It is unusual to see Bijoy clothed in a North Indian Dhoti (loose drape pants) because most young boys his age wore half pants. Apparently he had begun to dress like an adult to display his commitment to the independence struggle; perhaps he felt that serious work required an adult attire. And he was not alone in his commitment - several leaders of the Independence movement had recruited large numbers of young boys to act as secret messengers to deliver letters in nearby towns and villages. Whenever the policemen came around on suspicion and to arrest Bijoy (they would come around often) his proud mother Pareshwari Devi would instruct Bijoy - “If you sign any police papers for an early release, do not come back to this house”.
(Top Image) My parents, Rajaram and Annapurna Telang. 1956 (Bottom image - Hand painted Photograph) My siblings, Ramesh and Snehlata. 1955. Islampur, Sangli District, Maharashtra. IMP Research Intern : Priyanka Balwant Kale, Pune Image and Narrative Points contributed by Sumedha Deshmukh, Pune The above photograph is of my parents, Rajaram and Annapurna Telang, taken in Urun-Islampur (Islampur for short, in Sangli District) Maharashtra, in 1956. The image below shows my older siblings, Ramesh and Snehlata, photographed in 1955 when they were two and five years old. My father Rajaram or Appaji, as we would call him, had learnt photography and would paint on his prints often. Appaji served as a bank employee throughout his life, and was a perfectionist when it came to his creative interests. My parents’ families were originally from a village in Hyderabad State (now in Telangana state) called Manthani, Peddapalli district, on the banks of river Godavari. It had a unique composition with the majority of the population of Brahmin caste and a minority trader community called Komati living together in complete harmony. Our last name at the time was Yellishetty, still used among our relatives. With fewer options of employment in his village as well as deeply felt discrimination by a rather tyrannical attitude of the Nizam Shah, my grandfather along with his family migrated to Karad (originally known as "Karhatak or"Elephant Market”), Bombay Presidency (now Maharashtra state) via the Hyderabad-Nanded (Marathwad) route in 1915. Marathwad, was part of the then Hyderabad State and a nodal point between Marathi and Telugu culture. Fearing exclusion from the nearby village communities for being dark-skinned South Indians, even if from a village of Brahmins. My grandfather adopted the last…
In September of 1945, two months before they left for Nyasaland (now Malawi), East Africa, my parents Mangal and Madhav Thorat got this photograph taken in a photo studio in Poona (now Pune) by a photographer named Patwardhan. As the photograph may reflect, my parents liked to dress up well. What it also holds is a story of their unusual pasts, and future together.
Although he never practiced it professionally, my father was a talented photographer and was introduced to the craft by his childhood friend Balkrishna Kulkarni whose father owned a photo studio. My father would closely observe lighting techniques, the developing process of glass plates, making prints etc. Even after rolls of film became the norm, my father continued to make glass plates. Though he also learnt the process of developing film rolls from Laxman Gaikwad, a neighbour who lived with them in Kirloskarwadi and was a company photographer for the Kirloskar company and its manufacturing units.
In Karachi, the Marathe family lived in the prominent locality of Bandar road (now Muhammad Ali Jinnah Road). The Maharashtrian community with approximately 50,000 people enjoyed tremendous social currency and power and they demonstrated the vibrant culture of the community in Karachi, where people from all religions and ethnicities celebrated their diversities, and lived in harmony. Appasaheb’s daughter, my grand-aunt Vimal, was born in Karachi and she still remembers that they owned a convertible car and that Karachi is where she experienced the finest days of her life. Both of Appasaheb's children, Vimal and my grandfather Suresh attended a Marathi medium school in Karachi called Narayan Jagannath High School.