It seems that he went along on a trip with a transport contractor for the army all the way to Assam, and then simply began driving trucks. That his own uncle (chacha) was already working here in Tezpur, also driving trucks, would have helped. After working for a few years as a driver, he started a small kirana/gelamaal (grocery) shop in Tenga Valley in Arunachal Pradesh. He also founded a hotel that ran for around seven years. Eventually he got around to buying some trucks and built a transport business for himself - a few contracts with the Indian Army hastened the cause.
Just before their marriage, a respected family astrologer and priest was called in who went through Dadaji’s horoscope with a fine tooth comb. It seems that he predicted that Dadaji would marry twice. The planetary positions could not lie, he proclaimed, and it was unavoidable destiny.
This photograph of my father Nomal Mech, at 19 years old, (bottom right) with his colleagues was taken in 1980 in the Assam Studio in Shillong, Meghalaya when they were enrolled in a three-month training program to become telephone switchboard operators. It was probably the first time he was getting his photograph taken. The shoes he wears here were his first pair, bought third-hand from a neighbour to protect him from the cold and wet Shillong weather. When I inquired about his uber fashionable clothes in this image, he said that everyone was wearing clothes inspired by Rajesh Khanna and Amitabh Bachchan, the cinema style icons of the time, even though he himself was not acquainted enough with Indian films. He simply wore what everybody else was wearing.
Unfortunately within six months, the fever took Jogendranath’s life, leaving his young 12 ½ year old wife a widow. Given her age, it was decided that Pushpomoyee would return to her parent’s home in Calcutta, where she might be happier. Binodini and Devendranath would enquire about Pushpomoyee often, and within an year they began to hear of unpleasant rumours surrounding the treatment of their daughter in law, at her own maternal home. So when a serendipitous opportunity for some state related work in Calcutta arrived, Binodini and Devendranath at once left, and stayed at the Hathwa house on 28, Shakespeare Sarani (now Theatre Road). Binodini then dropped in, unannounced, at the Bose household on Gray Street and witnessed what she had feared.
This photograph of my grandfather was taken around 1925 at a photo studio called Portraits Par Papers located at 23, Rue Boissy-d’ Anglas in Paris, France. I am not exactly sure what he was doing in Paris at the time, but it is possible that he went there on a vacation with some of his friends because we know that he also travelled to Austria and Hungary. We also know that he had by then discovered the delights of a camera and photography.