My grandmother’s private past

My grandmother’s private past
My great great grandmother Ethel and grandmother Joan. Calcutta. (now Kolkata). Circa 1945

This is a picture of my maternal grandmother Joan Thompson (right) with her maternal grandmother Ethel Minnie McNair (left). It was taken in Calcutta (now Kolkata) around 1945. My grandmother Joan was born in Ranchi in 1930, illegitimately. Not much is known about the events surrounding her parentage though photographs in our family archives show her father Frank Thompson and mother Kathleen Chaplin, both in each other's company and with friends, as young people. Ethel, my great-great grandmother in the picture, was married to a British reverend Joseph Chaplin and had three daughters and a son including Kathleen and they lived in Calcutta. She was a matron at La Martinere and I remember my grandmother Joan saying that Ethel worked with midwifery too, since we also have photographs of her working with babies. Joan described Ethel as being born in Srivilliputtur, Tamil Nadu and as half-caste which could mean she was Anglo Indian (Eurasian), but could also mean that she was instead of mixed Indian ethnicity who had adopted Christianity. I have been told that Kathleen always wore gloves and make-up to conceal her heritage.

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The first Indian woman to perform on New York Broadway

The first Indian woman to perform on New York Broadway
Gopal Sharman & Jalabala Vaidya. Rome, Italy. 1967

Gopal Sharman & Jalabala Vaidya. Rome, Italy. 1967 Image courtesy Akshara Theatre Archive. Narrative points by Jalabala Vaidya, New Delhi Volunteer Assistance : Myra Khanna, Delhi I was born in London (UK) in 1936. My English-Italian mother, Marjorie Frank-Keyes was a concert singer and my father Suresh Vaidya was a successful young writer. He was also on the editorial board of Time Magazine in London. My father was arrested by the British authorities when he refused to join the British Army to fight in World War II. He declared he would gladly fight as a free man, but not as a colonial subject. He was imprisoned in Canterbury and fought and won a case in the British Court. His case was defended by well known lawyers like Sir Fenner Brockway and Lord Reginald Sorensen. In a landmark judgment, the court ruled that the British Army could not compel a person to fight because he was a colonial subject. Of course I was one my feisty parents’ two daughters. I completed my schooling in London then in Bombay (now Mumbai). Later I graduated from Miranda House, standing third in Delhi University. I was also actively involved in theatre and was awarded the best actress for performing sections from Bernard Shaw’s Saint Joan. Later, I began working with Link Magazine in Delhi as a journalist that also had a daily paper called The Patriot. Gopal Sharman was suggested to us as an independent writer who could write very well on the arts. Up until then I had been writing them. In the 1950s, at the office, I was in charge of putting the month’s issue to bed and I had been told…

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A photograph to send back home to India

A photograph to send back home to India
Fehmeed Siddiqui with wife Nargis Jahan. Karachi, Pakistan, 1975.

Fehmeed Siddiqui with wife Nargis Jahan. Karachi, Pakistan, 1975. Image and Narrative contributed by Late Nargis Jahan, Karachi, Pakistan Volunteer Assistance : Zeba Siddiqui, Mumbai My husband Fehmeed was born and brought up in Lucknow, and spent his early years darning cloth at his father's shop in Hazratganj. He would often tell me about his struggles in Calcutta (now Kolkata), where he moved to in 1965, while in his mid-20s, to find better work. He also spoke about the gruesome violence he witnessed between Hindus and Muslims there, how it shook him, and prompted him to move to Karachi, where his paternal relatives lived at the time. After migrating to Karachi, he found work at a shop selling carpets and a few years after, when some mutual relatives arranged our match, we got married in 1974. In this picture, Fehmeed and I were about eight months into our marriage, and still getting to know each other. He would take me out on dates a lot, and frequently to Karachi’s Clifton Beach. This is a photograph from the time when Fehmeed took me out for our first photo shoot together to a studio on Tariq Road, a famous shopping district in Karachi (now Pakistan). He wanted it photographed so he could send it back to his home in Lucknow, India, to relatives who had not been able to attend our wedding.  "What kind of a picture is this?!" my father growled when he saw it and did not allow us to send this photograph. Eventually, we sent another one where I am mostly covered in a burqa. Karachi was a completely different place then. Couples would be seen going out a…

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The only valuable he saved while fleeing to India in 1947

The only valuable he saved while fleeing to India in 1947
My father, Anand Prakash Bakshi as a child with his parents. Rawalpindi. (now Pakistan). Circa 1930

My father, Anand Prakash Bakshi as a child with his parents. Rawalpindi. (now Pakistan). Circa 1930 Image and Narrative contributed by Rakesh Anand Bakshi, Mumbai On October 2, 1947, during partition, my father Anand Bakshi’s family was informed that within an hour or two their Mohalla- Qutabdeen in Chityian Hattian, Rawalpindi (now Pakistan) was going to be attacked by rioters and marauders belonging to another community. My father Anand, then 17 years old, his grandparents, father, step mother & step siblings, had only minutes to grab whatever money, clothes, personal effects, they could possibly carry with them. Hundreds of others and they fled from their homes, overnight. From Rawalpindi, the family travelled to Delhi via a small Dakota Air plane, (the plane was a bonus, because my great grandfather was at the time, the Superintendent of Police of Punjab Prisons in Rawalpindi.) When the overnight displaced family reached Delhi in India, homeless and with only few valuables on them, my grandfather took stock of what everyone had managed to carry across the border. Upon seeing what my father had carried, in those moments of life threatening crisis, my grandfather was livid. Angrily he asked my father - 'Why did you not carry valuables!? What useless things have you carried with you? How can we survive without our valuables? You should have carried some valuables!’  My father had carried what he had thought were valuables, a few family photographs; and particularly those of his mother.He had lost his mother, Sumitra Bali, when he around 9 years old due to pregnancy related complications. On being yelled at, my father said to my grandfather - "Money we can earn when we find work,…

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‘Gunjing’ in the poshest market of Lucknow, Hazratgunj

‘Gunjing’ in the poshest market of Lucknow, Hazratgunj
My brother Aman and I, at our grandparents' home. Hazratgunj, Lucknow, Uttar Pradesh. 1982

My brother Aman and I, at our grandparents' home. Hazratgunj, Lucknow, Uttar Pradesh. 1982 Image and Text contributed by Annie Zaidi, Mumbai My brother Aman Zaidi and I spent about a year living with our maternal grandparents in Lucknow, while our mother was in the hostel in Aligarh Muslim University (AMU), trying to finish her Masters. I was about two and a half years old, hence my memories of this phase are dim. But I was deeply attached to my grandma and was perpetually tailing my big brother, Aman. I also have vague memories of trying to play 'Kabaddi' with his friends. This photograph was taken on Aman's seventh birthday by my father, and Aman had just been gifted his first bicycle. He learnt to ride it the same day. Since I was not gifted a bike until I was much older, I never did learn to ride one and still can't. Our father had taken us to Hazratgunj, the poshest market in town, perhaps for a treat. I have no idea why I'm making that face - perhaps annoyed at being asked to pose too long. Another colour photograph of this day tells me that my brother was wearing a smart, red jacket and it matched his brand new Red bike. I was wearing a Pink Anarkali styled kurta with a little black embroidered 'Koti' (sleeveless jacket). It was a baby version of the costume that female qawwals in Hindi movies of the 50s & 60s were often seen in. This day - or at least, this outfit - should have been memorable, my family tells me. We were visiting my bua (father's sister) and she had a pet dog. I had never…

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