Dance & Culture, Newspapers, Noteworthy Journeys, Plague, Pre-1947 Indian Regions & States, Pre-Independence, Previous, Relocation, Travel, United Kingdom, Universities & Colleges, Western Clothes, World War I | Tags: 1920s, Alison Henderson Ghosh, Bharat Chandra Ghosh, Edinburgh, Indian Medical Services, Inoculation, Kashmir, Migration, Nellie Ghosh, Plague, Punjab Medical Department, Royal College of Surgeons of Edinburgh, Theatre of War, World War I, WW1 | 4 Comments »
Image and Text contributed by Laxmi Murthy, Bangalore
This picture is thought to have been taken in Tumkur, State of Mysore, immediately after the marriage of my great grand parents Chennagiri Amba Bai, 12 years old (standing top right) with Sreenivasa Rao, then 18 (middle row, sitting right most), with Amba Bai’s paternal family, the Chennagiris. I must thank my aunt Prabhamani Rao for all the help in identifying the people of my ancestral family found in this image.
Born in 1889 into an orthodox Brahmin family in the erstwhile Mysore State (now in Karnataka), she was widowed at the age of 24 with three children. Sreenivasa Rao, Ambi’s husband was in the Police. He was also a wrestler and a champion swimmer. He died suddenly in 1913, caught in a whirlpool while swimming in Kempambudi Lake (now a sewerage collection tank) in Bangalore.
Amba Bai whom we fondly called Ambi, triumphed over her tragic destiny by empowering herself with education. She defied conservative society to educate herself through college, become economically independent, and went on to become the principal of Vani Vilas Girls School in Bangalore. Nothing short of a saga of grit and determination, Ambi’s story serves as an inspiration to women who face oppression till today. In her determination to break away from the shackles of social customs, which heaped on a widow the most inhuman treatment, she had the support of her enlightened father, C Krishna Rao, fondly called Rayaru, and his colleagues. With their encouragement she managed to step into a world where no widow had dared to tread.
Ambi’s father Rayaru (middle row, third from left) was the head of the Chennagiri family and a Director of Public Instruction. He was much respected and loved for his vision, intelligence and belief in women’s education. He fathered 14 children, the one on his lap being the 11th, C Padmanabha Rao.
Ambi died in 1971 at the grand old age of 82, leaving behind a legacy of love, courage and strong values, which are cherished to this day by three generations of women after her. The story of Amba Bai, Ambi, has been reconstructed by her granddaughter Vimala Murthy, my mother, with inputs from surviving members of her family.
Chronicling the extraordinary grit and courage of this woman of nearly 100 years ago, the book is not just a tribute from two generations of progeny but also a very valuable record of a vanished socio-cultural-familial scenarios. The book, self published in 2007, in addition to being an account of life in Karnataka in the early 20th century, also contains rare photographs more than a century old, reproductions of Amba Bai’s diaries, letters, accounts books and notations – a unique addition to any archive on women. For copies of the book you can write to me here.
May 02, 2012 | Categories: 1900s, Arranged Marriage, Bangalore, Body Building & Fitness, Brahmin, Champion, Child Marriage, Cultural Attire, Education, Future icons from the Past, Government Jobs, Head Gear, Indian Clothes, Karnataka, Literacy, Malyali, Men's Clothes, Mysore, Pre-1947 Indian Regions & States, Pre-Independence, Previous, Research, Sarees, Self Published, Swimming, Teacher, Vani Vilas Girls School, Weddings, Widow, Women Empowerment, Wrestler | Tags: 1900s, Book, Chennagiri, Child Marriage, Education, Family Portrait, Head Gear, Karnataka, Kempambudi Lake, Laxmi Murthy, Marriage, Mysore, Police, Prinicipal, Sarees, Schools, South Indian, Swimmer, Tumkur, Widow, Women Empowerment, Wrestler | 3 Comments »
Image and Text contributed by Smita Sajnani/Veena Sajnani, Bengaluru
The following text is the story my Bua, (father’s siser) Veena Sajnani narrated to me while flipping through her photo albums.
“I was a fashion model in the year 1970 and toured with the Femina group all over India doing fashion shows for textile firms and others. Our salary was Rs. 150/- per show and after 20 shows we would go home with a princely sum of Rs. 3000/-. We were only 10 models and we knew each other well, we travelled together and had a lot of fun.
One such day that year, when rehearsals for fashion shows had begun, I was told I was no longer required for the show. Very upset and being a newbie with all the hotshot models of Bombay, I presumed it was because I had made a mistake and therefore had been kicked out.
But no. Apparently the call for Miss India 1970 had been announced and I was selected to participate in the Beauty Pageant. Funny part was, I hadn’t even applied for it! I then found out that Meher Mistry and Persis Khambatta (the original Super Models of India) who were close friends, had filled in the Miss India application form for me because they felt I had a chance to win.
Once I accepted the fact that I was in the pageant, I ran home and told my sister to come shopping with me. On a limited budget, we bought a sari, an Emerald green chiffon with gold work and it looked lovely under the stage lights. Bombay, being the cinema city, had tailors stitching sari blouses within hours so while my sister and I shopped around, my blouse was ready.
Before the day of the pageant, we were asked to come to the Times of India office terrace (parent company of Femina) with a swim-suit and be photographed in it, because in those days, judges looked at pictures instead of the actual girls in swim-suits; and we were saved the embarrassment of coming out on stage in swim-suits. Instead, during the interval, the judges came backstage to check us out and since it was dark they had flashlights and our photos in their hands! Yes, it was very funny indeed. We all giggled through the ordeal but in retrospect it was better than walking out half naked under full lights- a very scary prospect to say the least.
Persis and Meher on the other hand, were walking for the fashion show on the contest day and were most enthusiastic about my winning. So much so that Persis decided to do some sleuthing to find out how I was faring with the judges. She was perceptive and sharp, so each time she went out on the ramp she would peek into the judges’ notes! She must have had X-Ray vision because she said she could see the ratings and it was number 6, my number! We all pooh-poohed but sure enough when the winner was announced it was indeed number 6! Me. Veena Sajnani.
Needless to say my two partners in crime were thrilled to bits. After all I had beaten Zeenat Aman (who later became a very famous movie star), whom I think they did not like very much. Whatever the case maybe, I was happy for them and for myself for joining the elite band of Miss Indias. And I will always remember them fondly for this adventure.”
After her stay at Miami for the Miss Universe pageant, my Bua continued with her modelling, then worked at Madura Coats, post which she found her true love – Theatre.
Sep 05, 2011 | Categories: 1970s, Beauty Pageants, Fashion & Trends, Fashion Model, Femina, Glamour, Hair Styles, Most Popular, Publications, Sarees, Specialised Clothing, Theatre, Western Clothes, Women, Women's Clothes | Tags: 1970s, Bangalore, Bathing Attire, Beauty Pageant, Beauty Pageants, Beauty Queen, Blouses, Bombay, Chiffon, Cinema, Embroidery, Fashion & Trends, Fashion Model, Femina, Glamour, Hair Styles, Madura Coats, Meher Mistry, Miss India 1970, Miss India Contest, Models, Persis Khambatta, Publications, Ramp Walk, salary, Sarees, Sari, Smita Sajnani, Specialised Clothing, Super Models, Swimsuits, Theatre, Times of India, Vani Ganpathi, Veena Sajnani, Women Empowerment, Women's Clothes, Zeenat Aman | 8 Comments »
55 – Six generations of a British Family in India, one of whom was a Photographer for Times of India.
Image and Text contributed by Jason Scott Tilley, Birmingham UK
These are two photographs from My Grandfather Bert Scott’s family photographic archive. The photograph on the left, of my Great Great Grandparents Edwin and Emily Scott was taken on Christmas day in 1925 at 3, Campbell road, Richmond Town, Bangalore, our family’s house which was one of the old British Bungalows and has sadly like many of the rest, been demolished. On the old ground now stands St Philomenas hospital, right in the very heart of Bangalore.
On the right, are my great grandparents Algernon Edwin Scott and Desiree Leferve with my Grandfather, Bert Scott as a two or three year old boy, the image was taken in 1919 in Cannanore, Karnataka. (now Kannur and in the state of Kerala)
My family came to India in 1798 when James Scott Savory joined the East India Company as a writer of the Records of state. He was the second assistant under the Collector of Krisnagearry (Krishnagiri). Edwin Ebenezer (left image) is his great great grandson. From the church death records at St. Marks Cathedral in Bangalore it states that Edwin Ebenezer was the Assistant commisioner of Salt in South India.
Son of Algernon Edwin Scott and Desiree Marie Louise Josephene Leferve, (she was the daughter of a French professor of English from Pondicherry). Algernon Scott (Bert’s father) worked for the ‘Salt and Abkeri’ before he joined the army and went to Mesopatamia region from 1916-1919. After Algernon Scott left Mesopotamia he then went to the North West Frontier province until 1921 when he was discharged as Lieutenant. In 1925 he joined Burmah Oil company until 1933 he worked at Caltex until the out break of War.
My Grandfather Bert Scott, whom I fondly call ‘Grandpa’, was mainly brought up by his Grandparents, this must have been because his parents were away much of the time. He was educated at the famous ‘Eaton of the East’, Bishop Cottons school in Bangalore and then at St. Joseph’s college in Cannanore on the way up to Ooty in the Nilgiri’s. In 1936 he took a job as a press photographer at the Times of India Newspaper in Bombay where he worked until the out break of World War II. He initially joined up as a ‘Gunner’ but soon took the Job as Head photographer for the Indian Army during the second world war where he worked out of GHQ New Delhi (Now Parliament), His duties include photographing ceremonies and Japanese positions behind enemy lines in Burma.
My grandfather married his Bride, Doll Miles at the church of redemption in New Delhi and 1943 and my Mother Anne Scott was born later that year in Amritsar, Punjab, whilst he was away on active duty during the war. He was in position on 14th August 1947 to photograph the hand over of Power and watched as the Mountbattens left Vicregal lodge (now Rashtrapati Bhavan). During the troubles of partition, because my family were Anglo Indian, they fled from Delhi to Bombay, and then took a ship to the new country of Pakistan where in November of that same year they left for a new life in the United Kingdom.
For more images via Jason please click here
May 06, 2011 | Categories: 1700s, 1800s, 1900s, 1910s, 1920s, 1930s, 1940s, Anglo Indian, Bangalore, Bishop Cottons, Bombay to Karachi, Christianity, Christmas, Delhi, East India Company, English, Government Jobs, Hair Styles, Hospitals, Indian Army, Kannur, Karnataka, Kerala, Maharashtra, Men, Men in Uniform, Men's Clothes, Migration, Noteworthy Journeys, Photographer, Pre-Independence, Punjab, Richmond Town, St. Joseph's, Tamil Nadu, Times of India, Western Clothes, Western Clothes, Women, Women's Clothes, World War II | Tags: 1700s, 1800s, 1900s, 1910s, 1920s, 1930s, 1940s, Afghanistan, Anglo Indian, archive, Assistant commisioner of Salt, Bangalore, Bert Scott, Birmingham, Bishop Cottons, Bombay, Bombay to Karachi, British, British Bungalow, Burma, Caltex, Campbell road, Canoot, Christianity, Christmas, Church, Collector of Krisnagearry, Couple, Delhi, East India Company, English, Family, Family Archive, French Professor, Government Jobs, Gunner, Hair Styles, Hospitals, Indian Army, James Scott Savory, Japanese Positions, Jason Scott Tilley, Kannur, Karnataka, Kerala, Maharashtra, Men in Uniform, Migration, Mountbatten, Newspaper, Nilgiris, North West Frontier province, Noteworthy Journeys, Ooty, Pakistan, Parliament, Partition, Photographer, Pondicherry, Pre Independence, Punjab, Richmond Town, Six generations, South India, St Philaminas hospital, St. Joseph's College, St. Joseph’s, Tamil Nadu, Times of India, United Kingdom, World War II | 17 Comments »
Image and Text contributed by Soni Dave, New Delhi
Born on April 12, 1918 in the Mainpuri Dist. of Uttar Pradesh, Brigadier Gyan Singh, whom I fondly call Gyan Uncle, was a man of many many accomplishments and huge influence. He was commissioned in the Regiment of Artillery in June 1940. In 1947 he set up the Army Ski Training School in Gulmarg, Kashmir, which is now the High Altitude Warfare School. In 1959 he became the second principal of the Himalayan Mountaineering Institute, Darjeeling established in 1954. He took over from Major N.D. Jayal who was the principal from 1954 to 1958.
And the best part, in 1960, he led the first Indian attempt to the Mount Everest. Unfortunately, the expedition was short of the summit by 200 meters when they were forced to return due to very bad weather.
He was also awarded the Padma Shri in 1961. And then was the first principal of the Nehru Institute of Mountaineering set up in 1965 to honour the great desire of Prime Minister Pandit Jawahar Lal Nehru, who was an ardent mountain lover. In 1979 he founded the National Adventure Foundation and set up a chain of adventure clubs throughout India. He was also awarded the IMF gold medal in 1993 for his outstanding contribution in the field of mountaineering. ‘Lure of Everest‘, ‘Peak to Peak‘, are some of the books he wrote.
The above is information readily available on the Internet. But I have a few personal words on the man I knew as Gyan uncle. Gyan Uncle was my mother’s brother, one of 5 siblings. Three elder brothers followed by two younger sisters. Gyan uncle was the second eldest. I consider myself fortunate to have spent long periods with him in the late 70’s early 80’s. He was in Delhi very often those days in connection with setting up the National Adventure Foundation. When in Delhi he always stayed with us. For me, in my early 20’s, he was a ready role model of optimism, work ethics and good cheer. He described it very well when he said that he ‘had a very bad memory for unpleasant things’. And so that’s how he lived his life. Always in the present moment. He was a man of action. Always doing something and doing it well.
His own family life however was turbulent. He had 3 sons and a daughter. He lost his eldest son, Mahinder, to a fire accident. His third son, Ravi, lost his life to an overdose of drugs. Ravi’s drug addiction had been a matter of great concern to his father who tried his best to help his son overcome it. He also admitted him to a de-addiction center after-which when he took him home he encouraged him to write about it. It turned into a book called ‘I was a Drug Addict’. However before it could be published, Ravi, unable to deal with issues, returned to his world of fantasies, and we lost him to an overdose. The last chapter of the book was written by a heartbroken grieving father. The book was published posthumously in 1979. To watch him mourning and then recover from such great losses were valuable life lessons. In 1979 he focussed all his energies on starting the National Adventure Foundation.
When I talk about him, how can I not talk about his great sense of humour and comic timing. There was never a dull moment. Quick wit and repartee would fly! Being around him was uplifting. And he was charming charming charming ! He won hearts so effortlessly. He passed away in 1997 at the age of 79. We still talk about him. Tell the children stories about him.. Nearly all those stories are accompanied by loud laughter! What an accomplishment! What a life!
Apr 27, 2011 | Categories: 1950s, 1960s, Adventure, Books, Darjeeling, Drugs, First of a kind, Founders, Gulmarg, Head Gear, High Altitude Warfare School, Himalayan Mountaineering Institute, Indian Politics, Medal, Men, Men in Uniform, Mount Everest, Mountaineering, Padma Shri, Professional Gear, Professional Training, Self Published, West Bengal | Tags: 1950s, 1960s, Adventure, adventure clubs, Army, Army Ski Training School, Award, Bad weather, Books, Brigadier Gyan Singh, Darjeeling, De-addiction Centers, Delhi, Drug Abuse, Drugs, First of a kind, Founders, Gulmarg, Head Gear, High Altitude Warfare School, Himalayan Mountaineering Institute, HMI, I was a Drug Addict, Indian Army, Indian Politics, Lure of Everest, Major N.D. Jayal, Medal, Men in Uniform, Military, Mount Everest, Mountaineering, National Adventure Foundation, Nehru Institute of Mountaineering, overdose, Padma Shri, Padma Shri, Pandit Jawaharlal Nehru, Peak to Peak, Principal, Professional Gear, Professional Training, Regiment of Artillery, Self Published, Soni Dave, Summit, Tenzing Norgay, West Bengal | 7 Comments »
Image and text contributed by Sreenivasan Jain, Journalist, New Delhi
Some text is paraphrased from the Book – Civil Disobedience : Two Freedom Struggles, One Life, memoirs of my father LC Jain, noted economist and Gandhian.
This image was photographed in Delhi, shortly after my paternal grandparents Chameli and Phool Chand, got married. She was 14 and he was 16. It was unusual for couples in our family to be photographed, especially holding hands, which turned out to be an indication of the unconventional direction their lives would take. They were Gandhians and freedom fighters.
The only visible reminder of her brush with the radical politics of the freedom movement was the milky cornea in her right eye, the result of an infection picked up in Lahore Jail where she had spent 4 months in 1932. Otherwise, she was Ammaji: gentle, almost luminous in her white saris, regular with her samaik (Jain prayer), someone who would take great pleasure, on our Sunday visits, to feed us dal chawal (rice and lentils) mixed with her own hands.
My grandmother grew up in a village called Bahadarpur in Alwar, about four hours south of Delhi, in a deeply conservative Jain family. The family was locally influential; they were traders in cotton turbans, woven by local Muslim weavers and sold in Indore, Madhya Pradesh. They also were moneylenders. As with much of rural Rajasthan, the women were in purdah. Within two years of their marriage, their first child, my father, was born.
Ammaji moved with my grandfather into the family home in the teeming bylanes of Dariba in Chandni Chowk. But he had developed a growing interest in Gandhi and the nationalist movement and soon broke away from the family business to join the Delhi Congress. In 1929, soon after the call for Poorn Swaraj at the Lahore session, he was arrested for the first time.
My grandfather’s stint in jail exposed him to even more radical politics. Along with his Congress membership, he also became part of the revolutionary Hindustan Socialist Republican Association which counted Bhagat Singh and Chandrashekhar Azad amongst its members. (Azad, in an interview, acknowledged that he received his first revolver from my grandfather). He also became a reporter for the nationalist newspaper at the time, Vir Arjun, whose editor he had met in jail.
In 1932, Gandhi called for a major nationwide satyagraha against foreign goods. It was also the year a bomb was thrown at Lord Lothian, an act in which my grandfather played a role. When he told my grandmother that he was going to jail, she said this time she would go to prison first, by taking part in the swadeshi satyagraha. The household was stunned. Ammaji’s life had revolved around ritual, the kitchen and ghoonghat. Her decision led to the following heated exchange; witnessed by my father, age 7:
Babaji: “You don’t know anything about jail.”
Ammaji: “Nor did you when you were first arrested.”
Babaji: “Who will look after the children ?”
Ammaji: “You will.”
Sensing that things were getting out of hand, my great grandmother, Badi Ammaji locked both of them into a room. But my grandfather apparently fashioned an escape from the window using knotted dhotis and Ammaji, head uncovered, marched with other women pouring out of their homes towards the main bazaar. The crowd had swelled into hundreds. There were cries of ‘Mahatma Gandhi ki Jai’. As they began to move around picketing shops selling foreign goods, they were arrested, taken to Delhi Jail, and charged with four and half months of rigorous imprisonment.
Her arrest, not surprisingly, outraged the family in Alwar. Umrao Singhji, Ammaji’s father, came to Delhi and had a big argument with my great grandfather, accusing the in-laws of ‘ruining our princess’. But Ammaji found an ally in her in-laws, who refused to pay her bail out of respect for her satyagraha. Umrao Singhji then tried to talk his daughter out of it when she was being transferred to Lahore Jail. ‘Chameli, apologise, ask for pardon.’ But Ammaji asked him not to worry. ‘Bolo Bharat Mata ki Jai’, she said, as she was being led away in a rickshaw along with the other prisoners. ‘Bharat Mata ki Jai’, responded her father.
She returned from Lahore four months later, a minor heroine. But there was also loss. Lakshmi, her daughter, five years old, fell from the balcony of the house and died when she was in Lahore jail. And there was the milky cornea – the loss of an eye. But her world had somewhat widened. She wore her ghoonghat a few inches higher. She gave her Rajasthani ghaghra choli away, and wore only hand-spun.
She spun on the charkha. She would attend meetings with other women on matters of community reform, like widow remarriage and also became more involved in the activities of the local sthanak, the Jain community’s prayer and meditation hall. She had, as it turns out, quietly fashioned her own blend of Jain renunciation and Gandhian abstinence.
In the years that followed, my grandfather retained his engagement with the freedom struggle. He would often go to sit in the family’s property agency in Model Town, but his real passion, which consumed most of his last 30 years was compiling a massive index of freedom fighters, a staggering 11 volume chronicle of the stories of countless ordinary men and women, who took part in protests, bomb conspiracies, went to jail, lived and died. For my grandmother, it was a gradual return to a more conventional domesticity.
But, that single action that morning in 1932 had opened up a world: a young woman from a deeply conservative family, who became the first Jain woman in her neighbourhood to go to jail, who was named on the day of her arrest in the Hindustan Times with all the other satyagrahis and who would return home to other freedoms, even if minor, like a ghoonghat that could be worn a few inches back.
And for that, she would one day have an award named after her. The Chameli Devi Jain Award.
Jan 22, 2011 | Categories: 1920s, 1930s, 1940s, 1947 India Pakistan Partition, Accolades & Awards, Alwar, Arranged Marriage, Assassinations & Attempts, Bomb Blasts, Books, British Reign, Business-man / Business-woman, Chandani Chowk, Child Marriage, Cotton, Cultural Attire, Decor, Delhi, East India Company, Elopement, Freedom Fighters, Future icons from the Past, Gandhian, Head Gear, Hindu, Hindustan Times, House Wife, Imprisonment, India, Indian Clothes, Indian Clothes, Indian Politics, Interiors, Jain, Jewellery, Journalism, Lahore, Love & Romance, Madhya Pradesh, Men, Men's Clothes, Model Town, Most Popular, Pre-Independence, Rajasthan, Research, Revolver, Sarees, Satyagraha, Vir Arjun, Wartime Separation, Women, Women Empowerment, Women's Clothes | Tags: 1920s, 1930s, 1940s, 1943, 1947 India Pakistan Partition, Accolades & Awards, Alwar, Arranged Marriage, Assassination Attempt, Assassinations & Attempts, Bahadarpur, Bhagat Singh, Bomb Blasts, bomb conspiracies, Books, British Reign, Business-man / Business-woman, Chameli Devi Jain, Chandani Chowk, Chandni Chowk, Chandrashekhar Azad, Charkha, Child Marriage, Chronicle, Civil Disobedience, Civil Disobedience : Two Freedom Struggles, Congress, Cotton, Cotton Turbans, Couple, Cultural Attire, Dariba, Decor, Delhi, Delhi Congress, East India Company, Elopement, Freedom Fighters, Future icons from the Past, Gandhian, Ghoongat, Handspun, Head Gear, Hinduism, Hindustan Socialist Republican Association, Hindustan Times, House Wife, Imprisonment, Independence Struggle, Indian Politics, Indore, Interiors, Jail, Jain, Jain Community, Jains, Jewellery, Journalisim, Journalism, Journalist, Lahore, LC Jain, Lord Lothian, Love & Romance, Madhya Pradesh, Mahatama Gandhi, Men, Men's Clothes, Model Town, Moneylenders, Muslim Weavers, Nationalist Movement, nationalist newspaper, One Life, Phool Chand Jain, Poorn Swaraj, Pre Independence, protests, Purdah, Rajasthan, Research, revolver, Rural, Samaik, Sarees, Satyagraha, Satyagriha, Spinning Wheel, Sreenivasan Jain, Traders, Veil, Vir Arjun, Wartime Separation, Widow remarriage, Women Empowerment, Women's Clothes | 12 Comments »
Image and text contributed by Sandhya Mehta
Jul 19, 2010 | Categories: 1940s, 1947 India Pakistan Partition, Beliefs & Causes, British Reign, East Africa, Exile, Freedom Fighters, Gandhian, German, Germany, Gujarati, Indian Clothes, Indian Clothes, Indian Politics, Men, Men's Clothes, Pre-Independence, Props, Publications, Sarees, Satyagraha, Scientist, Shantiniketan, Studio Portraits, Western Clothes, Western Clothes, Women, Women's Clothes, Writer | Tags: 1940s, 1947 India Pakistan Partition, Anand, Beliefs & Causes, Bombay Presidency, British India, British Reign, C.F Andrews, Dr. Shantibhai Patel, East Africa, Exile, Family Portrait, Freedom Fighters, Gandhi, Gandhian, German, Germany, Gujarati, Indian Politics, Kheda District, Linguistics, Maharaja of Baroda, Mahatama Gandhi, Mehta, Narasinhbhai Patel, Patel, Props, Publications, Rabindra Nath Tagore, Sarees, Satyagraha, Satyagriha, Scientist, Shantiniketan, Studio Portraits, Writer | Leave A Comment »
Image and text contribution by Lt Col (Retd) Dr. G.Kameswararao, Secundarabad
This photograph is a wedding group photo of my father’s elder brother, Gadepally Suryaprakasam (also known as Surya Prakasarao). It was photographed at Kakinada, then known as Coconada, in the East Godavari District of Madras Presidency. He served the Nizam government in the Education Department. My grandmother, my father’s siblings, his paternal, maternal uncles and their children are a part of this group. The famous Telugu poet, Devulapalli Krishna Sastry is seated last on the right (on the chair). He was married to the daughter of my father’s paternal uncle. My paternal grandfather, Gadepally Venkata Sastry was in the service of Pithapuram Raja. He was a Sanskrit Scholar and a Trustee of the famous Sri Kukkuteswara Swami temple in Pithapuram, in which lies an incarnation of the lord Shiva, in form of a Kukkutam, a ‘Cock fowl’. He wrote in Sanskrit a Stotram , in praise of Kukkutam, which my mother got published in 1990. My grandfather passed away by the time this photo was taken and my grandmother is seen herein (middle, standing) as a widow, wearing the traditional white dress covering her hairless head.
– The Contributor is a financial patron of Indian Memory Project
May 19, 2010 | Categories: 1910s, Andhra Pradesh, Cock Fowl, Education, Gods, Government Jobs, Hair Styles, Head Gear, Hyderabad, Indian Clothes, Indian Clothes, Marital Status, Men, Men's Clothes, Nizam of Hyderabad, Poet, Pre-1947 Indian Regions & States, Pre-Independence, Publications, Sanskrit, Sarees, Scholar, Self Published, Shiva, Telugu, Temple, Weddings, Widow, Women, Women's Clothes | Tags: 1910s, Andhra Pradesh, Cock Fowl, Coconada, Devulapalli Krishna Sastry, Dewan, Education, Gadepally, Godavari District, Gods, Government Jobs, Group Photo, Hair Styles, Head Gear, Hyderabad, Incarnation, Indian Clothes, Kakinada, Lord Shiva, Madras Presidency, Marital Status, Men's Clothes, Nizam of Hyderabad, Pithapuram Raja, Poet, Pre Independence, Pre-1947 Indian Regions & States, Publications, Sanskrit, Sarees, Scholar, Self Publication. Self Published, Shiva, Sri Kukkuteswara Swami, Tahsildar, Telugu, Temple, Vizianagaram Sansthanam, Wedding, Weddings, Widow, Women's Clothes | 1 Comment »