In the mid nineties things became even more interesting for my father with a commission from the Election Commission. They wanted him to make a campaign video to create awareness about voting. His awareness campaign was such a big success that it was made into a commercial CD. And that led him to a second commission - a contract from Doordarshan, (India's first national and regional Channel) for a TV series. He spearheaded (writing, directing and acting) the sitcom Ki Kam U Bah Beshbha, with local and khasi characteristics (influenced by the sitcom Mind your Language as well as Elvis Presley's character across many of his skits.) that went on for 3-4 years. He revolutionised the concept of Khasi Televison in Meghalaya, that had never been done before. The entire series is now available on YouTube. My father had become a regional star and when he would drop my son off at school, everyone would ask him for autographs.
My father, Ai Lot Hailowng, was born in 1951 in Namphake Village in the Dibrugarh district of Assam to a Tai Phake family. Tai Phake is a small tribal community of about 2000 people scattered across Assam and Arunachal Pradesh in Northeast India. The Tai Phake first migrated to Myanmar (formerly Burma) from Moung Mao, (South China region). Migrations from south east asian regions were due to conflicts between erstwhile kingdoms and around 1775, many people in search of newer grounds, found and formed new settlements in what is present-day Assam and Arunachal Pradesh.
This photograph of my father Nomal Mech, at 19 years old, (bottom right) with his colleagues was taken in 1980 in the Assam Studio in Shillong, Meghalaya when they were enrolled in a three-month training program to become telephone switchboard operators. It was probably the first time he was getting his photograph taken. The shoes he wears here were his first pair, bought third-hand from a neighbour to protect him from the cold and wet Shillong weather. When I inquired about his uber fashionable clothes in this image, he said that everyone was wearing clothes inspired by Rajesh Khanna and Amitabh Bachchan, the cinema style icons of the time, even though he himself was not acquainted enough with Indian films. He simply wore what everybody else was wearing.