Born in 1932 in Chikodi village, Belgaum on the current Maharashtra-Karnataka border region, Annasaheb was born in a multilingual environment. My great grandfather Gurunath, was a zamindar (large estate owners) and owned lands in the fertile zone on the banks of River Krishna, where production of cash-crop tobacco was extremely lucrative. The Shahade family was prosperous and socially influential. Gurunath was an ardent supporter of Mahatma Gandhi and agreed to give up his assets to the farmers at the insistence of Congress activists. At the time of Quit India Movement, he whole-heartedly participated in the protests. Unfortunately, he was incarcerated in Poona (now Pune) and then died a tragic death.
Romila had a gifted voice and though untrained, she would sing at all gatherings, school functions and weddings with incredible skill. In the 1950s, she was introduced to The Voice of America and All India Radio (AIR) studios by an employee and neighbour Kuku Mathur, and my grandmother began singing in childrens’ shows, and voicing for radio dramas scripted by B.R Nagar, a veteran broadcaster. Her mother tongue - Lahori Punjabi made her proficient in Punjabi folk songs, Urdu ghazals and regular film songs. Her pay was around Rs.50 for every ten programmes, and for those days it was a reasonable sum.
In Karachi, the Marathe family lived in the prominent locality of Bandar road (now Muhammad Ali Jinnah Road). The Maharashtrian community with approximately 50,000 people enjoyed tremendous social currency and power and they demonstrated the vibrant culture of the community in Karachi, where people from all religions and ethnicities celebrated their diversities, and lived in harmony. Appasaheb’s daughter, my grand-aunt Vimal, was born in Karachi and she still remembers that they owned a convertible car and that Karachi is where she experienced the finest days of her life. Both of Appasaheb's children, Vimal and my grandfather Suresh attended a Marathi medium school in Karachi called Narayan Jagannath High School.
According to family knowledge, My great grand-parents, Balwant and Laxmibai’s relationship was considerably strained. Four years after their marriage, he married again, for the second time, to a lady named Kamalabai, because he thought that Laxmibai was not beautiful enough and that the marriage was arranged against his wishes. Consequently, Laxmibai’s life was riddled with difficulties and illness, compounded with eight pregnancies of which only three children survived. While Kamalabai would accompany Balwant in his travels to Calcutta (now Kolkata), Bombay (now Mumbai), and Delhi, and she attended to her husband throughout his life, Laxmibai had to stay home, and look after their kids. Ironically, the conspicuous absence of Balwant’s second wife, Kamalabai in family group photographs could be for the fact that she was unable to bear children. Both women suffered discrimination in different forms. Having said that, Kamalabai looked after her step-children as her own, even after he passed away.
Photographed in December of 1957, this is my mother Kaushalya Lakhani. She was adoringly known as Dadi Lakhani in the homes of Bhopal. Clad in gorgeous theatrical costume for a play, this portrait, one of the oldest in our family, is of a dynamic and versatile lady who had a lasting impact on hundreds of lives and destinies in Madhya Pradesh. The picture was taken by her husband, my father Vasudev Lakhani, an amateur yet ardent photographer.