She was sent to London to learn film production

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My maternal Grandmother, Jaya Phatak. London, United Kingdom 1972

My maternal Grandmother, Jaya Phatak. London, United Kingdom 1972 Image & Narrative contributed by Rohit Kulkarni, Pune This is a photograph of my grandmother, Jaya Phatak. It was taken at a film studio in London in 1972. My grandmother was born in the Phatak family in Pune, Maharashtra in 1926. Her father Duttatre Phatak worked with the British Indian Railways, and was also the manager of a record label 'Orion' that no longer exists. I am told he was instrumental in the first ever recording of Ustad Abdul Karim Khan, a well-known Hindustani Classical Singer and appointed musician to two royal courts in Baroda, and Mysore. Duttatre died when my grandmother was very young and over time her life turned out to be very different for many of the women of her era. She was very interested in sports and also represented the State at the Kabaddi Nationals in 1964. She was very young in 1942, when she became involved in India's Independence movement in Pune. She was jailed along with other 6-7 of her mates and sent to Yerwada Jail for disrupting and distributing Anti-British leaflets at a British military gathering at Nowrosjee Wadia College grounds. At the jail, she discovered many more imprisoned freedom fighters across castes and classes. They were detained and went through a one-month trial, and offered either Bail or an arrest for a month in jail. The family didn't have much money so there was no bail forthcoming. Despite an arrest for only a month, my grandmother says that they were still not released and instead were kept for another 11 months, because British law stated that it did not need to justify or give…

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“The most amusing thing about the movie was that we had no script”

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Amitabh and I. On the sets of 'Mr. Natwarlal'. Bombay, Maharashtra. 1979

Amitabh Bachchan and I. On the sets of 'Mr. Natwarlal'. Bombay, Maharashtra. 1979 Image and Narrative contributed by Tony Juneja, Mumbai My name is Ramanjit Singh Juneja, however family and friends affectionately call me Tony, and now everyone knows me as Tony Juneja. I was born in 1954 in Patiala, Punjab, and my father worked as a liquor supplier to the Army Canteen stores and Indian Army Troops. Even as a child I was attracted to cinema. While studying at Bishop Cottons in Simla, Himachal Pradesh, I would passionately read every edition of the ‘Picture Post’, a now forgotten english magazine about hindi films - even during class. Our family used to own bonded warehouses for liquor in Nagaland, so we would travel and live in the region often. Once we grew up, my elder brother Kushaljeet (known as Tito) took a leap and began producing Assamese Films in Dimapur and Guwahati.  I too, would visit Guwahati often during summer vacations and watch them shoot and so the interest only heightened. I remember in 1972, the film we were shooting was called Mukta (later it received the President's Award). And I joined my brother as a Production Boy. That was my first job in films. My role was to wake up early in the morning and ensure that the unit travels to the shooting location and then post the shoot, bring them back. Tito, my brother, went on to establish himself as a distributor of Indian motion pictures for the West Bengal territory and I moved to Calcutta (now Kolkata) with him. After a year or so my brother decided to move to Bombay, where all the mainstream movies were being made and…

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