The twin cultural ambassadors of India

The twin cultural ambassadors of India
My grandfather S. Gurdial Singh (standing right) and his fraternal twin brother S Harminder Singh (standing second from left) with staff from the Consulat général de France (Embassy of France). Connaught Place, New Delhi. 1949

My grandfather S. Gurdial Singh (standing right) and his fraternal twin brother S Harminder Singh (standing second from left) with staff from the Consulat général de France (Embassy of France). Connaught Place, New Delhi. 1949 Image and Narrative contributed by Nona Walia, New Delhi This is photograph is of my grandfather S. Gurdial Singh (standing right) and his fraternal twin brother S Harminder Singh (standing second from left) with people from the Embassy of France in New Delhi in 1949. The brothers Gurdial and Harminder were born on August 1, 1916 in Wazirabad (now in Pakistan). The family was from a small town in Punjab, Chamkaur Sahib, where Guru Gobind Singh, the tenth Sikh guru’s, sons were sacrificed. The twins' architect father Bir Singh had helped build government and residential buildings in Lahore (now in Pakistan) and Chamkaur town. Bir Singh, my great grandfather had two wives, and the first wife had a daughter. The societal pressure for property distribution (the patriarchal line) was immense by his brothers, so he married Balwant Kaur, who gave birth to the twins with the blessing and prediction of a local saint in Punjab, Randhir Singh. The twins it turned out were quite unlike each other. Gurdial Singh was a introvert, and liberal hearted with a tight circle of friends. Harminder Singh was an extrovert, dynamic, social, philosopher who loved meeting the whos who. The twins were just eight years old when their 34 year old father Bir Singh passed away and they were brought up by their mother, Balwant Kaur. Their spirit made them known for their strength, as Harminder (known as Kirpal Singh then) would daringly go swimming in the Ropar canal…

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Mixed marriages of the Indian Subcontinent and Africa

Mixed marriages of the Indian Subcontinent and Africa
My wife's aunt & uncle. Circa 1930s. Kenya [Composited with an colour background at a later date]

My wife's aunt & uncle. Circa 1930s. Kenya [Composited with an colour background at a later date] Image & Narrative contributed by Krishan Lal, Kenya with help from his son Dileep Nagpal This image is of my wife’s relatives in Kenya as a reference to the narrative below. In the late 19th century, an enterprising and adventurous Parsi Indian Alibhai Mulla Jeevanjee left Karachi (now Pakistan) and sailed to Australia. As a house-to-house hawker, he managed to gain some knowledge of the English language and eventually migrated to East Africa in 1890. There, he established contact with British investors who were looking for some help to manage the planned Uganda Railways. After five years, Jeevanjee was awarded the contract to recruit Indian labourers from Punjab,  to build the Uganda Railways in Kenya  and the IBEAC (Imperial British East Africa Company) began building the railways construction from Kilindini Harbour, Mombasa. Beginning 1891, thousands of the Indian 'coolies'  (today this word is considered a racial slur in many African countries), mainly Sikhs & Punjabis, were recruited for a three-year-contract to build Kenya Uganda Railways. Almost all of them came alone, leaving their wives in India. One of the reasons why Indian labourers, instead of locals, were recruited was that the British faced severely hostility from the citizens of that country. The Indians on the other hand were there purely for economical reasons. They were also strong, tough and reliable hard workers and had previous experience with construction of building railways, roads, bridges and canals in India. In Kenya though, they had to face several hardships. Living in huddled groups in tents, they worked tirelessly to clear thick jungles, and break routes through hills…

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From Karachi to Bombay

From Karachi to Bombay
My mother Indra's family. Karachi (now Pakistan). Circa 1930

My mother Indra's family. Karachi (now Pakistan). Circa 1930 Image and Narrative points contributed by Roma Mehta, Taipei Volunteer Assistance : Myra Khanna, New Delhi This is one of my favourite photographs of my mother Indra’s family. It was taken in front of her family’s home in Sindhi Colony in Karachi, almost a decade before the partition of India and Pakistan took place. It is difficult to pinpoint an exact date but I estimate it was the 1930s. It is possible this photo was taken on the occasion of my uncle (mother's brother) Moti’s wedding but I cannot confirm it. Sitting in the middle are my grandfather, Gaganmal Jhangiani whom we fondly called Baba and grandmother, Laxmi Bai whom we called Ammi. Around them sit his children, his brother’s children and a relative-in-law. Baba was a tall and dark complexioned man, and Ami was petite and fair. To me, they seemed like ebony and ivory. Ami and Baba used to play together as children and when Ami turned 12, the families got them married. It seems that my grandmother had basic elementary education but like most women of the time, she became busy with domestic matter and household duties. My grandfather was an architect by profession and had studied in England. I have been told that he was instrumental in designing and planning the Sindhi Colony in Karachi. Life was good for the family : they had a lovely home, a horse carriage, and a great love of music and culture. Each one of them knew how to play an Indian classical music instrument. The family would even sing together on many occasions. My mother, Indra always told us stories…

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A photograph to send back home to India

A photograph to send back home to India
Fehmeed Siddiqui with wife Nargis Jahan. Karachi, Pakistan, 1975.

Fehmeed Siddiqui with wife Nargis Jahan. Karachi, Pakistan, 1975. Image and Narrative contributed by Late Nargis Jahan, Karachi, Pakistan Volunteer Assistance : Zeba Siddiqui, Mumbai My husband Fehmeed was born and brought up in Lucknow, and spent his early years darning cloth at his father's shop in Hazratganj. He would often tell me about his struggles in Calcutta (now Kolkata), where he moved to in 1965, while in his mid-20s, to find better work. He also spoke about the gruesome violence he witnessed between Hindus and Muslims there, how it shook him, and prompted him to move to Karachi, where his paternal relatives lived at the time. After migrating to Karachi, he found work at a shop selling carpets and a few years after, when some mutual relatives arranged our match, we got married in 1974. In this picture, Fehmeed and I were about eight months into our marriage, and still getting to know each other. He would take me out on dates a lot, and frequently to Karachi’s Clifton Beach. This is a photograph from the time when Fehmeed took me out for our first photo shoot together to a studio on Tariq Road, a famous shopping district in Karachi (now Pakistan). He wanted it photographed so he could send it back to his home in Lucknow, India, to relatives who had not been able to attend our wedding.  "What kind of a picture is this?!" my father growled when he saw it and did not allow us to send this photograph. Eventually, we sent another one where I am mostly covered in a burqa. Karachi was a completely different place then. Couples would be seen going out a…

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Across three continents with a sewing machine in tow

Across three continents with a sewing machine in tow
My mother, Satwant Kaur Virdee. Ludhiana, Punjab Circa 1967

My mother, Satwant Kaur Virdee. Ludhiana, Punjab Circa 1967 Image and Narrative contributed by Pritpal Virdee, UK This is a picture of my mother, Satwant Kaur Virdee photographed in Ludhiana, Punjab around the late 1960s. She was born in Nurpur, near Lahore (now Pakistan) in 1929 and later moved to Kot Badal Khan, Jalandhar district (now India). It was one of the many journeys and migrations my mother would make in her lifetime; initially with her mother and father, Daya Singh, and then with my father Prem Singh Virdee after marriage, circa 1945. She spent time at Nangal when Bhakra Dam was being constructed (my father was a mechanical engineer) then Phillaur, Ludhiana, Nakuru, Nairobi and finally Coventry, UK. Moving across three continents with her daughters in tow - a sewing machine too was always essential. This picture represents so much of the migration history that epitomises modern life, the Punjabi diaspora and our own personal family history. Migration from the Doaba area of Punjab has been prolific and in our family, it started initially with my maternal grandfather. Doaba is now called the 'NRI Hub of Punjab' as a consequence of a significant percentage migration of the Doabias. By the 1960s, my father also ventured into East Africa, taking advantage of family and colonial linkages. He spent time working in Nakuru, Kenya and my mother spent time in Ludhiana; father would often bring “foreign” gifts for his daughters when he returned home. He would buy bicycles, radios and other modern consumables, including a camera for his girls. My mother told me he was quite progressive in his thinking and despite us being girls, he wanted us to have the latest gadgets.…

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