An Incredible Lineage of Stories and Songs

Romila had a gifted voice and though untrained, she would sing at all gatherings, school functions and weddings with incredible skill. In the 1950s, she was introduced to The Voice of America and All India Radio (AIR) studios by an employee and neighbour Kuku Mathur, and my grandmother began singing in childrens’ shows, and voicing for radio dramas scripted by B.R Nagar, a veteran broadcaster. Her mother tongue - Lahori Punjabi made her proficient in Punjabi folk songs, Urdu ghazals and regular film songs. Her pay was around Rs.50 for every ten programmes, and for those days it was a reasonable sum.

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The first Indian woman to perform on New York Broadway

The first Indian woman to perform on New York Broadway
Gopal Sharman & Jalabala Vaidya. Rome, Italy. 1967

Gopal Sharman & Jalabala Vaidya. Rome, Italy. 1967 Image courtesy Akshara Theatre Archive. Narrative points by Jalabala Vaidya, New Delhi Volunteer Assistance : Myra Khanna, Delhi I was born in London (UK) in 1936. My English-Italian mother, Marjorie Frank-Keyes was a concert singer and my father Suresh Vaidya was a successful young writer. He was also on the editorial board of Time Magazine in London. My father was arrested by the British authorities when he refused to join the British Army to fight in World War II. He declared he would gladly fight as a free man, but not as a colonial subject. He was imprisoned in Canterbury and fought and won a case in the British Court. His case was defended by well known lawyers like Sir Fenner Brockway and Lord Reginald Sorensen. In a landmark judgment, the court ruled that the British Army could not compel a person to fight because he was a colonial subject. Of course I was one my feisty parents’ two daughters. I completed my schooling in London then in Bombay (now Mumbai). Later I graduated from Miranda House, standing third in Delhi University. I was also actively involved in theatre and was awarded the best actress for performing sections from Bernard Shaw’s Saint Joan. Later, I began working with Link Magazine in Delhi as a journalist that also had a daily paper called The Patriot. Gopal Sharman was suggested to us as an independent writer who could write very well on the arts. Up until then I had been writing them. In the 1950s, at the office, I was in charge of putting the month’s issue to bed and I had been told…

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