Image and Text contributed by Sunita Kripalani, Goa
In 1947, after partition, when my grandfather Nanikram Goklani and his wife Khemi migrated to India, along with their extended family from Karachi, Pakistan, they settled in Pune, Maharashtra with their 9 children. My mother Mohini, second of seven sisters, was just 16 at that time. Grandpa got a job in the Income Tax department and although times were tough, my grandfather made sure all the children received excellent education.
My mother and her older sister Sheela went to Nowrosjee Wadia College and my grandfather managed to procure admission for some of the younger children in reputed schools such as Sardar Dastur Hoshang Boys’ High School, and St. Helena’s School for Girls. The children studied well, they were voracious readers, and led a simple life.
During the 1950s, the sisters were well versed in household skills, especially the art of stitching and embroidery. They fashioned their own clothes, copying designs from magazines and the displays in the shop windows of Main Street. At home however, they maintained decorum and modesty, but ever so often, Duru, my mother’s younger sister, would coax her to go with her to a photo studio on Main Street called The Art Gallery to get their photographs taken. Duru would pack all kinds of stuff for both of them: ties and beads, scarves and skirts, hats and belts, not to forget some make-up, and the two of them would mount their bicycles and head for the studio where they indulged their fantasies, using studio props and their own accessories.
In the picture my mother is wearing “Awara pants”, a style made famous after the well known actor, Raj Kapoor’s movie by the same name. She is also very nonchalantly holding a cigarette, albeit unlit, between her fingers! The photograph is totally incongruous with her personality, for copying Nargis, the star actress of the time, was more my mom’s style whereas my aunt Duru was bolder and more tomboyish.
I don’t know if my grandfather knew what was going on, or if he approved, but he was not the kind of father who would scold any of his children. If he didn’t like something, he simply wrote a few words on a piece of paper and slipped the little note under that child’s pillow, which was enough to bring the rebellious offspring back on track… but that’s another story.
After college, my mother got a job at the Department of Cooperation, Government of Maharashtra. It was her first and last job. She retired in 1985 as Assistant Registrar of Cooperative Societies, Bombay.
May 09, 2012 | Categories: 1947 India Pakistan Partition, 1950s, Art Direction, Bicycle, Bombay, Decor, Domestic Skills, Dressed for an Occasion, Education, English Medium, Fashion & Trends, Fashion Accessories, Floral patterns, Glamour, Government Jobs, Hair Styles, Head Gear, Karachi, Karachi to Bombay, Maharashtra, Main Street, Migration, Modeling, Movies, Nowrosjee Wadia College, Pakistan, Photo Studio, Previous, Prints & Stitches, Props, Pune, Sardar Dastur Hoshang Boys, Shoes, Sindhi, Smoking, St. Helena’s School, Studio Backdrops, Studio Portraits, The Art Gallery, Western Clothes, Women, Women Empowerment | Tags: 1950s, Awara Pants, Bicycles, Bombay, Cigarette, Domestic Skills, Fantasy, Fashion & Trends, Goklani, Government of Maharashtra, Income Tax Department, Maharashtra, Main Street, Migration, Modeling, Nargis, Nowrosjee Wadia College, Partition, Photography, Posing, Pune, Raj Kapoor, Sardar Dastur Hoshang Boys, Sindhi, Sisters, St. Helena’s School, Sunita Kripalani, Tailoring, The Art Gallery, Trends, Women | 2 Comments »